_(2).gif)
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|||
|
|
|||
|
|
 |
Ibanez AD9 Analog Delay Effect Pedal : MusiciansFriend : USD149.99The Ibanez AD9 Analog Delay Effect Pedal uses a compander with pre- and de-emphasis for an exceptionally clean delay. Time and level controls allow mixing between dry and delayed signals. Repeat control lets you adjust the number of repeats without runaway. 2 outputs enable dry and delayed signals to be routed separately. |
 |
MI Audio Blue Boy Deluxe Overdrive Pedal : MusiciansFriend : USD151.95Featuring the ultimate in low and mid gain sounds, the Blue Boy Deluxe overdrive guitar pedal has less compression than the standard design, and a total of 6 external controls: Gain control; High/Low balancing control tone control; Volume Control with output up to 25Vpp with correct power supply; dedicated midrange control; external character control for adding "momentum" to guitar notes, or keeping things tight; external brightness control for controlling top end content, and to help match the Blue Boy Deluxe to different amps. It looks great too, with a clear lens yellow/amber LED and a professionally powder-coated and silk-screened enclosure, measuring only 4.3" x 2.2".All MI Audio guitar effect pedals have the following in common: Hand built with pride and passion in the Sydney workshop in Australia by the team of builders at MI Audio. Individually tested by Michael and carry a 5-year warranty. Built with the absolute highest quality components, on double sided, through-hole PCBs. Enclosed in a heavy-duty die-cast aluminum enclosure. The pedals have a heavy-duty true bypass, featuring a heavy duty 3PDT footswitch. The power supply of the pedals have been designed to allow you to power the unit from a DC source up to 25V, providing you with massive headroom and a huge output signal There is a 2.1mm barrel connection for external power connection. |
 |
MI Audio Crunch Box Distortion Pedal : MusiciansFriend : USD122.95The Crunch Box Distortion Pedal features three external and one internal control. The externals include Gain - from the lightest breakup to insane high gain scream; Tone - custom taper control which adjusts the high end cut of the pedal; Volume - updated taper for a more gradual and controlled volume sweep. Internal presence control is for adjusting the "shape" of the Crunch Box pedal's sonic footprint. Looks great too, with a professionally powder-coated and silk-screened enclosure, measuring only 4.3" 2.2".All MI Audio guitar effect pedals have the following in common: Hand built with pride and passion in the Sydney workshop in Australia by the team of builders at MI Audio. Individually tested by Michael and carry a 5-year warranty. Built with the absolute highest quality components, on double sided, through-hole PCBs. Enclosed in a heavy-duty die-cast aluminum enclosure. The pedals have a heavy-duty true bypass, featuring a heavy duty 3PDT footswitch. The power supply of the pedals have been designed to allow you to power the unit from a DC source up to 25V, providing you with massive headroom and a huge output signal There is a 2.1mm barrel connection for external power connection. |
 |
MI Audio Blues Pro Overdrive Pedal : MusiciansFriend : USD122.95The Blues Pro overdrive pedal has 4 external controls: Gain - from the lightest breakup to serious crunch, with more grit and attitude than the Blue Boy Deluxe; Tone - for taming the top end; Volume - plenty of volume for overdriving a tube amp; Toggle switch for unleashing the new 'fuzz mode'. Looks great too, with professionally powder-coated and silk-screened enclosure, measuring only 4.3" x 2.2".All MI Audio guitar effect pedals have the following in common: Hand built with pride and passion in the Sydney workshop in Australia by the team of builders at MI Audio. Individually tested by Michael and carry a 5-year warranty. Built with the absolute highest quality components, on double sided, through-hole PCBs. Enclosed in a heavy-duty, die-cast aluminum enclosure. The pedals have a heavy-duty true bypass, featuring a heavy duty 3PDT footswitch. The power supply of the pedals have been designed to allow you to power the unit from a DC source up to 25V, providing you with massive headroom and a huge output signal There is a 2.1mm barrel connection for external power connection. |
 |
MI Audio GI Fuzz Pedal : MusiciansFriend : USD151.95The GI Fuzz guitar effect pedal uses a trio of high gain silicon transistors, and offers ultimate flexibility with 8 controls: Fuzz - From nothing to all out fuzz; Load - input impedance control; Bias - controls the bias of the 2 transistors; Body - midrange control; Tone - Balancing control for controlling highs and lows Volume; Bright switch; Internal Gain trimmer. Looks great too, with a professionally powder-coated and silk-screened enclosure, measuring only 4.3" x 2.2".All MI Audio guitar pedals have the following in common: Hand built with pride and passion in the Sydney workshop in Australia by the team of builders at MI Audio. Individually tested by Michael and carry a 5-year warranty. Built with the absolute highest quality components, on double sided, through-hole PCBs. Enclosed in a heavy-duty die-cast aluminum enclosure. The pedals have a heavy-duty true bypass, featuring a heavy duty 3PDT footswitch. The power supply of the pedals have been designed to allow you to power the unit from a DC source up to 25V, providing you with massive headroom and a huge output signal There is a 2.1mm barrel connection for external power connection. |
 |
Fender Fender Blender Custom Octave/Fuzz Pedal : MusiciansFriend : USD199.99Players such as Billy Corgan of Smashing Pumpkins and Kevin Shields of My Bloody Valentine use of original Blender pedals has elevated these originals to the status of coveted vintage treasures that fetch hundreds of dollars when they can be found. This reissue is intended to satisfy the demand that has driven the original's price so high. It is made for metal players who want an ultra-aggressive sound that is unique. The Fender Blender Custom is capable of a wide array of sounds that no other octave/fuzz pedal can provide. |
 |
Gig-FX The Chopper : MusiciansFriend : USD245.00In addition to astounding new effects, the Chopper will produce stellar versions of traditional effects such as tremolo, auto pan, and Leslie (rotating cabinet) effects, but all with a key difference-the frequency of the effects can be varied with the onboard pedal unit. No additional expression pedal is needed. The output signal from the Chopper can be mono or stereo, but is infinitely more interesting in stereo. In stereo, the effect can be panned or "chopped" from one channel to another and combined in phase or out of phase in various ways to produce an infinite number of captivating sounds. True bypass leaves your signal intact. 9V battery (included) or AC adapter operation. Compact 9" x 4" size. Lightweight, high-quality aircraft aluminum casting and rugged construction, only 2.3 lbs. Patented ergonomics. |
 |
Gig-FX The Mega Wah : MusiciansFriend : USD245.00The Gig-FX Mega Wah is 5 individual killer effects:A classic wah plus adjustable filters and EQs to get the sound of your choice from a cry to a throbbing deep wah that can give a guitar the funkiest, heaviest wah you can imagine.An auto-wah with controllable frequency. Set the wah to the tempo of the song and wah away rhythmically with no effort. A trig-wah triggered by a note — play a note and it wahs — no foot effort required — for fast licks, this is an unbelievably funky sound.Innovative stereo wah. Stereo in and stereo out — it wahs in unison on both sides — twice as much wah-appeal — but then — REVERSE the wah on one side so one side wahs while the other side "haws," so to speak. It's like a chorus on stereoids!A volume/gain boost pedal with up to +12dB of gain, controllable by the volume pedal. |
 |
MI Audio Neo Fuzz Pedal : MusiciansFriend : USD113.95MI Audio's most flexible overdrive pedal, with 6 external controls: Gain control with unique taper to provide excellent control over overdrive; High/Low balancing control tone control; Volume control with output up to 15Vpp with correct power supply; dedicated midrange control; character control for adding 'momentum' to guitar notes, or keeping things tight; brightness control for controlling top end content, and to help match the Tube Zone to different amps. An internal presence control further helps dial in the Tube Zone's tone. Also features single ended class A output, ultra-bright blue LED, and striking chrome plated case and knobs.All MI Audio pedals have the following things in common: Hand built with pride and passion in the Sydney workshop in Australia by the team of builders at MI Audio. Individually tested by Michael and carry a 5-year warranty. Built with the absolute highest quality components, on double sided, through-hole PCBs. Enclosed in a heavy-duty die-cast aluminum enclosure. The pedals have a heavy-duty true bypass, featuring a heavy duty 3PDT footswitch. The power supply of the pedals have been designed to allow you to power the unit from a DC source up to 25V, providing you with massive headroom and a huge output signal There is a 2.1mm barrel connection for external power connection. |
 |
Keeley Compressor Guitar Effect Pedal : MusiciansFriend : USD229.00The Keeley Compressor pedal is built using tone-tested components and true bypass switching for a clean, unaffected sound when the pedal is off. Metal film resistors and capacitors ensure the cleanest compressor on the market. Hand-matched transistors to less than 1% tolerance ensures you get a perfectly compressed signal, no chance for unwanted distortions.The Keeley Compressor is the new standard for guitar compression. It won the Editor's Pick Award from Guitar Player Magazine and, most recently, the Reader's Choice Award for the stompbox category. It features an internal attack control to make it suitable for high-output active basses. It also features an input sensitivity control which allows it to be used in the studio for keyboards, drum machines, for mastering, and other line-level uses. |
 |
Keeley Java Boost Guitar Effects Pedal : MusiciansFriend : USD229.00The Java Boost guitar pedal from Keeley Electronics brings back the same incredible response and sound quality of the heralded late '60s treble boosters, and with more control over the output frequencies range and boost gain.ÿHandcrafted with the finest components, including the NOS Mullard OC44 transistors used in the '60s original. Especially killer in front of a tube amp. Cream colored knobs and violet LEDs. |
 |
Keeley Fuzz Head Guitar Effects Pedal : MusiciansFriend : USD209.00The Fuzz Head is designed to work like Fuzz Face pedals many players use as a lead boost, but a Fuzz Face can be muddy, lack note definition, be too bassy and lack sustain. The Keeley design is transparent, has better frequency response, and gives you that cutting edge for lead breaks.The GE mode is raw and open.Silicon/Germanium toggle switch. This is like a gain/style switch. The "SI" mode inserts two diodes (one silicon and one germanium in parallel) in the distortion circuit so you can have a modern twist on a vintage sound. It increases the gain and compression a bit for more sustain and more of an overdrive mode.Very transparent and dynamic. Takes the best qualities of the germainum designs and overdrives. Roll back the volume on your guitar for clean sounds, a variety of tones, textures, and natural fuzz/overdrive!Internal drive-range control. Allows you to set up the range of the external drive control. Perfect for fine tuning light overdrive tones to raging fuzz.Simple to setup and use as a lead boost. Combine with Keeley TS9, BD-2, DS-1 mods for a great dual pedal setups. If you have a Class A amplifier, the Fuzz Head is the perfect addition to your setup! |
 |
Keeley Katana Pre Amp Guitar Effect Pedal : MusiciansFriend : USD199.00The Katana guitar pedal by Robert Keeley is a fat, harmonically rich boost. It operates in pure clean and high gain modes. With the speedo knob pushed in, it's a volume control that goes to 20. With the knob out, it's a cutting boost with just a touch of gritty edge. |
 |
Keeley Time Machine Boost Guitar Effects Pedal : MusiciansFriend : USD289.00The Keeley Time Machine Boost is a two-channel guitar preamp and booster effect pedal. It delivers a range of powerful guitar tones and is extremely effective for driving your tube amp into overdrive or saturation. The two channels are vintage and modern. The Vintage channel is inspired by the highly coveted and sought-after vintage germanium boost pedals favored by guitarists worldwide. The Modern channel gives you 23dB of pure, clean, transparent gain fueled by dual JFET transistors. The use of a special voltage-doubling IC gives the Time Machine lots of headroom. As with all Keeley-built electronics, this preamp and boost pedal incorporates top-of-the-line audiophile-quality parts like silver solder, teflon-coated wiring, and metal film caps and resistors. |
 |
M-Audio EX-P Expression Pedal : MusiciansFriend : USD29.99Works with all M-Audio MIDI controllers that have an expression pedal input. A built-in polarity switch ensures compatibility with most other brands of controllers and keyboards. Control any assignable variable MIDI controller value including volume, modulation, panning, filter sweep, and more. Durable molded construction with integral cable. |
 |
M-Audio Black Box Pedal Board : MusiciansFriend : USD49.99The Black Box Pedal Board is the most streamlined and cost-effective solution for adding an extra level of control for your Black Box. One simple rugged metal package contains an expression pedal and 2 momentary footswitches, plus a cable snake that breaks out into 3 - 1/4" connectors for the Black Box. The momentary switches control tap tempo; select presets and drum beats; start/stop drums; and turn on/off the tuner, effects, amp, and delay. The expression pedal controls amp drive, effects speed/frequency/depth/key, wet/dry mix, delay volume/repeats, drums-to-delay, and drums-to-filter. Combined with the Black Box's included mic stand mounting kit, the Black Box Pedal Board delivers a complete solution for gigs and studio alike. |
 |
MI Audio Boost 'n' Buff Guitar Effects Pedal : MusiciansFriend : USD113.95In bypass/buffer mode, the Boost 'n' Buff from MI Audio acts as an ultra-high input impedance/low noise buffer. Drive cable lengths as long as you need without sacrificing tone, or put it in front of distortion pedals or high-gain amps without worrying about introducing significant noise. In the first half of the volume sweep, the frequency response of the Boost 'n' Buff is flat, providing you with about 15dB of flat boost—perfect for solo volume boosts—before the pedal becomes more of a treble booster. Once past the half way point, the mid and high frequencies start to climb faster than the low frequencies. At maximum gain, not only do you have an amazing amount of boost (approximately 35db), but the frequency response is perfectly tailored to driving a tube amp. Also, with the 18V headroom, your sound will be 'cleaner' going into the amp, so that there's less coloring from the transistor.All MI Audio pedals have the following things in common: Hand built with pride and passion in the Sydney workshop in Australia by the team of builders at MI Audio. Individually tested by Michael and carry a 5-year warranty. Built with the absolute highest quality components, on double sided, through-hole PCBs. Enclosed in a heavy-duty die-cast aluminum enclosure. The pedals have a heavy-duty true bypass, featuring a heavy duty 3PDT footswitch. The power supply of the pedals have been designed to allow you to power the unit from a DC source up to 25V, providing you with massive headroom and a huge output signal There is a 2.1mm barrel connection for external power connection. |
 |
Rocktron Utopia B100 Multi-Effects Bass Pedal : MusiciansFriend : USD269.00Featuring 128 sounds divided into 64 factory and 64 user programmable presets, the compact Utopia B100 pedal has a wide variety of effects, including wah, phaser, compressor, chorus, and flanger. 4 channels of tone: Clean, Dist1, Dist2, and Dist3. Other features include Rocktron's Hush noise reduction, tube emulation, and a "speaker exciter." While it's not a perfect world, this floor processor may allow bass players a regular visit to paradise on stage or in the studio. |
 |
ISP Technologies Decimator Pro Rack Noise Reduction : MusiciansFriend : USD359.55From the original inventors of the HUSH® noise reduction comes advanced, patent pending, state of the art technology in real time noise suppression. The Decimator offers a revolutionary breakthrough in Noise Reduction processing with an unparalleled level of performance. Most noise reduction systems suffer from one major problem inherent in their design: The system cannot be immediately responsive to both very short-term staccato notes and long slowly decaying signals. The typical downward expander noise suppression system suffers from a dead zone in the release response characteristic, which causes a compromise in tracking both fast decaying notes and long sustained notes.The Decimator Pro Rack design offers a novel approach to tracking the envelope of the input signal called Time Vector Processing. Due to this approach in controlling the expander, the Decimator system will instantly respond to short staccato notes and, at the same time, will provide a very slow ripple free control of long sustained notes. This means that the Decimator noise reduction system is an extremely transparent and high performance system.The Decimator Pro Rack uses both Dynamic filtering and low-level downward expansion. A Time Vector Processing circuit controls the release response of both the downward expander and dynamic filter. The input of the Decimator unit is TRS 1/4 inch balanced to eliminate any common mode noise. Both channels can be used at a 10 or +4dBU reference level. The Decimator Pro Rack is also designed using high quality, studio grade, voltage controlled amplifiers for both the dynamic filer and downward expander. This provides dynamic range noise performance of greater than 118db.The Decimator Pro Rack is extremely easy to use; simply inset the Decimator at the end of your signal chain or, insert the Decimator Pro Rack in the effects loop of your amplifier to clean up the noise present at the amplifier input as well as the noise in the amplifiers pre-amp section. Packaged in a single space 19-inch rack, it offers the highest possible performance. Note: Hush is a registered trademark of GHS/Rocktron, ISP is not affiliated with GHS/Rocktron. |
 |
ISP Technologies Decimator ProRack G Noise Reduction System : MusiciansFriend : USD404.55The Decimator ProRackG guitar noise reduction system establishes a new standard for excellence in real time noise suppression performance. The Decimator ProRackG was designed to provide the maximum possible performance in a rack mount dual channel noise reduction system designed specifically for extremely high gain guitar amplifiers. Designed with 2 channels of single ended noise reduction configured specifically for high gain guitar applications, it allows one channel to deliver noise reduction for the guitar directly and a second channel to eliminate amplifier gain noise. Channel one eliminates 50 or 60 cycle hum, buzz, stage light noise and any other noise picked up directly by the instrument. The ProRackG channel one output drives the front end of your guitar amplifier and eliminates all of the input noise picked up by the guitar. The control circuit of the second channel detects and tracks the guitar signal directly while the signal processing audio chain is patched into the effects loop of the high gain guitar amplifier. Now you can quiet down even the most insane amounts of noise with any amplifier system incorporating a series effects loop. The Decimator unit will also solve the typical high gain feedback or squealing problem high gain guitar players fight.You know how difficult this problem can be. You play staccato notes and in between each note you have a squeal or burst of feedback that's virtually impossible to control. Problem solved with the Decimator ProRackG. By proper setting of the threshold for channel one and channel two you can eliminate this problem for good. The Decimator ProRackG has dual processing channels incorporating both low-level downward expansion and dynamically controlled low-pass filtering in a very easy to use single rack space unit. The ProRackG is based on ISP Technologies patent pending "Time Vector Processing," which provides the most adaptively dynamic release response characteristics of any real time noise reduction system. The Time Vector Processing dynamic response circuit is used to control the release time constant of both the downward expander and dynamic filter. Not only does it deliver the most stunning noise reduction, it also solves the problem of needing to adjust the Threshold setting every time you change gain or switch channels.By using the input guitar signal to drive both channels' level detection circuitry, the ProRackG needs no other adjustments once the thresholds are set based on the guitar input. This will give you the correct threshold with clean, crunch and even monstrous amounts of gain and if you use pedals you can insert them in the loop between the output of the Decimator Channel 1 and the input of the guitar amplifier. |
 |
ISP Technologies Decimator Pro Rack G Stereo Noise Reduction System : MusiciansFriend : USD454.55The Decimator ProRackG stereo guitar noise reduction system establishes a new standard for excellence in real time noise filter performance. The Decimator ProRackG was designed to provide the maximum possible performance in a rack mount dual channel noise reduction system designed specifically for extremely high gain guitar amplifiers. The Decimator ProRackG is designed with 2 channels of single ended noise suppression configured specifically for high gain guitar applications allowing one channel to deliver noise reduction for the guitar directly and a second channel to eliminate amplifier gain noise. A separate guitar buffer input and output optimizes your guitar signal.Channel one eliminates 50 or 60 cycle hum, buzz, stage light noise and any other noise picked up directly by the instrument. The ProRack channel one output drives the front end of your guitar amplifier and eliminates all of the input noise picked up by the guitar. The control circuit of the second channel detects and tracks the guitar signal directly while the signal processing audio chain is patched into the effects loop of the high gain guitar amplifier. Now you can quiet down even the most insane amounts of noise with any amplifier system incorporating a series effects loop. The Decimator ProRackG will also solve the typical high gain feedback or squealing problem high gain guitar players fight.You know how difficult this problem can be. You play staccato notes and in between each note you have a squeal or burst of feedback that's virtually impossible to control. Problem solved with the Decimator ProRackG. By proper setting of the threshold for channel one and channel two you can eliminate this problem for good. The Decimator ProRackG has dual processing channels incorporating both low-level downward expansion and dynamically controlled low-pass filtering in a very easy to use single rack space unit. The ProRackG is based on ISP Technologies patent pending "Time Vector Processing," which provides the most adaptively dynamic release response characteristics of any real time noise reduction system. The Time Vector Processing dynamic response circuit is used to control the release time constant of both the downward expander and dynamic filter. Not only does the Decimator ProRackG deliver the most stunning noise reduction, it also solves the problem of needing to adjust the Threshold setting every time you change gain or switch channels.By using the input guitar signal to drive both channels' level detection circuitry, the ProRackG noise filter system needs no other adjustments once the thresholds are set based on the guitar input. This will give you the correct threshold with clean, crunch and even monstrous amounts of gain and if you use pedals you can insert them in the loop between the output of the Decimator Channel 1 and the input of the guitar amplifier. |
 |
ISP Technologies Decimator Noise Reduction Pedal : MusiciansFriend : USD123.99The Decimator guitar pedal offers a new approach to noise reduction processing. Most noise suppression systems suffer from one major problem inherent in their design: The system cannot be immediately responsive to very short-term staccato notes. The typical downward expander sound reduction system suffers from a dead zone in the release response characteristic that causes a compromise in tracking both fast decaying notes and long sustained notes. The Decimator pedal's design offers a novel approach to tracking the envelope of the input signal called Time Vector Processing. Due to this novel approach in controlling the expander, the Decimator system will instantly respond to short staccato notes and, at the same time, will provide a very slow ripple free control of long sustained notes. The Decimator noise suppression system is very transparent delivering high performance. The Decimator pedal by ISP Technologies is extremely easy to use; simply insert the Decimator at the end of your chain of existing pedals or, insert the Decimator Pedal in the effects loop of your amplifier to clean up the noise present at the amplifier input as well as the noise in the amplifiers pre-amp section. Packaged in a rugged, beautifully polished smooth chrome chassis, the Decimator pedal offers reliability, performance and beauty in one compact pedal. |
 |
ISP Technologies Fetish Distortion Pedal : MusiciansFriend : USD123.99The Fetish™ guitar effect pedal can be used as an overdrive, distortion, clean boost, or treble booster depending on settings. And with the addition of its variable "fat" control, it provides body and depth to a variety of settings. Packaged in a rugged, beautifully polished smooth chrome chassis as the Decimator Pedal, the ISP Fetish™ will be an awesome addition to your pedal board!For Modern Rock, the Fetish can be used as a boost in the front end of the amp for extra sensitivity. For Classic Rock, there is enough gain to duplicate the gain of a classic stack. The gain structure has the ability to clean up with a flick of the volume control on the guitar. The guitar pedal can also be used as a boost for Blues oriented styles without changing the voicing of the amp. Also, as the ISP Fetish pedal is boosted in the clean setting as the level is increased, the signal pushes a final stage in the circuit to allow for a creamy overdrive effect. |
 |
ISP Technologies Totally Blues Pedal : MusiciansFriend : USD115.00ISP has created a guitar effect pedal that features a novel clipping circuit designed to allow asymmetrical clipping like most tube amplifiers. This feature provides the Totally Blues Pedal with a unique enhancement of the harmonic content of the fundamental note. There is also higher gain designed into the circuit to allow more "push" to satisfy any playing style.To satisfy the blues guitarist's need for tonal versatility a "mojo" control has been designed and incorporated in the clipping circuit. It allows adjustment of the amount of bass being processed in the clipper circuit and increases overall fatness of the distortion circuit, allowing thickening of the fundamental note on initial picking attack. The Totally Blues™ pedal features higher gain than most overdrive pedals and asymmetrical clipping technology. Housed in the same trademark rugged, beautifully polished smooth chrome chassis as the Decimator Pedal, the Totally Blues™ will be an awesome addition to your pedal board! Operates with either a 9-volt battery or a 9V DC adaptor jack. |
 |
Visual Sound 1 SPOT Combo Pack : MusiciansFriend : USD34.95At a fraction of the cost, the 1 SPOT is more powerful than competitive products and takes up NO space on your pedalboard!With the new 8-plug cable included in this Combo Pack, you can power up to 8 pedals. And by linking additional Multi-Plug cables, you can power a virtually unlimited number of pedals! The L6 Converter allows the 1-SPOT to power Line 6 modeling pedals, while the 3.5mm and Battery Clip Converters allow you to power vintage style pedals. The Visual Sound 1 SPOT Combo Pack consists of a 1 SPOT Power Adapter, Multi-Plug 8 Cable, (2) Battery Clip Converters, (2) 3.5mm (1/8") Converters and an L6 Converter for Line 6 modeling pedals. The 1 SPOT is the original 9V DC adapter that only takes up one spot on your power strip. With the ability to handle up to 1700mA, the 1 SPOT can power your entire pedalboard. The 1 SPOT makes compatibility, polarity, plug size, voltage, etc. easy by providing a guaranteed list of adapters it can replace: Boss PSA, Boss ACA, DOD PS-200R, Morley 9V, Danelectro DA-1, Dunlop ECB-03, Ibanez AC109, and Zoom AD-0006. If your pedal takes one of these adapters (90% of the time), the 1 SPOT is for you.You can even use the 1 SPOT anywhere in the world without a voltage converter because it automatically converts voltage worldwide. No need to worry about AC hum coming through an adapter - the 1 SPOT is one of the quietest power sources you can buy. |
 |
Line 6 POD X3 Guitar Multi Effect Processor : MusiciansFriend : USD399.99POD X3 multi-effects processor will inspire and amaze you with the most complete collection of POD-quality guitar amp, cab, stompbox and studio effect models ever. The Line 6 Pod X3 arsenal of rare vintage treasures, modern boutiques, and perennial classics the offers nearly unlimited creative possibilities. Create your own tones or instantly play through any of the 200 professionally dialed-in presets.For those in search of greater tonal possibilities, POD X3 effects pedal gives you more power than ever before to create entirely new sounds. Split your guitar signal and play it through two guitar amp and effect signal chains at once. Add bass or vocals using the bass amp and high-end mic preamp models now included in the POD X3. You can even plug in two instruments at once, each with its own independent tone processing. Whatever your music calls for, the POD X3 pedal has the power and flexibility to deliver.POD X3 includes all of the inputs and outputs you need to practice, perform and record. Use the 1/4" instrument input for guitar or bass and the XLR microphone input for vocals and more. During practice, use the stereo headphones outputs to keep the noise down. For performances, plug in front of your amp or directly into the sound system. When you're ready to record, use the stereo balanced line outputs or digital S/PDIF output for traditional recording. Or use the new USB 2.0 connection for pro-level multi-channel computer recording. Whether you choose to recreate the sounds of the past or turn tradition on its ear, the Line 6 POD X3 comes fully-loaded with most inspiring collection of POD-quality amps and effects to let your sound break free. Features & BenefitsElectric Guitar POD X3 guitar pedal offers a whole new level of control over your guitar tone. Plug straight into any one of the 78 ear-shattering guitar amp models for pure, unadulterated guitar tone. Combine amp and cab models with the mouth-watering collection of 98 stompbox and studio effect models to build out your rig. Take your sound to the next level by blasting your guitar through two guitar rigs at once to create a massive wall of sound that even guitar heroes of the past would respect. Or plug POD X3 in front of your favorite stack or combo to pile on up to nine simultaneous effects, including vintage overdrive, scorching distortion, beefy fuzz, endless delay, lush reverb, ethereal chorus, irreverent flanger, wah-wah to name just a handful. Acoustic Guitar Whether miking up an acoustic or plugging in an acoustic-electric guitar, POD X3 will showcase the natural warmth and beauty of your instrument.Warm up your acoustics with the high-end tube mic preamp and compressor models to bring out the natural tone of your acoustic six or twelve string. Apply a touch of color with a full palette of reverbs, choruses, delays, EQs, and other essential effects. Bass Guitar Whether you seek stadium rock, a Motown groove, or modern grind, look no further than POD X3.Dial in cla |
 |
Quik-Lok PS/25 Switchable Sustain Pedal : MusiciansFriend : USD14.99Square sustain pedal with normally open contacts used for Casio, Korg and Studiologic keyboards. |
 |
Line 6 POD X3 Live Guitar Multi Effects Pedal : MusiciansFriend : USD499.99POD X3 Live will inspire and amaze you with the most complete collection of POD-quality guitar amp and effect models ever. This arsenal of rare vintage treasures, modern boutiques, and perennial classics offers nearly unlimited creative possibilities. Built with working musicians in mind, POD X3 effects processor was designed to fit right in wherever you play, whether that's on stage in front of thousands of screaming fans or in the studio steadily churning out hits. For those in search of greater tonal possibilities, the Line 6 POD X3 Live gives you more power than ever before to create entirely new sounds. Split your guitar signal and play it through two guitar amp and effect signal chains at once. Use the built-in expression pedal to smoothly change the blend between the two tones, or use it for wah or volume. Add bass or vocals using the bass amp and high-end mic preamp models now included in POD X3 Live. You can even plug in two instruments at once, each with its own independent tone processing. POD X3 Live pedal includes all of the inputs and outputs you need to practice, perform and record. Use the 1/4" instrument input for guitar or bass and the XLR microphone input for vocals and more. During practice, use the stereo headphones output to keep the noise down. For performances, plug in front of your amp or directly into the P.A. Use the stereo effect loop to add in your favorite stompboxes and other effects as well. When you connect a Line 6 Variax® guitar via the Variax input on your POD X3 Live, you can instantly recall POD X3 Live's amp, cab, and effect model settings matched with the perfect electric or acoustic guitar model-all by stepping on a single footswitch. When you're ready to record, use the stereo balanced line outputs or digital S/PDIF output for traditional recording. Or use the USB 2.0 connection for pro-level multi-channel computer recording. Whether you choose to recreate the sounds of the past or turn tradition on its ear, POD X3 Live multi-effect guitar pedal comes fully-loaded with the most inspiring collection of POD-quality amps and effects for your live performances, studio recordings, and everywhere in between.Features & BenefitsElectric Guitar POD X3 Live offers a whole new level of control over your guitar tone.Plug straight into any one of the 78 ear-shattering guitar amp models for pure, unadulterated guitar tone. Combine amp and cab models with the mouth-watering collection of 98 stompbox and studio effect models to build out your rig. Take your sound to the next level by blasting your guitar through two guitar rigs at once to create a massive wall of sound that even guitar heroes of the past would respect. Or plug the Line 6 POD X3 Live in front of your favorite stack or combo to pile on up to nine simultaneous effects, including vintage overdrive, scorching distortion, beefy fuzz, vibey delay, lush reverb, ethereal chorus, irreverent flanger, wah-wah to name just a handful. Acoustic |
 |
Rocktron Classic Wah Pedal Black : MusiciansFriend : USD65.00Heavy duty, all-metal chassis with a tension adjustment for the guitar pedal. The Rocktron Classic Wah has sweet, musical, vintage tone. Battery or AC powered. |
 |
Tapco DB-1P Passive Direct Box : MusiciansFriend : USD39.99The DB-1P Passive DI box converts unbalanced line-level signals to balanced mic-level output and provide signal and impedance matching for the direct connection of instruments like guitars, basses and keyboards to amplifiers and mixers. A 1/4" input jack is provided for connecting instrument or speaker-level signals, and a separate 1/4" thru jack allows the unbalanced signal to be sent to an onstage amplifier while the balanced signal is sent to a mixer. A ground lift switch helps eliminate hum and buzz problems in musical instrument hookups.Not every instrument is made to connect directly to a mixer. Guitars and basses have a lower output signal level, and their output is not balanced. If you plug them straight into a mixer, you have to jack the preamp level to the max just to get a quiet, wimpy sound. Most keyboards have unbalanced outputs, which means if you try to use long cables, they can pick up all sorts of noise. Direct Injection Boxes solve these and other sticky studio and live difficulties. |
 |
Line 6 DL4 Delay Guitar Effects Pedal : MusiciansFriend : USD249.99The Line 6 DL4 Delay Stompbox Modeler is the first stompbox to give you digitally modeled effects. Includes 16 vintage delay and echo effects including Tube Echoplex, Space Echo, Deluxe Memory Man, Analog Delay, Reverse, and many more. It also provides for 3 programmable presets and an onboard Tap Tempo control, 14 seconds of sample-loop memory, true bypass switching, an expression-pedal input for realtime control of all effects settings, and stereo inputs and outputs.(For optional EX 1 Expression Pedal see recommended accessories on this page.) |
 |
Line 6 MM4 Modulation Guitar Effects Pedal : MusiciansFriend : USD249.99The Line 6 MM4 Modulation Stompbox Modeler is a single stompbox that packs in models of almost every modulation effect unit you've ever wished you had-16 in all. They include Uni-Vibe, Phase 90, Leslie, CE-1 Chorus Ensemble, MXR Flanger, Dimension D, Tri Stereo Chorus, and many more. You also get 16 factory presets, plus 4 presets for storing your programmed versions, true bypass switching, an expression-pedal input, and stereo inputs and outputs. Controls include Effect Selector, Speed, Depth, Tweak, Tweez, and Mix.(For optional EX 1 Expression Pedal see recommended accessories on this page.) |
 |
Line 6 EX1 Expression Pedal : MusiciansFriend : USD49.95The EX1 Expression effects pedal morphs between any 2 settings on your Line 6 Stompbox Modelers. Includes 1/4" jack and 1/4" connecting cable. Can also be used with any other 1/4" cable for longer runs. |
 |
Line 6 DM-4 Distortion Modeler Pedal : MusiciansFriend : USD249.99The Line 6 DM-4 Distortion Modeler Pedal gives you programmable overdrives and distortions in a floor stompbox. It holds 16 models of vintage overdrive, distortion, and fuzz effects; including the TS808 Tube Screamer, Fuzz Face, Big Muff, Rat, Octavia, Tone Bender, Tube Driver, and more! With 4 programmable presets and an expression pedal input for realtime control of all effect settings. Bass, middle, and treble controls and true bypass switching. |
 |
Line 6 FM4 Filter Guitar Effects Pedal : MusiciansFriend : USD249.99The Line 6 FM4 Filter Modeler Pedal gives you 16 new and vintage effects including Mu-Tron III, Moog, Arp, Korg, and Roland synths; Oberheim VCF; formant filter; and more. 4 memories. Bonehead simple to use. Tough as nails. Has true bypass. |
 |
Line 6 FBV Footswitch : MusiciansFriend : USD399.99Add a Line 6 FBV Foot Controller and get dedicated channel switches, dedicated effects on/off switches, a large name display, wah and volume pedals (assignable to expression functions), and easy access to chromatic tuner and tap tempo. |
 |
Line 6 PX-2 Power Supply : MusiciansFriend : USD19.95Plugs into 120V wall socket. |
 |
Line 6 ToneCore Echo Park Delay Guitar Effects Pedal : MusiciansFriend : USD109.99The Line 6 ToneCore Echo Park effects pedal is based on Line 6's award-winning DL4 Delay Modeler. Echo Park is loaded with unbelievable sounding models including analog, tape, and digital delay, all easily adjusted with the Tap Tempo feature. Different delay patterns such as slap, ping pong, swell, and sweep can be adjusted with the twist of a knob and the Mod dial can be tweaked for even more variations. Echo Park also features stereo ins and outs. ToneCore pedals consist of a ToneDock base-in stereo or mono-and interchangeable effects modules that snap in and out, allowing you to change effects without rearranging your pedalboard. The ToneDock is powered by a 9V battery or optional DC-1 adapter. |
 |
Line 6 ToneCore Uber Metal Distortion Pedal : MusiciansFriend : USD79.99The Line 6 ToneCore Uber Metal Distortion Pedal brings you massive amounts of gain in one tiny, tough package. You can chose from some of the best Line 6 high-gain tones including Metal, Pulverize, and Insane. Also included with the Uber Metal is a built-in selectable noise gate and scoop control for massive tonal contouring.ToneCore pedals consist of a ToneDock base-in stereo or mono-and interchangeable effects modules that snap in and out, allowing you to change effects without rearranging your pedalboard. The ToneDock is powered by a 9V battery or optional DC-1 adapter. |
 |
Line 6 ToneCore Tap Tremolo Guitar Effects Pedal : MusiciansFriend : USD119.99Use the Line 6 ToneCore Tap Tremolo guitar pedal with adjustable Dynamic Speed, Peak Setting, Depth, and Shape controls to chop, slice, and dice like no other. Choose from Opto Tremolo, Bias Tremolo, or Stereo Panning models. Stereo ins and outs.ToneCore pedals consist of a ToneDock base-in stereo or mono-and interchangeable effects modules that snap in and out, allowing you to change effects without rearranging your pedalboard. The ToneDock is powered by a 9V battery or optional DC-1 adapter. |
 |
Line 6 ToneCore Constrictor Compressor Guitar Effects Pedal : MusiciansFriend : USD109.99The Line 6 ToneCore Constrictor guitar effects pedal delivers 3 versatile compressor models including Compact, Squeeze, and Mellow with adjustable sustain for all. The guitar effects pedal also features a noise gate with adjustable control.ToneCore guitar pedals consist of a ToneDock base-in stereo or mono-and interchangeable effects modules that snap in and out, allowing you to change effects without rearranging your pedalboard. The ToneDock is powered by a 9V battery or optional DC-1 adapter. |
 |
Line 6 ToneCore Space Chorus Guitar Effects Pedal : MusiciansFriend : USD119.99The Line 6 ToneCore Space Chorus effects pedal has 3 killer models, all based on analog effects: Chorus, Tri, and Vibrato. Tweak your sound with adjustable speed, shape, and depth while controlling the rate with tap tempo. Stereo I/O.ToneCore pedals consist of a ToneDock base-in stereo or mono-and interchangeable effects modules that snap in and out, allowing you to change effects without rearranging your pedalboard. The ToneDock is powered by a 9V battery or optional DC-1 adapter. |
 |
Line 6 ToneCore Crunchtone Overdrive Pedal : MusiciansFriend : USD99.99The Line 6 ToneCore Crunchtone effects pedal features 3 warm, full-bodied overdrive models including Blues, Pop, and Crunch — all based on award-winning Line 6 tones. Simple yet versatile tone control for easy tweaking.ToneCore pedals consist of a ToneDock base-in stereo or mono-and interchangeable effects modules that snap in and out, allowing you to change effects without rearranging your pedalboard. The ToneDock is powered by a 9V battery or optional DC-1 adapter. |
 |
Line 6 POD XT Live Guitar Multi Effects Pedal : MusiciansFriend : USD399.99The Line 6 POD XT Live Pedal is the POD XT in footcontroller form. With its rugged steel construction, 11-channel select and effect on/off footswitches, and a built-in wah/volume/tweak pedal, POD XT Live puts the power of the POD at your feet for onstage use. Included are 84 pro-quality stompbox and studio effects, 36 amp models, plus 24 cab, and 4 mic models-all built from the award-winning technology found in the Vetta II amp and storable to 128 programmable channels. Unlike the other members of the POD family, POD XT Live guitar pedal also features a Variax digital input so you can call up a fully customized guitar, amp, or effects setup — all by stepping on a single footswitch. USB digital I/O combined with Line 6 Edit software allows computer-based tone editing and direct digital recording. |
 |
Line 6 Bass POD XT Live : MusiciansFriend : USD399.99The Line 6 Bass POD xt Live includes over 50 stompbox, synth, and studio effects; 28 amp models; and 22 cab and 4 mic models! 11 channel select and effect on/off footswitches mean easy control. Delivers 6 simultaneous effects that can be routed to meet your unique sonic needs. Features a dedicated compressor and 6-band semi-parametric EQ, discrete dry and modeled ouputs, biamp output mode with selectable crossover, USB I/O, and a Variax Bass digital input so you can call up a fully customized bass, amp, and effect setup-all by stepping on a single footswitch! |
 |
Line 6 ToneCore Verbzilla Guitar Effects Pedal : MusiciansFriend : USD109.99The Line 6 ToneCore Verbzilla reverb effect pedal creates luscious, studio-grade algorithms- from classic guitar amp-style spring reverb to dreamy, high-end studio favorites. Tone, Mix, Decay, and Time controls help you find the exact effect you want, and the Trails on/off switch allows the ToneCore reverb to decay or cut off once you hit bypass. The ToneCore Verbzilla has a huge array of reverb models including '63 Spring, Spring, Plate, Room, Hall, Chamber, Ducking, Octo (a Line 6 exclusive), Cave, Tile, and Echo. ToneCore guitar pedals consist of a ToneDock base-in stereo or mono-and interchangeable effects modules that snap in and out, allowing you to change effects without rearranging your pedalboard. The ToneDock is powered by a 9V battery or optional DC-1 adapter. |
 |
Line 6 ToneCore Liqua Flange Guitar Effects Pedal : MusiciansFriend : USD119.99The ToneCore Liqua-Flange guitar effects pedals features selectable Digital, Liquid, and Analog models-all with pass through zero flanging-that give you more flanging options than you though possible. Add to that selectable negative/positive polarity; 11 selectable waveforms; Time, Speed, Feedback, and Depth controls; and tap tempo capability and you've got a flanger like no other. Liqua-Flange has stereo ins/outs, and can be powered by a 9V battery or the optional Line 6 DC-1 power supply.ToneCore pedals consist of a ToneDock base-in stereo or mono-and interchangeable effects modules that snap in and out, allowing you to change effects without rearranging your pedalboard. The ToneDock is powered by a 9V battery or optional DC-1 adapter. |
 |
Line 6 ToneCore Otto Filter Guitar Effects Pedal : MusiciansFriend : USD99.99Get ultrafunky and experimental with the ToneCore Otto Filter by tweaking its Band Pass (state variable), Low Pass (ladder), and custom Line 6 Twin filter models. On top of that, Sensitivity, Range, and Peak knobs let you hone in on that perfect effect. ToneCore guitar pedals consist of a ToneDock base-in stereo or mono-and interchangeable effects modules that snap in and out, allowing you to change effects without rearranging your pedalboard. The ToneDock is powered by a 9V battery or optional DC-1 adapter. |
 |
VHT Valvulator I Line Driver/Power Supply : MusiciansFriend : USD239.00The VHT Valvulator I Line Driver/Power Supply uses a vacuum tube-based buffer circuit to change your guitar signal from high to low impedance. As a result, your signal overcomes high-frequency degradation caused by cable capacitance, impedance effects, and signal degradation caused by the circuits of effects devices. Experience the same dynamic feel as you would get plugged directly into your amp. |
 |
Tapco DB-1A Active Direct Box : MusiciansFriend : USD49.99The DB-1A Active DI box converts unbalanced line-level signals to balanced mic-level output and provides signal and impedance matching for the direct connection of instruments like guitars, basses and keyboards to amplifiers and mixers. A 1/4" input jack is provided for connecting instrument or speaker-level signals, and a separate 1/4" thru jack allows the unbalanced signal to be sent to an onstage amplifier while the balanced signal is sent to a mixer. The ground lift switch on the DB-1A Direct Box helps eliminate hum and buzz problems in musical instrument hookups.Not every instrument is made to connect directly to a mixer. Guitars and basses have a lower output signal level, and their output is not balanced. If you plug them straight into a mixer, you have to jack the preamp level to the max just to get a quiet, wimpy sound. Most keyboards have unbalanced outputs, which means if you try to use long cables, they can pick up all sorts of noise. Direct Injection Boxes solve these and other sticky studio and live difficulties. |
 |
Radial Tonebone PZ-Pre Acoustic Direct Box Preamp : MusiciansFriend : USD299.99The Tonebone PZ-Pre Acoustic DI Box Preamp is equipped with piezo acoustic input signal boosters to allow both add-on instrument pickups and built-in, integral active preamps to be combined for a more natural rendering. It is compact yet full featured, designed for both studio and live performance.The Tonebone PZ-Pre instrument preamp begins with two inputs for two instruments, which can be toggled using the toggle footswitch. If you want to use two pickups on a single guitar, a unique Mix function is provided that converts the two channels from "either-or" to both. There are separate level controls for each input.The tone shaping on the PZ-Pre preamplifier is simple yet extremely musical. It features powerful bass and high controls with a semi-parametric mid. This is supported with a feedback eliminating notch filter with variable frequency sweep control and choice of normal and extra deep notch filtering. To help eliminate troublesome resonance, a dual slope low cut (high pass filter) is also provided. An internal polarity reverse can also be engaged to help eliminate run-away feedback.To augment on-stage performance, the PZ-Pre Direct Box Preamp is equipped with a combination power booster and effects loop bus. This allows you to introduce an effect such as a chorus, or boost the signal for soloing with a simple foot stomp. A separate tuner out has also been provided along with a mute footswitch for on-the-fly tuning.To facilitate all kinds of monitoring, the Radial PZ-Pre offers the most comprehensive output array ever: A standard instrument amp output sends the instrument signal to your personal amplifier. A pre-EQ balanced lo-Z balanced output is used to route the flat, pre-equalized signal the signal to the front of house mix position, while a second XLR out is post-EQ for onstage monitoring and in-ear systems so that the musician can get the sound he wants. XLR outputs are equipped with polarity reverse and ground lift.Like all Radial products, the PZ-Pre features heavy-duty 14-gauge construction and is supported with a 3-year transferable warranty. Comes equipped with an external 15VDC power supply. |
 |
T-Rex Bass Juice Distortion Pedal : MusiciansFriend : USD279.99The T-REX Bass Juice pedal offers distortion specially designed for bass guitar. In normal mode (boost function off) it delivers awesome sustain with rich creamy overtones and big bottom. Engage the distortion pedal's boost function and you are in fuzztone heaven! The mix knob let's you blend just the right amount of distortion with your original clear tone. Remember that Jamiroquai sound, where it sounds like the bass kicks the paper of the speakers? The BassJuice pedal can do that—and many other things. |
 |
Electro-Harmonix Nano Soul Preacher Compressor / Sustainer Guitar Effects Pedal : MusiciansFriend : USD98.18The Electro-Harmonix Nano Soul Preacher is an effect pedal that offers you 3 selectable attacks coupled with silky, long sustains that blend in perfect harmony to create one of the finest compressors ever built for guitar and bass. The variable attacks offer super articulate compression. Lets your guitar step forward without squeezing the life out of your tone. |
 |
Electro-Harmonix XO #1 Echo Digital Delay Guitar Effects Pedal : MusiciansFriend : USD99.00The #1 Echo is part of the Electro-Harmonix line of Micro (xo) guitar effect pedals, with a small die-cast housing. But don't let the size deceive you - it produces some of the finest digital echo available, with a full two seconds(!) of maximum delay time. Echo/delay effect is controlled by feedback and delay time knobs. A blend control lets you adjust the amount of delay in your signal to make sure the Micro #1 sits exactly where you want it in any track or performance.A rugged footswitch selects whether the #1 Echo pedal is engaged or bypassed, indicated by an LED. When in Bypass mode, the output jack is connected to the input jack through a buffer. It's equipped with standard 1/4" instrument I/O jacks. The barrel connector is for a 9-volt battery eliminator capable of delivering 100 mA of current. The inner ring of the 9-volt battery eliminator must be negative, the outer ring positive. The unit's battery may be left in or taken out when the eliminator is in use. |
 |
Electro-Harmonix XO Germanium OD Overdrive Guitar Effects Pedal : MusiciansFriend : USD89.25The Electro-Harmonix Germanium OD Pedal delivers classic 60's distortion based on the germanium transistor. Gain, Bias and Volts controls are on top of the pedal, not hidden inside the case. Easily dial in that perfect vintage germanium overdrive.The Bias control adds emphasis while the Volts control helps you dial in that that sweet spot produced when your battery's voltage dips. Dial up that slightly torn speaker sound or unleash total Germanium satisfaction. The Germanium OD pedal features true bypass switching, an LED on/off indicator, and a compact and rugged die-cast chassis |
 |
Electro-Harmonix XO Holy Grail Plus Reverb Guitar Effects Pedal : MusiciansFriend : USD144.75For years the Holy Grail pedal has been the musician's choice for reverb. The Holy Grail + Pedal from Electro-Harmonix adds room reverb and a multifunction decay/damping/modulation speed control. The Grail just got even more divine! |
 |
Electro-Harmonix XO Holy Stain Guitar Multi Effects Pedal : MusiciansFriend : USD98.18The Electro-Harmonix Holy Stain is a multi-effect pedal that combines room and hall reverb with switchable fuzz and drive. Add pitch shifting, tremolo and tone control and you've got a wildly interactive multi-effect pedal that will inspire any guitar player to make their mark. |
 |
Electro-Harmonix XO Knockout Attack Equalizer Guitar Effects Pedal : MusiciansFriend : USD66.75The Electro-Harmonix Knockout Pedal can give your tone the heavyweight punch it deserves. Two powerful filters are the key - make your humbuckers sound like single coil pickups and your Strat sound like a Tele. Amazing on bass!The Knockout Attack Equallizer lets you tweak the high-pass and low-pass filters, changing your sound from Gibson to Strat to Telecaster, with innumerable shades in between. |
 |
Line 6 ToneCore Roto Machine Guitar Effects Pedal : MusiciansFriend : USD119.99If you long for the lush, swirling sounds of a rotating speaker, the Line 6 ToneCore Roto-Machine Pedal is sure to satisfy. 3 outstanding filters-145, L16, and 122 create unique rotating effects. Fine tune the drum-to-horn mix using the Blend knob. Separate Fast and Slow speed and Drive controls help you find the signature rotating speaker sound you want. The 2-in-1 footswitch allows switching between Fast and Slow speeds. ToneCore guitar pedals consist of a ToneDock base-in stereo or mono-and interchangeable effects modules that snap in and out, allowing you to change effects without rearranging your pedalboard. The ToneDock is powered by a 9V battery or optional DC-1 adapter. |
 |
Line 6 ToneCore Dr. Distorto Pedal : MusiciansFriend : USD99.99If you're tired of tone lacking sustain and controlled feedback, the ToneCore Dr. Distorto has got the cure. Dr. Distorto has classic, full-bodied distortion tones with incredible sustain courtesy of the innovative harmonic feedback circuit within. No matter what distortion setting you use, you get perfect feedback every time thanks to the Rise, Fall, and Blend controls. The Sustain and Octave controls give you even more options to get the distortion you crave. ToneCore pedals consist of a ToneDock base-in stereo or mono-and interchangeable effects modules that snap in and out, allowing you to change effects without rearranging your pedalboard. The ToneDock is powered by a 9V battery or optional adapter. |
 |
Line 6 FBV Express Footswitch : MusiciansFriend : USD99.99The Line 6 FBV Express Foot Controller instantly recalls an entire rig via 4 gig-ready footswitches built into a road-rugged steel enclosure. It delivers tap tempo effects, a chromatic tuner interface** for quick and accurate tuning, and a full-size heavy-duty volume/wah pedal.**The chromatic tuner interface only interfaces with Line 6 amps that have built in chromatic tuners, and does not work with Spider II 15, 30, or HD75. |
 |
Line 6 ToneCore Constrictor Guitar Effects Module : MusiciansFriend : USD39.99Choose from Compact, Squeeze, and Mellow compressor models, all based on classic analog compressors from the '60s, '70s, and '80s. The Constrictor also features level, gate, and sustain controls. The Compressor Dynamics Model Switch reconfigures the virtual circuitry inside Constrictor to give you 3 distinctly different "flavors." Compact is based on vintage stompbox compressors from the '70s and gives you a slight mid frequency boost. Squeeze gives you '80s stompbox-style compression with a pleasant treble boost. Mellow is the place to be when you're in the mood for a classic tube compressor sound with a nice, flat frequency response. All of the ToneCore modules can be placed in either mono stereo ToneDock stompbox bases allowing you to collect the modules you want and swap modules as needed. |
 |
Line 6 ToneCore CrunchTone Guitar Effects Module : MusiciansFriend : USD29.99If you like warm, full-bodied overdrive, Crunchtone features 3 juicy models: Blues, Pop and Crunch. Based on Line 6's arsenal of power tube overdrive models, Crunchtone also give you a simple yet versatile tone control for easy tweaking, and a built-in noise gate. The Blues setting is designed to produce a glassy, snappy 6L6-style overdrive tone for playing the blues. The Pop setting gives you a nice, 60's-style Class-A pop/rock bark. Crunch has a punchy, slightly compressed overdrive tone, much like what you'd get from a British-style full stack amp-and-cab setup. CrunchTone also lets you select from 2 gates: a soft and mild noise gate that automatically adjusts to the drive knob setting, and a heavy, fast-clamping gate great for aggressive metal chords and palm muting. Other controls include level, bass, treble, and drive. All of the ToneCore modules can be placed in either mono or stereo ToneDock stompboxes allowing you to collect the modules you want and swap modules as needed (See recommended accessories on this page). |
 |
Line 6 ToneCore Dr. Distorto Module : MusiciansFriend : USD29.99The Dr. Distorto Module from Line 6 delivers classic, full-bodied distortion tones and gives you the ability to achieve incredible sustain at any distortion level using an innovative harmonic feedback circuit. The feedback switch turns the distortion circuit on and off. When off it disables other controls allowing you to use the Dr. Distorto effects pedal for distortion only. A Sustain switch gives you a choice of sustain on the note played or sustain an octave above the note played. A Rise knob adjusts the length of time it takes for sustain to begin and a Fall knob sets the duration. A Blend knob adjusts sustain volume. Other controls include a 3-way gate switch (off, mild, and clamp), level, tone, and drive.All of the ToneCore modules can be placed in either mono or stereo ToneDock stompboxes allowing you to collect the modules you want and swap modules as needed (See recommended acccessories on this page). |
 |
Line 6 ToneCore Echo Park Guitar Effects Module : MusiciansFriend : USD69.99Based on the award-winning DL4 Delay Modeler, Echo Park is loaded with unbelievable sounding models including analog, tape, and digital delay. Different delay patterns such as slap, ping-pong, swell, and sweep can be adjusted with the twist of a knob, and it has tap tempo.All of the ToneCore modules can be placed in either mono or stereo ToneDock stompboxes allowing you to collect the modules you want and swap modules as needed.(See recommended accessories on this page for mono and stereo ToneDock stompboxes.) |
 |
Line 6 ToneCore Liqua Flange Guitar Effects Module : MusiciansFriend : USD39.99Burn down the house with the new ToneCore Liqua-Flange guitar effects module. Liqua-Flange has selectable Digital, Liquid, and Analog models-all with pass through zero settings that will make your guitar sound like it ¡s coming down from the sky.All of the ToneCore modules can be placed in either mono or stereo ToneDock stompboxes allowing you to collect the modules you want and swap modules as needed. (See recommended accessories on this page for mono or stereo ToneDock stompboxes.) |
 |
Line 6 ToneCore Otto Filter Guitar Effects Module : MusiciansFriend : USD29.99Get your hands on tones that are truly funky with the ToneCore Otto Filter module. The Otto Filter delivers a splendid cornucopia of auto wah filter effects with Band Pass, Low Pass, and custom Line 6 Twin Filter models that add ultra-funky and experimental sounds to your bag. All of the ToneCore modules can be placed in either mono or stereo ToneDock stompboxes allowing you to collect the modules you want and swap modules as needed. (See recommended accessories on this page for mono or stereo ToneDock stompboxes.) |
 |
Line 6 ToneCore Roto-Machine Guitar Effects Module : MusiciansFriend : USD39.99Roto-Machine pedal brings huge, 3-dimensional rotating speaker sounds right to your pedalboard. From dreamy clean to swirling overdrive, Roto-Machine has those signature sounds you could only get from the original until now! A Model Switch is used to select 3 distinctly different rotating effects types: the 145 - based on* the Leslie© 145, L16 based on* the Fender© Vibratone model 16, and 122 based on* the Leslie© 122. A Ramp Switchcontrols how long it takes the speed to go from Fast to Slow from 3 ramp speeds. Speed controls include a Fast Knob to |