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Radial JD7 Injector Guitar Signal Distribution System : MusiciansFriend : USD1099.0Front panel control makes selecting amplifiers, ground paths and polarity (phase reversal) easy. The JD7 has a Class-A audio signal path that has been optimized for use with electric guitars and is 100% discreet (no op amps or chips) producing the most accurate and faithful signal at each output. To eliminate problems such as 60 cycle hum caused by ground loops without signal degradation, the world's finest audio transformers by Jensen are employed. The Radial JD7 also features a 600-ohm balanced direct output to allow the engineer to record a dry guitar track or to use the JD7 as a direct box. A balanced input allows a pre-recorded track to be sent back into the JD7 which can then drive amplifiers, effect pedals, and other devices. |
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Radial JDI Duplex mk4 Stereo Direct Box : MusiciansFriend : USD349.99Now with dual -10dB RCA connectors and dual +4db XLR inputs. Passive DI employs a Jensen isolation transformer for optimum audio performance offering outstanding linearity at all frequencies, combined with extraordinary level handling without introducing distortion. The completely passive plug & play JDI does not require any power and has the unique advantage of eliminating 60-cycle ground loops. This makes it a definite favorite with informed audio engineers. Great for guitars, bass, and keyboards and particularly adept with high-output, broadband instruments such as active instruments and digital keyboards. May be rackmounted using the J-RAK Adaptor (not included).Housed in a 14 gauge steel welded I-beam chassis, it protects all connectors and switches with a unique book-end design. The input panel is equipped with a pair of 1/4" and RCA inputs and thru-puts. A unique Merge function provides passive mix to convert the in/thru routing into a stereo-to-mono mix function-a valuable channel saver for large keyboard rigs and multiple audio sources. Each channel is also outfitted with a 10kHz low-pass filter to eliminate high-frequency system noise and a 15dB pad for greater source control. A switch on each channel allows the user to select the XLR male input. This simultaneously introduces a 20dB pad to allow high output +4dB line level devices to interface into snake systems and splitters without requiring an external attenuator. The rear panel features the XLR inputs and outputs along with polarity reverse and ground lift. |
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Radial Tonebone Bassbone : MusiciansFriend : USD259.99The Radial Tonebone Bassbone is a smart EQ/DI pedal that manages your bass signal with 2 separate channels and a powerful EQ that overrides the preamp's tone settings. The Tonebone allows switching between a traditional passive bass and a modern active bass during a gig without lengthy and awkward adjustments to the preamp, EQ, amp, and instrument level. This EQ and DI Box can also be used with a single bass to provide 2 separate signals finessed by its incredible enhancement capabilities. The integrated boost, variable gain, and effects loop can be used individually or together. A balanced XLR out sends the complete signal direct to the board for PA-only gigs and studio time. Added heft and punch to your tone is like a secret weapon. The Radial Tonebone Bassbone is powered by a 15VDC power supply. |
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Radial Tonebone JX-2 Pro Switchbone : MusiciansFriend : USD259.99The Radial Tonebone JX•2 Pro Switchbone is an exceptional AB-Y switcher. It allows you to drive 2 guitar amplifiers at the same time without introducing noise, hum, or coloration and to switch between amplifiers without problems. It employs the class-A circuitry from the acclaimed Radial JD7 Injector for exceptional audio performance. The compact pedal has been optimized for maximum, yet simple, performance.The Switchbone incorporates a simple yet extremely effective power booster with variable gain control and gain boost, mid and gain boost, and mute. The mute turns off the amp outputs while still sending signal to the tuner out.The innovative Drag Control feature allows the user to re-introduce a load on the pickup, which fools the pickup into thinking it is connected to an amplifier. |
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Radial X-Amp Active Reamplifier : MusiciansFriend : USD199.99The Radial X-Amp Active Reamplifier presents the engineer/producer/guitarist with an innovative and creative tool that allows a prerecorded track from a line level device to drive 2 guitar amplifiers or effect pedals simultaneously. The X-Amp employs a unique Class-A circuit design that has been optimized for use with guitars. Using the X-Amp is easy: One would, for instance, record a dry track using a high-quality direct box, then send this track from the recorder to the X-amp and then to either guitar amps, effect pedals or combinations thereof.Recording using the X-Amp has many benefits: once the basic track has been recorded, replacing or adding tracks can be done well after the session player has gone home. This eliminates tiresome repetition and assures a fresh vibrant performance on the final recording. Furthermore, by driving 2 amps at the same time, new sounds and textures can be created allowing the engineer — producer to make artistic decisions as the recording progresses. Features include balanced line level input with LED peak indicator and level control, Class-A circuit topology for optimal reach and frequency response, direct and isolated guitar amplifier outputs, 180° polarity reverse to bring both amps into phase, and dual ground lift options for noise-free operation.Built like a tank to provide years of trouble-free performance, the Radial X-Amp boasts a welded I-beam internal skeleton with a separate housing for maximum protection of the circuit board. The outside bookend cover provides a protective zone for the switches, potentiometer, and connectors. A full bottom no-slip pad performs double duty by keeping the X-Amp from sliding around when placed on a vibrating amplifier while also providing electrical and mechanical isolation. |
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Radial Cab-Bone Speaker Cabinet Switcher : MusiciansFriend : USD259.99This guitar amp cabinet switcher connects between an amp head and 2 cabinets, allowing transition between the 2 cabs while using the same amp head.Uses high-performance, high-cycling, gold contact relays to switch the amp's speaker output without adding color to the tone. To ensure safe, stable amplifier operation and smooth transitions, a timer IC manages a ramped connection overlap. This ensures constant load on the output, a major concern with tube amplifiers. As a further safety measure, the Cab-Bone incorporates a power-off feature called SafeMode which automatically diverts the input signal to output-1 if the power supply is ever disconnected or turned off by mistake.To reduce the 'cable spaghetti' between the amplifier, speakers, pedal board and back, Cab-Bone is equipped with a Slingshot input and output. Slingshot is Radial's easy to use remote control system that allows any footswitch to toggle switching of remote devices using just regular 1/4" guitar cables. The Slingshot remote input can be controlled by either momentary or latching contact closure.To add versatility, the Cab-Bone also incorporates a Slingshot output that can be used to remotely switch amp channels while switching cabinets. You could, for instance, connect the Slingshot remote output on the Radial Loopbone to toggle the Cab-Bone and go from a 2 x 12" open back to a 4 x12" half-stack. Connecting the Slingshot output to the amp as well would allow you to change the amp channel at the same time, allowing each cabinet to have its own EQ and gain.Add a Loopbone to the equation and with a single foot stomp you can introduce an effects loop, change speakers and change amp channels at the same time! Very cool! Now you can get those perfect tone combinations onstage quickly, and do it with one switch instead of a tap dance routine!Like all Radial products, the Cab-Bone is built tough to handle the road: 14-gauge steel, baked enamel finish, and high performance parts throughout. You get all of this in a compact enclosure that is ultra-quiet and completely transparent to the tone of your amp.Cab-Bone — another creative tool for making better music from the Tonebone tone fanatics at Radial. |
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Radial Headbone VT Amp Head Switcher for Tube Amps : MusiciansFriend : USD259.99As part of the growing line of Tonebone foot pedals, Radial introduces the Headbone VT, a guitar amplifier head switcher that allows the player to transition from, for example, a Mesa Boogie Dual-Rectifier to a Marshall JCM800 while using the same cabinet. The Headbone employs a series of photocells to assure noise-free guitar-to-head switching and a series of high cycle relays that switch between the 2 heads and the speaker. A digital programmable interrupt controller receives commands from the onboard footswitch or the Slingshot remote switching system and controls the transition between equipment to ensure proper amplifier loads are always maintained. |
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Radial Loopbone Dual Effects Loop : MusiciansFriend : USD259.99The Radial Loopbone Dual Effects Loop is a powerful effects loop controller for pedal boards that allows the guitar player to insert 2 separate pedal effects chains and remove them when not in use. This is particularly advantageous when using older effects pedals that tend to add noise and cause loading problems in the signal chain. The Radial Loopbone incorporates a superb post-effects variable-gain power booster that allows straight signal boosting or post loop-1 or loop-2 boost for soloing.To ensure that the natural tone of the instrument is maintained, the Loopbone features Radial's unique Drag Control pickup load correction circuit that allows the guitarist to properly match the impedance load of any pedal board configuration with any guitar for optimum performance. Furthermore, there are no signal degrading op-amps or chips in the signal path, only 100% discrete components and Radial's highly acclaimed Class-A circuit for natural tone and exceptional dynamics.Besides FX-loop switching, load matching, and signal boost, the Loopbone brings even more to your pedal board: a separate "always-on" tuner-out circuit allows on-the-fly tuning without adding noise or load to your instrument signal and, perhaps the most innovative feature of all, Slingshot. Slingshot is Radial's unique remote switching system that allows the Loopbone to simultaneously switch amplifier channels, other amp features, or even another Slingshot-equipped device. |
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Radial JPC Active AV Direct Box : MusiciansFriend : USD199.99The Radial JPC DI Box is a two-channel hybrid direct box designed to address the demand for interfacing computer sound cards, consumer electronics and other gear to professional sound systems. The JPC features two active 48V phantom powered channels in a compact, rugged enclosure. It combines an active drive circuit, for long cable runs, with transformer isolated inputs to eliminate hum and buzz caused by ground loops. Multiple input and thru connectors for great versatility include 1/8" stereo, 1/4" stereo and RCA. |
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Radial ProDI Passive Direct Box : MusiciansFriend : USD99.99The Radial ProDI Passive Direct Box is a high-quality, passive direct box that employs a proprietary transformer for both impedance conversion and isolation. Linear from 20Hz-18kHz, with low distortion and virtually zero phase distortion makes it perfect for live or studio performances. Because of the transformer isolation, problems such as hum and buzz caused by ground loops are eliminated, making it very easy and hassle-free to use. The Radial ProDI features 1/4" thru/input, -15dB pad, and ground lift protected from damage by a protective front panel. Heavy-duty construction, baked enamel finish, and 600-ohm balanced output. 2-1/2" x 4-1/4". |
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Radial ProD2 Passive Stereo Direct Box : MusiciansFriend : USD149.99A high-quality, passive direct box that uses 2 proprietary custom-made transformers, one for each channel, for both impedance conversion and isolation. Linear from 20Hz-18kHz, with low distortion and virtually zero phase distortion makes it perfect for live or studio performances. Because of the transformer isolation, problems such as hum and buzz caused by ground loops are eliminated, making it very easy and hassle-free to use. Features include 1/4" thru/input, -15dB pad, and ground lift protected from damage by a protective front panel. Heavy-duty construction, baked enamel finish, and 600ohm balanced output. 3" x 5". |
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Radial HotShot DM1 Microphone Signal Muting Footswitch : MusiciansFriend : USD79.99Allows the vocalist to depress to mute his mic with a footswitch and redirect the signal to the monitoring system and/or intercom. This passive floor box is equipped with an XLR mic input, momentary footswitch, and main and monitor XLR outputs. Designed for dynamic microphones. |
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Radial J33 RIAA Turntable Preamp Direct Box : MusiciansFriend : USD199.99A combination RIAA phono-turntable preamp and direct box that allows long-play vinyl albums to be played directly through a professional microphone preamp or mixing console where the very highest quality is required. This audiophile interface is ideally suited for album archiving, pristine sampling, recording performances, and DJ mixing. It has RCA inputs; stereo RCA, 3.5mm, and 1/4" TRS -10dB line-level outputs; and balanced mic-level XLR outs. Employs an indestructible steel housing with internal I-beam construction, a protective zone around switches and jacks, and a full-bottom no-slip pad. May be powered with 48V phantom or DC supply. An auto sensor automatically selects whichever power supply is present. |
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Radial JS2 Passive Microphone Splitter Direct Box : MusiciansFriend : USD219.99Features electrically isolated XLR I/O, a second auxiliary direct throughput with ground lift, and a transformer-isolated output. Has a 30dB pad, supplies 48V DC phantom power for microphones, has a ground lift, and has common mode noise rejection up to -100dB at 60Hz. Features a stand-alone housing with 14-gauge, I-beam steel frame with baked enamel finish and an innovative bookend cover. |
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Radial JS3 Passive Microphone Splitter Direct Box : MusiciansFriend : USD259.99Features electrically isolated XLR I/O, a direct throughput with ground lift, and 2 transformer-isolated outputs. Has a 30dB pad, delivers 48V DC phantom power for microphones, has a ground lift, and has common mode noise rejection up to -100dB at 60Hz. Features a standalone housing with 14-gauge, I-beam steel frame with baked enamel finish and an innovative bookend cover. It also uses a Jensen JT-MBD mic bridging transformer. The JT-MBD features a 1:1:1 with dual secondary windings to allow dual isolated outputs. This allows the JS-3 to be equipped with a main direct-out for FOH and 2 isolated outs for monitor mix and broadcast feed. |
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Radial TWIN ISO Passive Line-Level Isolator : MusiciansFriend : USD259.99Equipped with the world's finest Jensen Audio Transformers, the Radial Twin-Iso is a no-excuse problem solver that provides exceptional audio performance while eliminating ground loops. It features 2 +4dB line-level floating channels with XLR input and output connectors for easy interfacing. Nickel-laminated Jensen JT-11P1 isolation transformers and insulated XLRs provide 100% isolation. As a unity-gain device it boasts 10Hz-40kHz response and balanced, 10kohm input impedance.Jensens do not introduce problems such as phase shift or group delay, which can cause bass to sound muddy and indistinct. This is of utmost importance when interfacing advanced line array systems where maintaining phase relationships is paramount to achieving the controlled dispersion pattern. Jensen Transformers are legendary for their warm Bessel curve and for their ability to handle transients without overload or ringing. |
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Radial JD6 6-Channel Rackmount Passive Direct Box : MusiciansFriend : USD899.99Featuring the same highly acclaimed Jensen transformer equipped circuit as used in the renowned Radial JDI direct box, the JD6 contains 6 completely independent audio channels for 100% isolation, minimal crosstalk and low noise.All channels feature -15dB pad, a 180§ polarity reverse, and a pin-1 ground lift disconnect at the XLR for added prevention against ground-loops. Easy ID labels for each channel use removable marker pen.Channels 1 and 2 have been outfitted with extra features and connections to simplify interfacing: dual RCA and 1/4" jacks with push-button selector; a merge function that converts the input and thruput to left and right mix to mono at the XLR; and a high-frequency roll-off filter. Channels 1 and 2 also feature 1/4" switching jacks with front channel priority. |
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Radial SGI TX/RX Studio Guitar Interface : MusiciansFriend : USD259.99A transmit and receive module allows your guitar signal to travel through 350' of balanced cable to a distant amplifier. The SGI is a unity gain device that features 100% discreet Class-A circuitry and transformer isolation to eliminate ground loops. It also has a Drag Control load correction circuit, DC connection for provided 15VDC supply, and ground lift.The SGI receive module features an XLR input and ground lift. Made from heavy-duty 14-gauge steel with internal I-beam frame and protective zone around switches and connectors. With the SGI, the guitarist can now play the roles of performer, engineer, and producer while saving immeasurable time during the recording process. |
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Radial J-RAK 2-Space Rack Adapter for 8 Units : MusiciansFriend : USD149.99A 2RU shelf that allows as many as 8 Radial direct boxes or switchers to be rackmounted. These can face forward (input at front) or backward (XLRs at front), active (J48) or passive (JDI) in any combination, depending on the system designer's preference.All you do is take the bookend cover off the JDI or J48 and attach one of the 8 insert sleeves supplied with the J-Rak. These are then screwed into the J-Rak shelf from the top. The direct boxes can have the XLR facing either the front or the rear of the rack depending on the application; whether one is racking up DIs for keyboards, sound modules, computers, or other sound sources. |
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Radial Tonebone Classic TriMode Distortion Pedal : MusiciansFriend : USD299.99The 12AX7 tube-equipped Radial Tonebone Classic TriMode Distortion Pedal has true-bypass and 2 distorted channels with separate input drive and output level controls. It allows you to set up completely different clean, rhythm, and solo tones from a single pedal and amp combination. There's even an effects loop on channel 2 so you can insert an effect automatically when soloing. Tonebone pedal features include 3-position tone shaping, drive ranges switches, 2-band EQ, independent mid boost on each channel, and high frequency roll-off. |
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Radial Tonebone Headbone SS Switcher for Solid-State Amps : MusiciansFriend : USD259.99An amplifier head switcher specifically designed to allow you to switch between 2 solid-state amps while using the same cabinet. The Headbone employs a series of photocells to assure noise-free guitar-to-head switching and a series of high-cycle relays that switch between the 2 heads and the speaker. A digital programmable interrupt controller receives commands from the onboard footswitch or the Slingshot remote switching system and controls the transition between equipment to ensure proper amplifier loads are always maintained. |
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Radial Tonebone Headbone TS Switcher for Tube to Solid State Amps : MusiciansFriend : USD259.99An amplifier head switcher specifically designed to allow you to switch between a solid-state and a tube amp while using the same cabinet. The Headbone employs a series of photocells to assure noise-free guitar-to-head switching and a series of high-cycle relays that switch between the 2 heads and the speaker. A digital programmable interrupt controller receives commands from the onboard footswitch or the Slingshot remote switching system and controls the transition between equipment to ensure proper amplifier loads are always maintained. |
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Radial Tonebone Cab-bone EX Speaker Cabinet Switcher 300 Watt : MusiciansFriend : USD349.99Connects between an amp head and 2 cabinets allowing the guitarist to transition between 2 cabinets using the same amplifier head. High-performance, high-cycling, gold contact relays switch without adding color to the tone. A constant load is ensured on the output. A SafeMode power-off automatically diverts the input signal to output 1 if the power supply is disconnected. |
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Radial Tonebone Dragster Guitar Wireless Load Correction Device : MusiciansFriend : USD49.99Simply clip the Radial Tonebone Dragster to your guitar strap and insert between your guitar and wireless transmitter and dial in the desired amount of pickup impedance load you want for full, natural sound. Regains your guitar's full, natural tone, eliminating that thin, brittle, squeaky sound. Restores the full rich tone you lose when you plug your guitar into a wireless transmitter or other types of buffered inputs like those of effects, mixers, sound cards, or recorders. The compact, lightweight aluminum construction features a bracket for guitar strap or pedalboard attachment. Dragster's exclusive Drag control makes passive pickups think (and sound) like they're connected directly to an amplifier input by allowing you to precisely dial in the correct amount of impedance loading. Result? Your guitar tone regains its warmth and feels right again and your performance sounds great! |
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Radial Tonebone BigShot ABY Passive Switcher : MusiciansFriend : USD79.99The Radial Tonebone BigShot ABY Passive Switcher allows you to toggle between 2 guitar amps or play them both at the same time. Features a guitar input, a thru-put, and 2 outputs. Output B is equipped with a ground-lift and 180° polarity reverse. For active buffered circuits, an isolation transformer on output-B eliminates ground loops. 14-gauge steel construction. |
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Radial Pro48 Active 48-Volt Compact Active Direct Box : MusiciansFriend : USD139.99The Radial Pro48's innovative digital switching power supply significantly increases headroom and allows for less distortion while yielding a smooth, linear response extending from 20Hz to well above 100kHz resulting in natural, uncolored signal transfer. This superior performance makes the Pro48 an ideal candidate for use with today's battery powered active basses and acoustic guitars that tend to overload other direct boxes. The compact Pro48 is built road-ready with 14 gauge steel in a unique book-end design that provides protective zones around the switches and connectors. The internal welded I-beam construction assures outside stress will not torque the PC board thus assuring longer product life. Pro48 - typical applications The Pro48 is designed for high-use applications wherever an active direct box is called for. A15dB pad switch is provided to tame hot signal and expands the range of instrument preamps and the ground lift switch helps eliminate hum and buzz problems caused by ground loops. |
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Radial Pro RMP Passive Reamping Direct Box : MusiciansFriend : USD99.99Re-amping has been the 'secret weapon' for countless recordings by the biggest names in the business and the process is often used on guitars, bass, keyboards, percussion and even voice to create new textures! The Radial ProRMP is a 100% passive re-amplifier that lets you to take a pre-recorded track and re-amplify it through a guitar amp or effects pedals to create new and exciting tones.Plug and play easy to use, the ProRMP connects from the recorder to your amp and effects units and does all the impedance matching for you. Just adjust the level to suit!The magic behind the ProRMP's great tone is a custom wound transformer that at once converts the balanced low-z source to a hi-z input for your amp while also acting as an electrical isolator to eliminate troublesome ground loops that can often cause buzz and hum in the sound.Like all Radial products, the ProRMP is built tough! Encased in a 14 gauge steel, the ProRMP employs a unique book-end design with a welded I-beam frame that protects it from damage and assures the PC board and solder points will not be stressed, adding durability. A full-bottom no-slip pad works double duty by providing plenty of stay put while also eliminating electrical contact points from guitar amp chassis bolts that could cause ground loops.The Radial ProRMP - affordable professional re-amping for every studio!ProRMP application Plug a standard balanced cable from your recorder or mixer output to the ProRMP's XLR input. Connect the 1/4" ProRMP output to your instrument amp. Adjust the ProRMP's output level control as required to match the amp input and engage the ground lift switch to eliminate any hum and buzz caused by ground loops. |
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Radial Pro AV1 Single Channel Direct Box : MusiciansFriend : USD119.99The Radial ProAV1 is a passive direct box specifically developed with the audio-video integrator in mind. The ProAV1 features a variety of stereo inputs that are merged via a resistive mixer to mono, greatly simplifying signal management.To eliminate the need for various adapters, a 'Swiss Army' array of connections are provided, including 1/4" for instruments, RCA and 1/8" connectors for consumer electronics and computers and a +4dB XLR input(s) for professional systems. Front panel connectors can also be used as thru-puts to allow multiple patch points.Custom wound transformers are employed that are able to withstand exceptionally hot levels while maintaining linearity from 20Hz to 18.5kHz. The resulting smooth Bessel curve is warm and natural, making the AV1 particularly adept at handling digital sources that can sound harsh. Transformer isolation adds the benefit of eliminating ground loops that cause audio hum and buzz and video hum bars or snow.The ProAV1 is ideal for events that interlace audio with video where music sources can include iPods, CD players and video decks. The ProAV1 will be a welcome addition to the AV technician's tool box.ProAV1 Setup: Plug your audio-video device into the ProAV1 using any number of connection options from XLR to 1/8" mini connector. L & R Stereo inputs are paralleled to the unused L & R input connectors so you can use these as thruputs to connect to other devices or destinations. Stereo inputs are summed to mono at the XLR output. See the user manual for complete details about all the connection possibilities. A -15dB pad is provided to tame hot signals and the ground lift eliminates hum and buzz caused by ground loops. |
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Radial Tonebone Plexitube Distortion Pedal : MusiciansFriend : USD299.992-channel tube distortion pedal combines the natural warmth and harmonic generation of a 12AX7 tube with the control and saturation of Radial's unique multi-stage solid-state drive circuit. This combination provides incredible gain with tons of overtones and, when combined with their unique passive-interactive EQ, produces four generations of Marshall Plexi tones worthy of a Shakespearian Ode.Designed to enhance onstage functionality, the Plexitube features two distinct distortion channels for on-the-fly transition between rhythm and lead settings. Channel-1 has been optimized for rhythm with chunk rhythm tones and scooped out mids for a thunderous wall-of-sound and complete world domination. Channel-2 is optimized to produce razor-sharp cut for solos and sustaining mids that are so smooth, they can make a grown man cry. This is augmented with an effects loop that can automatically turn your delay on for leads. No tap dancing!When the Plexitube is off, true-bypass connectivity ensures the natural tone of your guitar goes directly to your amp without obstruction or a tone robbing load.Plexitube Setup: The Plexitube is your 'Plexi-in-a-box'! Just plug the Plexitube output into your amp to open up a world of tube driven British rock tones. The separate trim, drive, contour and EQ controls give you instant command of both rhythm and lead distortion settings as well as a true bypass mode that ensures that nothing gets in the way of your pure guitar-to-amp tone.But that's just the beginning because you've also got a foot-switchable effects loop at your disposal that's there when you need it and out of your clean signal path when you don't. You will be amazed at the breadth and scope of the sounds just waiting to be discovered in this truly versatile pedal! |
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Radial BigShot PB1 Class-A Power Booster : MusiciansFriend : USD139.99The Radial BigShot PB1 provides 15dB of boost, accessed using a guitar pick via a rear-mounted recessed control that is protected from foot stomp damage.Unlike class-B preamps found in most pedals that color the tone and give buffers a bad name, the BigShot PB1 features 100% discreet class-A circuit topology for the utmost in sound quality. Class-A circuits are preferred due to reduced zero cross distortion, improved phase response and the resulting smooth Bessel curve of evenly cascading harmonics. This is augmented with Drag control, a variable load correction circuit that lets you dial in the perfect impedance to match the original tone and feel of your guitar and amp combination.With the PB1, noise is reduced while performance is augmented. Long cable runs are finally possible. And when you hit the boost, you get smooth clean control like you never though possible. The BigShot PB1 is likely the finest guitar power booster ever made. |
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Radial BigShot EFX Effects Loop : MusiciansFriend : USD79.99The BigShot EFX is a true-bypass effects loop switcher that lets you set up two separate effects loops and insert them into your pedal chain at will. This means that noisy pedals or tone robbing non true-bypass pedals that you 'love to hate' can now be used and completely taken out of the signal path when they are not needed.Better yet, while an effects loop is on 'standby', you can turn on and off pedals at will and prepare your sound. Then, with one foot stomp you can turn on as many pedals as you like for professional multi-effects performance without the usual tap dancing! Add the BigShot PB1 buffer into the loop and you can now drive as many pedals as you like without adding noise. For those that like quiet tuning, you can use the second loop as a tuner out and the BigShot EFX will mute your signal with a single stomp.Compact, rugged and plug & play easy to use, the BigShot EFX opens the door to professional pedal management and lets you do it all right at your feet! |
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Radial BigShot I/O Selector Switch : MusiciansFriend : USD79.99The Radial BigShot i/o is an easy-to-use instrument selector switch that lets you quickly transition between any two instruments and drive the signal to your amp. Because the i/o is 100% true-bypass, it addresses the needs of the most demanding purist. To further enhance connectivity, input-B is equipped with a level control called DIM that lets you reduce the signal from the louder of your two instruments so that both instruments are matched to the same volume level when they reach the amplifier. When passive instruments are used, a unique 'bright' switch lets you compensate for high frequency loss due to longer cables.To enhance onstage functionality, the BigShot i/o is equipped with a tuner output. With a simple foot stomp on the MUTE switch, the sound going to the amp is turned off and diverted to the tuner for quiet onstage adjustments. An 'always on' switch also permits on-the-fly quiet tuning should you wish to have the tuner on at all times.Compact, extremely rugged and completely passive, the BigShot i/o does not require any powering to make it work. This makes it ideal for pedalboards where the use of batteries or power supplies is painful! The BigShot i/o is also perfect for all you instruments and hi-Z line-level signal switching. |
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Rocktron Utopia B200 Bass Floor Multi Effects Pedal Black : MusiciansFriend : USD449.0Rocktron's Utopia B200 Professional Bass System provides an arsenal of tone and effects processing. It is packed with plenty of great sounds ready to transform any Bass amplifier into a powerhouse of rock. Simply put the pedal between you and your amp, and let your inspiration flow. Mixing the 128 tone generation and effects in the B200, from popular effects like Chorus, Reverb, Delay, Pitch Shift, Flanger, Phaser, Wah-Wah and Tremolo, to tone manipulators like Preamp, Compression, and Rocktron's own Hush (noise reduction) functions and you'll have everything you need to create your own signature sound. The Rocktron Utopia pedal even has a Speaker Exciter for recording live sound. The B200 gives you 3 instant recall buttons and offers tap delay note quantization from 1/16 to whole, and has a easy-to-read. The 2-line cool blue LCD display and glow-in-the dark markings on the pedal board make it easy to use in low-light performance situations. The guitar effects pedal has tons of I/O, including MIDI in and out/thru, an aux jack, stereo headphone out, USB, 1/4" mono bass input, and 1/4" left/right output jacks. The chassis is rugged and designed for the abuse of hard rocking situations. |
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Rocktron Utopia B-300 Bass Floor Multi-Effects Pedal Black : MusiciansFriend : USD529.0Rocktron's Utopia B300 Professional Bass System lays an arsenal of fabulous tone and effects processing right at your feet. The B300 floor pedal is packed with 128 fully programmable presets to transform your favorite bass amplifier into a multi-faceted rock and roll factory of sound. It comes with a plethora of popular effects like Chorus, Reverb, Delay, Pitch Shift, Flanger, Phaser, Wah-Wah and Tremolo, with the option to assign a factory preset or a user-created one to 10 buttons. A Global function allows setting parameters that affect all presets. A Mixer function lets you tweak volume, output, pan, delay, reverb, and overall effects levels. The Preamp function not only gives you four preamp types - Deep, Norm, Brite, Distorted - as well as other sound-shaping choices like standard 3-band EQ options, gain, presence, symmetry, polarity, and more. The Rocktron Utopia pedal also has a HUSH function which is a single-ended noise reduction system, and a Speaker Exciter function that provides a realistic approximation of a miked speaker cab when you are connecting the Utopia B300 directly to a mixing board, recording system, or other full-range system. You also get a compressor function, effects loop, and seven tap quantizing choices. As far as I/O, you get MIDI in and out/thru, an aux jack, stereo headphone out, USB, 1/4" mono bass input, and 1/4" left/right output jacks. All in all, it's pretty safe to say the B300 multi-effects pedal gives you a lot to work with. |
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Visual Sound Multi-Plug 8 Cable for 1 SPOT Black : MusiciansFriend : USD14.95The Visual Sound Multi=Plug 8 Cable is an accessory for the 1 SPOT 9V DC adapter. Takes up only one spot on a wall or strip outlet. The Multi-Plug has 8 right-angle plugs for daisy-chaining power, with over 12" between plugs. You can also link other Multi-Plugs together to power up even more effects or pedals. Multi-Plug uses spring-loaded contacts in the input socket to keep your 1 SPOT securely plugged in.NOTE: The 1 SPOT cannot be used to power multiple LINE 6 ToneCore Pedals due to inadequate power supply filtering in the pedals. A 1S POT can be used with one ToneCore Pedal with only a minimal amount of noise. More than 1 ToneCore pedal on a daisy chain causes too much noise for practical use. |
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Visual Sound Battery Clip Converter for 1 SPOT Black : MusiciansFriend : USD2.99The Visual Sound Battery Clip Converter is a simple accessory that allows you to use the 1 SPOT 9V DC adapter to power anything that runs on a 9V battery. |
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Visual Sound Reverse Polarity Converter for 1 SPOT Black : MusiciansFriend : USD2.99The Visual Sound Reverse Polarity Converter is a tiny accessory for the 1 SPOT 9V DC adapter that adapts it to power Yamaha keyboards, samplers, and drum machines, as well as certain reverse-polarity effects pedals. |
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ART T8 8-Channel Transformer Isolator : MusiciansFriend : USD119.2High-quality passive audio interface uses 8 transformers to separate input and output signal grounds, isolating 2 systems and reducing hum and ground-loop noise. The T8's audio transformers have flat, wide frequency response and handle high signal levels while maintaining an isolated balanced output. This allows a clean, neutral sound with a wide variety of signal sources. The transformers are wound for 1:1 unity gain and are designed for 600 ohm to 100kOhm impedance. XLR, 1/4", and RCA connections on all inputs and outputs offers connection versatility. Reversible mounting ears allow either the XLRs or the 1/4" and RCA jacks on the front. The T8 fits easily into virtually any audio system and is a clean patch point between all types of systems.The T8 works great as an interface between a computer-based audio workstation and a monitor system, isolation on long cable runs in a fixed installation, isolation of multiple signal sources from recording equipment, or a safer connection between 2 audio systems. Comes in a road-rugged 19", 1U all-steel black case. |
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Rocktron 9 Volt AC 3.4 Amp Adapter : MusiciansFriend : USD25.0The Rocktron 9V AC 3.4 Amp Adapter is used for the Rocktron Prophesy Guitar Preamp with Effects and the Rocktron VooDu Valve On-Line Tube Guitar Preamp (See recommended products on this page). |
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Rocktron MIDI Xchange Controller : MusiciansFriend : USD119.0Controls Rocktron products as well as other MIDI switchable products. 2 expression ports allow you to plug in Rocktron HEX expression/volume controllers. The ports have a smart function that recognizes the current status of both controller pedal ports upon the recall program change command being sent out. It has a power switch; Up, Down, and Recall controls; and an LED display that shows you the preset or controller assignment selection. Runs on a 9-volt battery, as well as external AC adapter or phantom power through select Rocktron processors and amplifiers. |
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Rocktron Banshee Talk Box : MusiciansFriend : USD169.0The Rocktron Banshee Talk Box brings a new twist to an outdated generation of complicated and risky talk boxes. Banshee is unique because it contains its own internal preamp, amplifier, and horn driver. You simply plug into your pedalboard and run the provided tubing up the mic stand and into your mouth. There's no risk of blowing up your favorite amp head (a possibility with talk boxes of yore). The rest is up to your own imagination as you generate incredible talking tones. A wide range of clean and dirty preamp tones may be dialed in with plenty of saturation for those who desire lots of gain. Not only does the Banshee scream in the talkbox mode, but it also includes an extra jack for hookup with an extension pedal speaker. Plugging a speaker cab into this output turns your pedal board into a perfect practice setup with enough volume to seriously crank it. Includes power supply. |
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Rocktron HUSH Noise Reduction Pedal : MusiciansFriend : USD79.0The Rocktron HUSH Noise Reduction Pedal is the standard with touring rigs worldwide. Now you can tap into the same great circuitry to wipe out hiss, pickup buzz, and unwanted feedback. The HUSH pedal delivers 65dB of signal cleanup, while your signal integrity remains unaffected. |
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Rocktron Rampage Distortion Pedal : MusiciansFriend : USD79.0Specially designed for players who want grungy, punchy, ultrahigh gain with endless sustain. A scoop control lets you cut mids up to 30dB, and the Rampage is designed to give you 75dB of raging gain with amazingly little noise. Crank the sustain and feel your instrument take on a life of its own. It's the wildest, screamin'est, most outrageous distortion pedal on the planet. |
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Rocktron Deep Blue Chorus Stomp Box : MusiciansFriend : USD89.0This pedal should make it easier to choose your next chorus. It's flush with sleek, multi-voiced chorus, rich in depth and riotous in intensity. The Deep Blue is road rugged in a tough extruded-aluminum chassis and uses a cool super-bright blue LED to tell you when the pedal is on. The Rate control adjusts the speed of the modulation, while the Depth control adjusts the amount of modulation. Use the Intensity control to adjust the amount of chorus effect that is added to your signal.The Deep Blue has an easy access battery compartment, making changing batteries on this Rocktron stomp box a breeze during a gig. |
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Rocktron Metal Planet Distortion Pedal : MusiciansFriend : USD79.0Equipped with a 4-band EQ designed specifically for guitar distortion and a mid-frequency sweep, Metal Planet delivers a wide range of tones from scooped heavy metal to modern rock distortion. Extruded aluminum chassis, easy-access battery compartment, and bright blue status LEDs. |
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Rocktron Short Timer Retro Delay Stomp Box : MusiciansFriend : USD79.0This pedal is a slapback machine, perfect for playing rockabilly or surf styles. 2 modes provide a range of quick delays between 200ms and 400ms. A level control adjusts overall volume of the effect, and a regeneration control lets you adjust the number of repetitions. Extruded aluminum chassis. Easy-access battery compartment. Bright blue status LED. |
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Rocktron X-Tune Guitar Tuner Stomp Box : MusiciansFriend : USD79.0This Rocktron X-Tune chromatic tuner stomp box for guitar and bass offers multi-light LEDs and lighted notes that make it easy to tune on dark stages. Built into a strong aluminum chassis, the X-Tune has muting for silent tuning and continuous out for live tuning. Handles 12-note tuning and a 7 octave range. The Calibration function sets the tuner unit to match the pitch of any instrument or audio source (like a piano or tape player). Powered by a 9V battery. |
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Rocktron Zombie Rectified Distortion Pedal : MusiciansFriend : USD79.0With a monstrously heavy sound, the Rocktron Zombie Rectified Distortion Pedal creates an asymmetric distortion with user control of the symmetry balance of the distortion output waveform. In essence, this creates the psycho-acoustic 3-D sound positioning effect that will make your sound jump out of the cab. The Zombie gives you distortion that cuts through the mix, plus a 2-band EQ.The Stare control increases and decreases distortion symmetry. The Scream control adjusts the rectified distortion. The Louder control adjusts the overall output of the Zombie pedal. The EQ section includes Bass and Treble controls.The Zombie effects pedal is a great choice when used with an all-tube guitar amplifier to deliver rectified distortion. It can take a plain-sounding tube amp and produce rectified distortion that rivals the sound of the most expensive amplifiers. This monstrously heavy sound will cut through the mix and deliver amazing tone! The Zombie features Rocktron's easy-access battery compartment to make changing batteries during a gig a breeze. |
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Rocktron Black Cat Moan Wah Pedal : MusiciansFriend : USD119.0The best of Rocktron with great wah and great distortion, and sounds good combined. The Black Cat Moan is a multifunctional wah pedal that offers extremely useful and musical features. It accommodates standard guitars, basses, and can jump into a high-distortion mix and really tear things up! Its germanium diodes provide a unique sweepable sonic effect-the Moan-that can act as a standalone distortion or be combined with the wah for an effect that cries harder and sweeter than a baby. The Moan effect will be most apparent when using a heavier distortion. The effect can sometimes be subtle depending on the natural harmonics of your guitar or bass.The Wah Type Selector Control allows you to select 3 different wah modes-Normal, Classic, and Bass. Once you have selected the type you can also further modify the sound by using the gain and level controls. A pedal rocker tension adjustment screw will allow you to adjust the action of the pedal to suit your taste. While the Cat is an amazing tool for guitar players, if you select the third mode and plug into a bass rig you won't believe how moanfully sweet it is!An On/Off switch is located under the toe of the rocker footpedal while a side switch is used to turn the Moan effect on or off. The Moan can be used as a standalone distortion or applied to the wah effect using the Combine Moan/Wah switch. Moan Level control adjusts the overall output of the Moan effect when it is activated. Moan Gain Control controls the mid-frequency band pass filter harmonic boost. |
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Rocktron Silver Dragon Tube Distortion Pedal : MusiciansFriend : USD149.0The Rocktron Silver Dragon Tube Distortion Pedal combines the best of both worlds-tube and analog solid-state distortion! This dual-headed beast can deliver whatever distortion flavor you're wanting. For that tube sound you love, the Silver Dragon has a 12AX7. The Awaken switch rouses the tube for duty while Fire handles the initial distortion drive level of the 12AX7. When you kick in the solid-state side, called Slayer, you combine the tube distortion with solid state distortion to give you tons of gain with tight, punchy distortion, completely tweakable to your liking.The Intensity control changes the character, sustain, and attack properties that together enhance articulation. The Breath control shapes the symmetry of the solid-state distortion affecting the feel of the distortion. Global controls include Shriek for handling treble frequencies, Roar for low-end control, and an output level control. Includes 13V AC adapter. |
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George Dennis GD200 Distorted Mind Rock Pedal : MusiciansFriend : USD163.0Fine tuning controls provide a wide range of distortion intensity and color, from gritty crunch to molten metal. Lo, mid, hi, drive, and level controls. True bypass mode activates automatically if your battery dies, and there's an LED indicator to let you know if it's getting weak. Reverse polarity protection and a standard power supply jack. |
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George Dennis GD210 Distorted Mind Blues Pedal : MusiciansFriend : USD154.0Whether you're talking Billy G. or B.B., this pedal churns out the kind of edgy distortion that takes the blues right on down to the bad place. Lo, mid, hi, drive, and level controls let you dial in just the right amount of mojo. |
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George Dennis GD220 Tremolo Pedal : MusiciansFriend : USD170.0Symmetry knob lets you shape the signal modulation. In the middle position it creates a cathedral effect, while a short, high-presence tremolo results from tweaking the knob one way or the other. Speed, symmetry, depth, and level controls. Optical speed indicator, weak-battery LED, reverse polarity protection, and a super-tough steel housing. |
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George Dennis GD40 Wah-Switch Plus Pedal : MusiciansFriend : USD167.0Extra-wide frequency range accommodates both guitar and bass. The second generation of the GD30, it uses the Hendrix Wah-Wah sound and adds dual-frequency switching for unprecedented tonal possibilities. High/low, frequency range, and volume controls. |
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George Dennis GD60 Wah-Volume-Switch Pedal : MusiciansFriend : USD174.0It's a Jimi Hendrix Wah-Wah; a smooth, clean, noise-free volume pedal; and a dual-frequency controller all rolled into one. The dual frequencies provide great sound-shaping power. High/low, frequency range, and volume controls. |
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George Dennis GD90 Stereo Chorus-Flanger-Volume Pedal : MusiciansFriend : USD222.0It's like having a wild synth you control with your foot. Set the flanger depth and feedback up high and the pedal produces really extreme sonic colors. Roll off the feedback and it's a simple chorus. Both flange and chorus are in stereo. Also has volume and minimum volume controls. |
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George Dennis GD10 Stereo Volume Pedal : MusiciansFriend : USD159.0Optical control eliminates all noise and interference with slick continuous volume change. Switchable impedance adapts to all musical instruments. |
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George Dennis GD20 Mono Volume Pedal : MusiciansFriend : USD152.0The sound technology has no moving parts to wear out, and the housing is super tough to last a lifetime of being stepped on. Active control makes it perfect for inline use with mixers, recorders, effects loops, etc. |
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George Dennis GD30 Wah-Wah Pedal : MusiciansFriend : USD159.0Exceptionally pronounced wah effects can also be switched to clean mode for a broad range of musical effects. |
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George Dennis GD135 Tube Distortion-Volume Pedal : MusiciansFriend : USD247.0The GD135 Tube Distortion-Vlume Pedal from George Dennis uses a totally different system than other distortion effects. Its 12AX7/7025 tube is fully powered, giving you a wide range of distortions that evoke an overdriven tube amp while preserving the native sound of your instrument. Controls include low, mid, and EQ knobs; effect level, drive, effect mode, and volume for tons of tweakability. Unit is powered by a stabilized AC power supply or 9VDC with a minimum of 150mA (adapter not included). Unit is protected if you plug in a supply with reversed polarity. |
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George Dennis GD25 Panorama Stereo Volume Pedal : MusiciansFriend : USD190.0The George Dennis GD25 Panorama Stereo Volume Pedal features pan and switch modes. In pan mode, the GD25 works as a stereo volume pedal: push your foot forward to pan left and backwards to pan right. In switch mode, the GD25 works as a swell pedal: push down to increase volume and pull back to decrease volume. Controls include mode, left level, right level, minimum volume, volume, and panorama volume. You can set the left and right volume levels in either mode. |
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Guyatone TZ-2 The Fuzz Effects Pedal : MusiciansFriend : USD75.0Retro-style with just a hint of upper octave, the rather rude TZ-2 The Fuzz Effect Pedal from Guyatone is pleasingly reminiscent of the classic Univox Super Fuzz. You get the same saw tooth grind for a fraction of the vintage cost. It has a very low signal-to-noise ratio. Volume and Depth controls allow for an unlimited variety of tonal variations. |
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Guyatone MC-3 Micro Chorus Effects Pedal : MusiciansFriend : USD93.75Rich, thick, and meaty, the MC-3 takes up where other choruses leave off. Rather than thin your sound, it gives a slight boost and increased low-end response. Radical Rate and Depth controls dial a range from subtle detuning to full-throttle rotating-speaker effects. |
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Guyatone SV-2 Slow Volume Envelope-Controlled Volume Effect : MusiciansFriend : USD86.25Hook up this small stompbox and add new life to your sound. Envelope-controlled volume effect produces volume swells, bowing effects, and tape-reverse simulation. |
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Guyatone VT-3 Vintage Tremolo : MusiciansFriend : USD78.75Winner of Guitar Player's Editor's Pick Award. It offers the tight, pulsing sine-wave tremolo that defined the classic tremolo sounds of years gone by. Absolutely nails the vintage amp tremolo sound. Speed and intensity controls allow the user to alter the effect from painfully slow to light-speed shimmers. |
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Guyatone FL-3 Flanger : MusiciansFriend : USD101.25The FL-3 offers all the warmth and range of the original tape flanging effects plus an asymmetrical sweep pattern for a more human feel. Sweep speed is slower climbing and faster coming off, giving it a whiplash effect unlike any other flanger. A 3-position resonance switch adjusts intensity of the flanging effect from rich chorus and vibrato to jet-like sweeps. |
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Guyatone VT-X Tube Tremolo : MusiciansFriend : USD187.5Housed in a rugged yet portable steel chassis, the VT-X is built for a lifetime of use. A single, shockmounted 12AX7WA draws from the included 12V DC power adapter, eliminating hum and grounding problems. Silent switching also makes it ideal for studio or live use. Where it shines is in its tone — warm, thick, throbbing tremolo that solid-state circuits just can't match. |
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Aguilar OBP-1 Onboard Bass Preamp : MusiciansFriend : USD119.0The OBP-1 is warm and big sounding, with tons of headroom. The unit provides up to +18dB of boost, occurring at 40Hz (bass) and 4kHz (treble). |
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Maxon OD808 Overdrive : MusiciansFriend : USD150.0The Maxon OD808 Overdrive is made by the same Japanese company which crafted the original overdrive circuit in a green stompbox that's been obsessed over by guitarists for the past 30 years. It uses the identical circuit found in the original employing the same JRC4558 IC chip for smooth, natural overdrive similar to a cranked-up tube amp. The OD808 pedal responds to the picking dynamics and nuances of your individual style while also letting the true tone of your instrument shine through.Originally released in 1979, the Maxon OD808 pedal was one of the first tube-amp overdrive simulators to hit the market. Its smooth, creamy crunch tone caught on quickly, and helped to launch a long line of predecessors as well as imitators. Today, the OD808 design is without a doubt the most used, most imitated and most lauded overdrive circuit of all time. The reason for this is simple-tone. Simply put, the OD808 provides the natural, mild overdrive of a tube amp without sacrificing your guitar's original tone. In addition, it can be used as a clean booster to provide increased gain without compromising the sound of your amplifier.The secret behind the legendary "808 tone" lies in the amplifier section of its circuit. Rather than having an amplifier stage followed by a clipping stage, the OD808 uses a signal-distorting diode (Panasonic #MA150) that is located in the amplifier stage's negative feedback loop (which also contains the JRC4558 IC chip). Therefore, the OD808 distorts signal in the amplifier circuit itself which yields a smoother, milder, more natural sounding distortion than a separate clipping stage. This is also the reason that the IC type used in the circuit has such a large impact on the unit's tone. Maxon developed this unique design more than 20 years ago, and while it is commonplace nowadays, back then it was an industry first.It should be noted that the Reissue Series OD808 uses different output resistors than the original version. After the unit's initial release it was discovered to have a high susceptibility to noise due to static electricity buildup. To improve performance, the positions of the output resistors on the reissue OD808 were reversed and their values increased in order to reduce noise levels. This circuit change has no audible affect on the sound of the unit, save for reducing the noise levels.Whether it's used as an overdrive or a booster, the Maxon OD808 is the closest you can get to the classic sounds of rock guitar in a compact effect pedal." it"s nearly impossible to dial in a bad sound. If you"re after classic blues/rock overdrive, it would be tough to pick a better pedal." Guitar Player Magazine, May 2000"This device is perfect if you dig the sound of your amp but wish it could go up to 11." Guitar World Magazine, April 2000"I"d definitely recommend the OD808 to all Tube Screamer fans." Vintage Guitar Magazine, November 2000"I always lo |
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Maxon D&S Distortion and Sustainer : MusiciansFriend : USD142.53 controls (distortion, tone, and balance) provide a wide variety of distortion effects, from subtle overdrive to extreme fuzz — all with incredibly low signal-to-noise ratio and full-bandwidth frequency response. |
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Maxon PT999 Phase Tone : MusiciansFriend : USD150.0An ideal phaser for any kind of instrument or application — incredibly smooth and transparent — enhancing an instrument's character rather than masking it. |
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Maxon CP101 Compressor : MusiciansFriend : USD171.0Unlike other compressors, the Maxon CP101 doesn't alter an instrument's attack characteristics, providing a more natural response. It can be used to increase sustain or to limit signal peaks for a smooth, even output. |
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Maxon GE601 Graphic Equalizer : MusiciansFriend : USD157.5Covering six carefully selected frequency bands from 100Hz to 3.2kHz and offering +/-12dB of cut or boost, the GE601 can be used as a tone filter, feedback eliminator, pickup simulator, or level booster. Its wide frequency range makes it suitable for use with a variety of instruments. |
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Guyatone ST-2 Compression Sustainer Pedal : MusiciansFriend : USD78.75The Guyatone ST-2 Compression Sustainer Pedal has variable level and sustain controls that allow you to dramatically squash the input signal, yielding smooth, clean, bell-like notes that last for days. In addition, the ST-2 effects pedal features a direct on/off switch. When engaged, it blends in a dry input signal at equal volume with the compressed signal, eliminating the attack-altering characteristic common to other compressors. The ST-2 guitar pedal gets everything from chicken-pickin' tone to clean boost for overdriving the front end of an amp. |
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Guyatone MD-3 Micro Digital Delay Pedal : MusiciansFriend : USD116.25Just what is so great about the Guyatone MD-3? Quite simply, the Micro Digital Delay Pedal offers the most authentic note reproduction of any delay device available, period. Notes come back exactly as you played them: Not rounder, harsher, warmer, colder, or altered in any manner whatsoever. If you've ever played a tape echo, you know that their tone is not dark sounding like some people claim, but actually quite bright and clear. The MD-3 gives the user the crispness and clarity of a tape echo combined with the longer delay time of a digital device, while its controls react like an analog unit. 30-2600 milliseconds of delay time are available; more than enough to create an entire range of classic delay effects from rockabilly slapback to arena-rock washes of excess and everything in between. At higher feedback setting (above 3 o'clock) the MD-3 will self-oscillate like an analog delay, creating cacophonous cascades of repeats, UFO-landings, ray guns, and other bizarre sound effects. At lower feedback settings (around 2 o'clock) the MD-3 digital effects pedal can be used for multi-layering of short parts, creating beautiful, ethereal soundscapes that slowly fade into infinity. In addition, the MD-3 Delay has a lower current draw than other digital units, which means you'll spend less time changing batteries and more time playing! |
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Maxon DS830 Distortion Master : MusiciansFriend : USD217.5After decades of research, Maxon has designed the ultimate distortion pedal. Rich, full-frequency response with a perfectly voiced midrange and a precision-tuned low end that's big and tight without being muddy. Proprietary tone circuitry makes even the smallest amp sound like a full stack! Features true bypass switching. 9-volt battery or AC adapter (included). |
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Maxon OD820 Overdrive Pro : MusiciansFriend : USD217.5Improving on their own standard-setting OD808, Maxon has added unique voltage-doubling circuitry for greater headroom. It's the smoothest, warmest, most transparent overdrive ever. Reacts precisely to every picking nuance and playing dynamic. Features true bypass switching. Drive, tone, and level knobs for precision tone control. Uses 9-volt battery or included AC adapter. |
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Godlyke PA-9 Power-All Power Supply : MusiciansFriend : USD35.0Why keep buying expensive batteries for your stomp boxes when you can use the Godlyke PA-9 Power-All Power Supply? The Power-All can power up to 20 - 9V effect pedals or similar devices. It delivers up to 1.7 amps per device and can run on any AC power supply from 100-240V. It doesn't use a transformer, so forget about 60-cycle hum. Takes up only one outlet socket space (unlike typical wall wart adapters). The Power-All comes complete with a 5-connector daisy-chain cable as well as a 7-piece modular jack assembly that allows it to work with barrel, phone, vintage, and reverse polarity units. The Godlyke PA-9 Power-All Power Supply comes with a lifetime guarantee. |
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Godlyke 5-Connector Daisy Chain : MusiciansFriend : USD7.5Expand the capabilities of the Switchmode power supply and drive five additional pedals. Connects easily to the original daisy-chain connector. |
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Maxon AC210N 9 Series AC Power Supply : MusiciansFriend : USD18.75The Maxon AC210N is a 9V, 200 milliamp regulated power supply with tip negative/barrel positive polarity. It will power any Maxon Reissue Series, Nine Series, or Real Tube Series effect as well as any Maxon Vintage Series effect except the AD900. It will also work with units from other manufacturers with similar power requirements. |
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Maxon OD-9 Overdrive Effects Pedal : MusiciansFriend : USD157.5The Maxon OD-9 Overdrive Effects Pedal may look like your old favorite but that's where the similarity ends. Improved circuitry with a new chip yields the ultra-smooth dynamic overdrive guitarists crave. Drive and Level controls tweak the intensity and volume while the Hi Boost/Hi Cut tone controls adjust brightness. Features true bypass switching, a die-cast zinc case, and 3-year warranty. From subtle cries to shattering screams, the Maxon OD-9 delivers a huge range of tones. |
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Maxon SD-9 Sonic Distortion : MusiciansFriend : USD157.5The black sheep of Maxon's 9-Series, the Sonic Distortion offers a convincing balance between transistor and op-amp characteristics. The unique Low Boost/Hi Boost tone control offers plenty of beef while the output and distortion knobs dish out up to 55dB of vicious gain boost. At low-gain settings, the SD-9 functions perfectly as a full-frequency overdrive. Crank the gain and get gut-wrenching grind and singing sustain that'll turn a clean amp dirty and a dirty amp downright evil. Features true bypass, die-cast zinc case, and 3-year warranty. |
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Maxon AF-9 Auto Filter : MusiciansFriend : USD232.5Maxon has married the coolest aspects of auto-wah and swept filter effects in this modern addition to their respected 9 Series. Opto-coupler circuitry produces the shimmering, watery filtering effects of vintage units. Threshold and peak sliders control the degree of effect while range and drive switches determine the range and direction of filter sweeps. 3 selectable filter types-Lo Pass, Band Pass, and Hi Pass-plus a frequency range of 100Hz-4kHz produce staggering effects with virtually any instrument or input signal. Features true bypass, die-cast zinc case, and 3-year warranty. |
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Way Huge Electronics WHE401 Swollen Pickle MKII Jumbo Fuzz Guitar Effects Pedal : MusiciansFriend : USD159.99The most sought-after and corpulent Way Huge pedal is back! The Swollen Pickle MKII surrenders super high-gain fuzz with copious amounts of smooth low-end to all who dare plug into it. With a twist of the Sustain control, you're taken from mild crunch to Armageddon. The Filter control retains its trademark insane range of heavily band-pass-filtered tones, distinguished by remarkable girth and sizzle, and the Loudness puts out enough volume to clobber any amp. Updated features include a tone stack Scoop control that elicits classic Swollen Pickle guitar pedal mid-scoop or a flat mid-frequency sweep, and a Crunch knob to adjust the compression intensity of the fuzz. Finally, under the hood, the Swollen Pickle MKII pedal has two internal mini controls; Voice sets the intensity of the external scoop control from light to heavy mid-cut and Clip varies between two sets of clipping diodes from light to heavy mid cut, and Clip varies between two sets of clipping diodes for smooth or opened fuzz sustain. A charter member of the Way Huge line has returned, and just like when it debuted in 1997, it still has "more fuzz than a moldy peach!"Each effect pedal has been rigorously tested to ensure quality, durability, and reliability and will deliver many years of exceptional performance. All pedals feature: heavy-duty footswitch with quiet relay-based true bypass, blue LED indicator, 2.1mm power jack with AC protection, easy access (non-detachable) battery door, super-duty .09 aluminum anodized chassis, high grade components, great tone and cool name.Launched in 1992 by Jeorge Tripps, Way Huge Electronics began as a result of Tripps' search for great tone, and his desire to perform with reliable, rugged and pedalboard-friendly effects that had the magic of his coveted vintage pedals. The very first pedal simply labeled "Fuzz Box" was quickly followed by such staples to the product line as the Red Llama Overdrive, Foot Pig Fuzz and Green Rhino Overdrive II, which quickly found their way into the hands and onto the pedalboards of the world's guitar elite. Ensuing years would see the introduction of pedals such as the Swollen Pickle Jumbo Fuzz, Aqua-Puss Analog Delay, and the Saffron Squeeze. Over the span of a few years, Tripps helped revolutionize what would later be known as the 'boutique' effects market. In late December 1999, the company closed its doors as Tripps pursued other opportunities, sending demand for Way Huge products soaring, and driving online auctions well into the hundreds sometimes thousands for used Way Huge pedals. Now teaming up up with Dunlop, Way Huge pedals will once again be available to the masses, so all can enjoy their finely tuned electronics, high-grade circuitry and road ready construction, built under the watchful eye of Mr. Huge himself. |
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Way Huge Electronics WHE301 Fat Sandwich Harmonic Saturator Distortion Guitar Effects Pedal : MusiciansFriend : USD179.99The Fat Sandwich Distortion represents an advanced era in guitar pedal design for Way Huge. In addition to carrying on the Way Huge tradition of amazing tone and rugged construction, the Fat Sandwich Distortion Pedal delivers heaps of crunchy distortion goodness via its innovative multi-stage clipping circuit. Meticulously designed from the ground up, the passive tone stack was tuned to bring out the "sweet spot" with any guitar and amp combination. The Volume control produces tons of output, making it ideal for driving the headroom out of the most powerful tube amps. Additionally, the Fat Sandwich guitar effect pedal has two internal mini controls: the Curve knob lets the user fine-tune the corner frequency of the overdrive filtering and the Sustain control adjusts the gain of the final distortion stage. The Fat Sandwich is versatile and over the top the consummate distortion pedal for any genre of playing style.Each pedal has been rigorously tested to ensure quality, durability, and reliability and will deliver many years of exceptional performance. All Way Huge guitar pedals feature: heavy-duty footswitch with quiet relay-based true bypass, blue LED indicator, 2.1mm power jack with AC protection, easy access (non-detachable) battery door, super-duty .09 aluminum anodized chassis, high grade components, great tone and cool name.Launched in 1992 by Jeorge Tripps, Way Huge Electronics began as a result of Tripps' search for great tone, and his desire to perform with reliable, rugged and pedalboard-friendly effects that had the magic of his coveted vintage pedals. The very first pedal simply labeled "Fuzz Box" was quickly followed by such staples to the product line as the Red Llama Overdrive, Foot Pig Fuzz and Green Rhino Overdrive II, which quickly found their way into the hands and onto the pedalboards of the world's guitar elite. Ensuing years would see the introduction of pedals such as the Swollen Pickle Jumbo Fuzz, Aqua-Puss Analog Delay, and the Saffron Squeeze. Over the span of a few years, Tripps helped revolutionize what would later be known as the 'boutique' effects market. In late December 1999, the company closed its doors as Tripps pursued other opportunities, sending demand for Way Huge products soaring, and driving online auctions well into the hundreds sometimes thousands for used Way Huge pedals. Now teaming up up with Dunlop, Way Huge pedals will once again be available to the masses, so all can enjoy their finely tuned electronics, high-grade circuitry and road ready construction, built under the watchful eye of Mr. Huge himself. |
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Guyatone WR3 Wah Rocker Effects Pedal : MusiciansFriend : USD78.75Based on the original Wah Rocker circuit used by countless pros, the WR3 features several updates that greatly improve its functionality and performance. The WR3's filter sensitivity has been increased, allowing for better note tracking and dynamic response. This upgrade also offers improved performance for instruments with passive and/or lower output pickups. In addition, the WR3 has been equipped with a switchable Dry Blend function that mixes in clean signal against the effect in order to smooth out volume peaks and dips caused by the filter sweep. This new feature improves low-end response, allowing the WR3 to be used equally well with Bass or Guitar. A new twist on an old favorite, the WR3 offers even more funk than before! |
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Guyatone Flip Series TD-X Tube Echo Guitar Effects Pedal : MusiciansFriend : USD247.5The Guyatone Flip Series TD-X Tube Echo Pedal boasts a hybrid digital delay circuit with parallel tube gain stage that allows ultra-long delays with the warmth and clarity of analog units! You get 2600ms delay time with Delay Level, Delay Time, and Feedback controls. An Analog Simulation knob blends in tube saturation on the repeats while a Tape Simulation knob blends in EQ curve that cuts ultra lows and ultra highs while boosting lower mids. Equipped with dual outputs and true bypass switching using a 3PDT switch. |
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Guyatone Micro Series MT-3 Micro Tuner Guitar Pedal : MusiciansFriend : USD101.25The Guyatone MT-3 is a miracle of micro technology — a multifunction chromatic tuner that fits in the pocket of your gig bag and won't take up valuable space on your already-crowded pedalboard! The MT-3 works just like any other stompbox — plug your instrument into the input, plug the output into your amp, and you're rocking. The MT-3's stomp switch mutes the input signal for silent tuning, performing double duty as a "kill" switch for your rig. Most importantly, The MT-3's advanced circuitry won't alter the tone of your instrument when bypassed. If you prefer tuning to a reference pitch, the MT-3 can generate tones over a one octave (13 notes - A4-A5) range that can be adjusted at the touch of a button. |
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Guyatone FR-3000V Tube Drive Reverb Unit : MusiciansFriend : USD499.0The Guyatone FR-3000V features Accutronics 4AB3C1B long reverb tank. Each reverb unit is Loaded with New Old Stock GE 6K6GT, JAN GE 5751, and JAN GE 12AT7WC tubes, tested and burned in prior to loading. Reverb Level control determines degree of reverb effect. Individual Bass and Treble controls allow for precise tonal control over the reverb signal. Individual Level and Master Volume controls allow for a wide variety of saturated reverb tones. Direct Bypass switch allows for Dry/Reverb mix or Reverb only output signals. Remote bypass using optional footswitch (Guyatone SB-2 recommended). Dual front/rear inputs allow for mounting in rack or road case. 20"W x 7-1/2"H x 9-1/2"D. 18 Lbs. 3-year parts and labor warranty. |
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DNA Analogic Mr. Eight Rechargeable Power Supply : MusiciansFriend : USD149.0While not as glamorous as an overdrive or a phaser, a reliable, portable power supply is an essential piece of gear for a gigging musician. Mr. Eight is a new take on the multi-supplies that have hit the market over the past few years, and it offers something completely unique in the field of powering pedals. Mr. Eight is a cordless power supply that runs on an internal, rechargeable battery. It provides power to 8 effects with a total current draw of 300mA for up to 4 hours of continuous use. Mr. Eight also features an internal voltage stabilizer which assures clean, consistent power to your effects at all times. With Mr. Eight the user can plug in and play anywhere in the world with reliable, noise-free performance! Mr. Eight features 6 - 9V DC power outputs as well as 2 "Dry" outputs. The Dry outputs run at slightly lower voltage and are designed for powering overdrive and distortion units to achieve the "sag" associated with a worn-out 9 volt battery. In addition, Mr. Eight comes with 8 jumper cables to connect your effects as well as a 9 volt AC adapter to charge the unit. Mr. Eight is an essential member of any touring band! |
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Way Huge Electronics WHE201 Pork Loin Soft Clip Injection Overdrive Guitar Effects Pedal : MusiciansFriend : USD169.99The Pork Loin Overdrive Guitar Pedal incorporates 2 distinct tonal pathways that are blended together a modern soft clipping overdrive and a modified classic British preamp for clean. At the heart of the Pork Loin's overdrive path is a soft clipped BiFET overdrive gain stage with a passive Tone control, rounded out by a Curve function that gives the user freedom to fine-tune corner frequencies. The Volume control regulates the masses of pork power that exude from its space age circuitry, leaving room for the Clean control to blend in its warm glistening clean tones. Additionally, the Pork Loin has three internal mini controls: Filter and Voice deliver extensive tonal shaping possibilities, while the overdrive Mix control allows the Pork Loin to be run as a clean preamp. With a wide range of dynamic tones from supple and clear to warm and punchy, the Pork Loin's outstanding features make it one extremely in-demand guitar effect pedal on the market today.Each Way Huge effect pedal has been rigorously tested to ensure quality, durability, and reliability and will deliver many years of exceptional performance. All pedals feature: heavy-duty footswitch with quiet relay-based true bypass, blue LED indicator, 2.1mm power jack with AC protection, easy access (non-detachable) battery door, super-duty .09 aluminum anodized chassis, high grade components, great tone and cool name.Launched in 1992 by Jeorge Tripps, Way Huge Electronics began as a result of Tripps' search for great tone, and his desire to perform with reliable, rugged and pedalboard-friendly effects that had the magic of his coveted vintage pedals. The very first pedal simply labeled "Fuzz Box" was quickly followed by such staples to the product line as the Red Llama Overdrive, Foot Pig Fuzz and Green Rhino Overdrive II, which quickly found their way into the hands and onto the pedalboards of the world's guitar elite. Ensuing years would see the introduction of pedals such as the Swollen Pickle Jumbo Fuzz, Aqua-Puss Analog Delay, and the Saffron Squeeze. Over the span of a few years, Tripps helped revolutionize what would later be known as the 'boutique' effects market. In late December 1999, the company closed its doors as Tripps pursued other opportunities, sending demand for Way Huge products soaring, and driving online auctions well into the hundreds sometimes thousands for used Way Huge pedals. Now teaming up up with Dunlop, Way Huge pedals will once again be available to the masses, so all can enjoy their finely tuned electronics, high-grade circuitry and road ready construction, built under the watchful eye of Mr. Huge himself. |
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DNA Analogic PP-1 Purple Phase Pedal : MusiciansFriend : USD275.0The DNA Analogic PP-1 Purple Phase Pedal is a versatile, unique phasing effect that is unmatched in the world of phasers both past and present. Until now, all conventional phasers have controlled the rate of the phasing sweep by altering resistance within the circuit. Conversely, the PP-1 controls the rate by altering internal voltage using an ingenious VCO-ed LFO circuit. This highly innovative design not only offers smoother rate transitions across the phasing sweep, it also allows the PP-1s rate to be controlled by an external volume control and provides the PP-1 with a unique phasing voice.In addition to foot-controlled rate, the Purple Phase also features footswitchable dual mode operation. Mode A features an elaborate phasing tone that is more intense and rich in harmonics, while Mode B provides a smoother, more subtle phasing effect with a boost in the midrange frequencies similar to vintage phasers. Mode selection is indicated by green/red status LEDs.The Purple Phase offers deceptively simple controls with decidedly superior performance. |
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DNA Analogic VT-1 Virtual Tube Overdrive Pedal : MusiciansFriend : USD199.0Useful as a crunch channel for a clean amp or a booster to drive a high gain amp even harder. The secret to the VT-1's realistic tone lies in 3 distinct areas: First, it does not use the standard JRC4558 chip that most overdrives are based around, instead relying on a higher-quality JRC2043 IC. Contrary to popular belief, the 4558 is neither rare nor unique, and there are many higher-grade op amps to choose from that sound superior: Rather than rely on hype, the VT-1 Virtual Tube Overdrive Pedal relies on tone to make its point.While DNA's choice of op amps may be untraditional, their choice in diodes is tried and true. The use of germanium diodes allows the VT-1 to clean up remarkably well by rolling off your instruments volume, and it tracks picking techniques flawlessly.Lastly, the VT-1's tone circuit is a radical departure from the standard overdrive. Rather than rely on a high cut/boost circuit that can rob your instrument of low end, the VT-1's Cut control affects only the ultrahigh frequencies, adding shimmer and sheen to your sound without sacrificing punch and power in the low end. If realistic tube tone is what you are after, the VT-1 Virtual Tube is the next best thing to being there. |
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Maxon AD-999 Analog Delay Guitar Effects Pedal : MusiciansFriend : USD337.5The Maxon AD-999 Guitar Effects Pedals is the most ambitious and practical analog delay pedal to come along in a very long time. A few years back the hopes of analog lovers the world over were dashed when Panasonic closed their BBD production line for good. Rather than giving in to the digital wave, Maxon took the opposite approach and had BBDs manufactured exclusively for them!Each AD999 comes loaded with eight Maxon MN3107D BBDs for a total of 900ms of pure, rich, organic analog delay. Standard Delay Time, Delay Level, and Feedback controls combine with wet/dry outputs for a variety of sounds and signal routing options. Switching is handled by a 4PDT mechanical switch for transparent, noise-free operation in bypass and the unit runs off 9V DC for easier integration into players' pedalboards. When you're ready for the ultimate analog experience, the Maxon AD999 is the only serious choice in an otherwise digital world! |
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Maxon RCP660 Real Tube Compressor Guitar Effects Pedal : MusiciansFriend : USD247.5Many of the greatest recordings of all time were tracked using tube compressors. The Maxon RCP660 Real Tube Compressor gives you compression with controls that are incredibly simple to use. There's a master volume plus sensitivity control that determines when the compression is activated. Attack and sustain knobs control the degree of compression and intensity, allowing for everything from a subtle pinch to extreme squash. Footswitchable boost function allows for quick changes between solo and rhythm playing, or the ability to use it as a clean booster in front of your amp. Powered by one hand-selected 12AX7WXT, it can be used for guitar or bass due to its transparent operation. |
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Maxon ROD880 Real Tube Overdrive Guitar Effects Pedal : MusiciansFriend : USD247.5Thick distortion/overdrive works best for hard or heavy rock. Works like an additional preamp for your amplifier. Combine with various drive settings on your amp for powerful tone shaping. Hand-selected 12AX7WXT preamp tube. Gain and master volume controls provide a wide variety of overdrive tones, from clean boost all the way to searing, saturated sag. Bass, treble, and mid boost controls with extended operation ranges offer a limitless array of tonal options, from the classic "808" tone to beefy, low-end chunk. Noise-free tone via rear-mounted, switchable noise reduction circuitry with variable threshold control and a 1:2 noise reduction ratio. Powered via a standard 9-volt DC adapter, allowing easy integration into your pedalboard or rack setup. |
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Maxon ROD881 Real Tube Overdrive / Distortion Guitar Effects Pedal : MusiciansFriend : USD270.0Works like an additional preamp for your amplifier. Combine with various drive settings on your amp for powerful tone shaping. Hand-selected 12AX7WXT preamp tube. Switchable distortion mode adds a secondary gain stage for extreme distortion. Gain and master volume controls provide a wide variety of overdrive tones, from clean boost all the way to searing, saturated sag. Bass, treble, and mid boost controls with extended operation ranges offer a limitless array of tonal options, from the classic "808" tone to beefy, low-end chunk. Noise-free tone via rear-mounted, switchable noise reduction circuitry with variable threshold control and a 1:2 noise reduction ratio. Powered via a standard 9-volt DC adapter, allowing easy integration into your pedalboard or rack setup. |
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Maxon Nine Series Compressor Pro+ Pedal : MusiciansFriend : USD243.75The Maxon CP9Pro+ Compressor/Limiter Pedal delivers a DBX compression circuit with threshold, ratio, and gain controls plus a reduction status LED. Up to 30 dB of clean gain boost with a 10:1 compression ratio is available. 18-volt circuitry provides maximum head room with ultralow noise operation. |
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Maxon Nine Series Phaser Pro+ Pedal : MusiciansFriend : USD281.25The Maxon PT9Pro+ Phaser Pedal is a 4-stage optical phase shifter with rate, depth, and feedback controls and rate status LED. 18-volt circuitry provides maximum head room with ultralow noise operation. Ideal for use with any instrument, including bass! |
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Rolls HE18 Buzz Off Hum Eliminator : MusiciansFriend : USD59.99The HE18 is a simple, passive device used to isolate signal paths and help eliminate ground loop problems from audio systems. |
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DigiTech RP500 Guitar Multi Effects Pedal : MusiciansFriend : USD299.95Get the best of both worlds with the DigiTech RP500 Guitar Multi Effects Pedal. The RP500 features a Pedalboard mode that allows you to turn on and off individual stompboxes and effects by pushing buttons 1-5. You get the expressiveness of stompboxes and you can change them from preset to preset. Next take the Amp/Cabinet Bypass button that defeats the internal amplifiers and cabinets leaving you with only stompboxes and effects and you have a switching machine. Save each combo in a preset for a uniquely switchable pedal setup found only in pro switching systems.The RP500 Multi Effects Pedal is built like a tank, from a cast metal chassis to the 9 vacuum-style switches. A large 10 character LED display makes for easy stage use topped by an built-in expression pedal to control wahs, volume, Whammy™ and other parameters.Your sound is king so having control of your sound is imperative. The DigiTech RP500 pedal gives you the control to express yourself the way you want—no longer will the lack of control stand in the way of your expression.*Other product names modeled in this product are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. Ibanez Tube Screamer, Voodoo Labs Sparkle Drive, Guyatone Overdrive, ProCo Rat, MXR, Boss Metal Zone, Roger Mayer Octavia, Demeter Fuzzulator, Arbiter Fuzz Face, EH Big Muff Pi, Dunlop Cry Baby, Vox, Clyde McCoy Wah, MXR DynaComp, TC Electronic, EH Electric Mistress, EH Small Stone, Boss Octaver, Unicord Univibe, Fender Opto Tremolo, Vox Bias Tremolo, Maestro Echoplex, Fender Twin Reverb, EMT, Fender Tweed Deluxe, Fender Bassman, Fender Blackface, Twin Reverb, Marshall Super Lead, Mesa/Boogie, Hiwatt, Fender Tweed Champ, Soldano, Jensen Blue Backs, Celestion, Johnson Amplification and VHT Amplification are trademarks of other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product. |
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Boss PSA-120S Adapter : MusiciansFriend : USD23.99The Boss PSA-120S Adapter is specially designed to provide perfect power to all Boss metronomes, tuners, and compact pedals. Power cable length has been increased to almost 10 feet for more versatility, and the PSA-120S now features LED indicator for quick visual verification of on/off status. Newly redesigned plug does not cover adjacent power outlets. 9.6V DC 500mA, barrel connector, reverse polarity.The PSA-120S is the recommended power supply for products including BOSS Compact and Twin pedals, ME-50/-20/-20B Multi-effects, the DB-66/-88/-90 metronomes, DR-Series drum machines, FC-Series foot controllers, MC-202, SH-101, SP-202, TR-626, and all TU-Series tuners. |
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Rocktron Cyborg Digital Destiny Distortion Guitar Effects Pedal : MusiciansFriend : USD219.0The Rocktron Cyborg Digital Destiny is a guitar distortion pedal that breaks new ground in the world of floor effects excellence. The Cyborg is a programmable guitar effects pedal that, though simple to use, satisfies those who crave more complex control and the ability to create multiple effect presets.•Eight Pre-Programmed presets include Edgy Coils, Dirty, Austin, Crunch, Corrosive, Stack, Rectified and Armageddon. Choose a different distortion voicing for each CRUNCH and SOLO mode per preset. Both CRUNCH and SOLO sub presets may be programmed independently. Cyborgs offer instant preset recall and you can scroll and recall presets using on board foot switches or by using the preset knob. •Rocktron's Patented HUSH Noise Reduction is included. Use the HUSH to eliminate distortion noise even at extremely high gain settings. •The Cyborg Digital Distortion offers TRUE BYPASS. (Bypass all digital processing via PGA). •As with all Rocktron Cyborg pedal, the Cyborg Digital Distortion is fully MIDI programmable and controllable. •A Rocktron MIDI BREAKOUT any Rocktron MIDI controller including the All Access, MIDI Mate, MIDI XChange or even a PC to change presets and access any of the Cyborg parameters using standard MIDI continuous controller messages. Rocktron Cyborgs pedals offer all the features professionals demand! Rocktron has designed the Cyborg effect pedal series around a state-of-the-art Motorola DSP engine. Roctron's HUSH noise reduction is included for low noise levels. You can't beat the full bandwidth performance of these fully MIDI programmable and controllable Rocktron stomp boxes. Connect and control additional Cyborg Digital effects units with a single Rocktron MIDI controller. |
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Rocktron All Access MIDI Foot Controller : MusiciansFriend : USD999.0The Rocktron All Access MIDI Foot Controller is a stand-alone foot controller that can be completely customized for your music gear requirements. It can be set up to your specs in three operating modes: Bank Mode, Song Mode and Remote Mode. The MIDI controller's Bank Mode has 120 presets and each instant switch can be set up global or per preset. Customize set-up as either 24 banks of 5 presets with 10 "instant" switches (effect on/off); or 12 banks of 10 presets with 5 instant switches (effect on/off); or 8 banks of 15 presets with no instant switches set up. All 15 access switches can also be set up to "instant", operating as a huge instant access "pedal board". Song Mode allows up to 150 songs to be stored with 15 presets per song. The 10 sets allow placement of 50 songs per set. Remote mode automatically programs the footswitch to match Rocktron remote-compatible units. Titles and individual switch functions will automatically program and continuously update themselves on both the rack unit and the All Access foot controller. Functions like tap delay, mute, boost and effects on/off instantly appear when connected to a Rocktron remote jack without any programming.Other All Access features include 18 metal Switches for positive tactile feel and long life; large 16 character fluorescent display for custom titles and easy programming and clear visual on any stage; LED indicators that light for every switch at all times as an on/off status indicator and a dimly lit preset number (all 18 switches) so stage blackouts will not hinder pedal operations; seven pin MIDI Out jack to allow phantom powering from your rack; 120 presets which can include over 36 MIDI commands per preset to be transmitted amongst the 16 MIDI channels including "toggling" control change commands; MIDI filtering, dump/load, SysEx, select 0-127 or 1-128 transmit operation; and the fast, easy copy function allows you to copy any preset, bank, song, or set to another respectfully. |
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Whirlwind Selector A/B Box : MusiciansFriend : USD109.0The Whirlwind Selector Multiselector Instrument Switch gives you the ultimate control over your instruments and your gear. You can alternate between channels A and B or select both. Send one guitar to two amps or use it the other way around to select between two guitars into one amp. Thanks to patented, state-of-the-art optical switching, there's no added noise, pops or crackles and no alteration of your tone. Bright LEDs indicate channel status. Indestructible design means this pro quality box won't let you down on the gig. Run it on one 9V battery or with optional external power supply (T401-ND). |
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Casio SP3R Sustain Pedal : MusiciansFriend : USD19.99Add an optional sustain pedal to your Casio keyboard for easier playability and more expressive possibilities.Works with the following models:CPS-7, CPS-85, CTK-481, CTK-483, CTK-485, CTK-491, CTK-495, CTK-496, CTK-519, CTK-520L, CTK-531, CTK-54 , CTK-541, CTK-551, CTK-555L, CTK-560, CTK-560L, CTK-571, CTK-573, CTK-574, CTK-591, CTK-593ADMC, CTK-593STADMC, CTK-611, CTK-620L, CTK-631, CTK-650CSAD, CTK-651, CTK-671, CTK-691, CTK-691STAD, CTK-711EX, CTK-731, LK-40, LK-4 , LK-43, LK-43JC, LK-45, LK-50, LK-55, LK-90TV, LK-90TV Bundle, MZ-2000, WK-1300, WK-1350, WK-1600, WK-1630, WK-1800, WK-3000, WK-3000DX, and WK-3500. |
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Pigtronix OFO Disnortion FX Pedal : MusiciansFriend : USD219.0The Pigtronix OFO Disnortion stomp box features a touch sensitive Overdrive, Fuzz with 6 different filters and frequency-doubling, Octava. Each effect is an original design and can each be used independently or in combinations to forge a tremendous range of musically responsive distortion sounds. The unique magic of the Pigtronix OFO Disnortion is parallel Fuzz and Overdrive, allowing you to pile on the gain without sacrificing clarity, dynamic response, punch or low end. Well voiced tone and shape controls allow you to focus each effect on its own frequency range. The Octava effects pedal is wired in series before the Overdrive and Fuzz, allowing the guitar pedal to produce a unique type of gated, gnarly grind that is absolutely devastating. A buffered output provides a clean signal for parallel processing, direct recording or a side-chain trigger source for the Pigtronix EP-1.Overdrive — There has never been an Overdrive quite like this. The Pigtronix Overdrive responds to the dynamics of your playing using a proprietary, 5-stage gain architecture that retains the natural tone of your instrument, while gradually breaking up as you play louder. The circuit is so touch sensitive, it has been described as "...more tube than tube." You must hear it to believe it! From clean or gritty boost right up through Plexi roar, the Pigtronix Overdrive is the most musical overdrive ever made.Fuzz — massive gain, full bodied sustain and flexible tone shapes define the fuzz effect. Pigtronix's unique version of diode-clipping provides plenty of compression and controllable feedback while preserving the dynamics of your playing style. The rotary tone control switch provides 6 musical EQ curves: Bass, Scoop, Treble, Smooth, F.A.T., and Full Range. The Pigtronix fuzz can go from clean boost to hair raising, shred fisted, freak out pandemonium! Octava — This frequency doubler effect makes the notes you play sound one octave up. A filter control allows you to achieve singing octave up tones without adjusting your guitar's tone control. Stable intervals such as 4ths and power chords result in knarly, tweezed out grind, while other intervals create ring-modulator textures in all registers. The Octava is wired in series with the other 2 effects for harmonic filled lead tones and outlandishly bizarre crunch. Combine the Octava with both fuzz + overdrive and... fuggettaboutit! |
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Pigtronix Phi Echolution Delay Pedal : MusiciansFriend : USD479.0The Pigtronix Echolution achieves the warmth and ambient saturation of the finest analog echo devices while offering the versatility and features found in high-end digital delays. The Echolution's independent tap tempo and modulation delay modes allow the musician to switch between different delay sounds on the fly. The Echolution has a maximum delay time of 20 seconds and a minimum delay time of 10ms. Designed in conjunction with effects guru Howard "Mick" Davis, the Echolution is a fusion of cutting edge analog and digital circuit design. Made in New York, USA!The Modulation delay operates over three distinct time ranges, providing easy access to a huge array of delay-based effects.The short setting (10ms-120ms) provides stereo chorus and rockabilly slapback sounds. The medium setting (100ms-1.2sec) covers classic echo territory with incredibly lush modulation and rich analog sound. The long setting (1sec-12sec) allows for sound on sound, looping and reverse playback as well as rhythmic multi-tap patterns and pitch bending madness. Multi-tap toggle switches introduce any combination of five additional echoes at musical fractions of the master delay time. The values of these fractions are based on quarter notes and triplets. Engaging the (PHI) switch realigns all of these fractions to values based on the Golden Ratio. The Golden Ratio creates a spiral rhythm that is found throughout the universe. It is observed in the shapes of galaxies, sea shells, DNA, the Egyptian Pyramids as well as in the work of many great visual artists and musicians.Chorus (pitch) and tremolo (amplitude) modulation of the delay signal are controlled by a single analog LFO. Independent depth controls allow both types of modulation to be blended for rotary speaker sounds and other space age effects. An Expression pedal input for changing the delay time gives the musician even further control of the Echolution's time and pitch bending capabilities. Thoughtful features include a stereo blend control that mixes the pure analog input signal with the echo signal, a Trails switch that allows echoes to fade gradually after the effect is bypassed and an input Drive control, which can push the echoes into massive saturation. True stereo outputs provide breathtaking 3D sound when used with two amps or direct into a mixer.The Echolution contains a Loop feature that freezes the content of the delay line and repeats the captured audio. When the loop function is engaged, all of the modulation and multi-tap functions remain active, allowing you to warp and manipulate the sample beyond all recognition and then back again to its original sonic form. The Echolution can also operate its delay line in Reverse for backward sounds that are truly psychedelic. This is old school delay style "hold" looping. Reverse and Loop Functions are both switchable via a 2-button TRS remote switch. The key to the remarkably F.A.T. sound of the Echolution is a pair of Howard Davis&# |
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T-Rex Dr. Swamp Double Distortion Pedal : MusiciansFriend : USD279.99Gain1 setting gives you that magnificent Mudhoney fuzz while the Gain2 setting is more like a classic British stack with tight low end response. Volume control is unity gain in the 12 o'clock position and provides up to 15dB of boost. Great for solos with enough gain to get that comfort zone with clarity. |
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DigiTech JamMan Looper Pedal : MusiciansFriend : USD299.95The legend continues. When DigiTech invented the PDS8000 pedal almost twenty years ago, it stored eight seconds of audio. Now they ve reinvented it using removable CompactFlash memory to store up to 6.5 hours*! A wide range of features combined with ease of use make the DigiTech JamMan the perfect looper/phrase sampler for practicing, composing, and performing. The JamMan new comes with 1GB Compact Flash to hold over 3 hours of loops, all stored in 99 memory locations. The JamMan features; instrument input, balanced XLR input, and stereo 1/8 auxiliary input jacks. Guitars, bass, vocals and audio from MP3 players can be sampled, looped and overdubbed at 44.1 kHz 16-bit wave file format for superb CD quality audio. Spice up your performance with audio clips, backing tracks or take it on the road as a one man performance. |
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DigiTech Artist Series Scott Ian Black-13 Guitar Multi Effects Pedal : MusiciansFriend : USD99.95If you're looking for bone-crushing rhythm sounds and scorching riff tones only the Scott Ian Black-13 will satisfy. This stompbox gives you access to 7 of Ian's most celebrated distortion tones, from "I Am the Law" to "Finale." Using Production Modeling, DigiTech accurately analyzed Ian's guitar sounds, including effects and other processing. They modeled every aspect of the signal chain from the microphone and speaker cabinet to pre and post effects. Level, Cntrl 1, Cntrl 2, and Model knobs give you control over all the parameters. Amp and mixer outputs give you routing flexibility. |
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DigiTech EX-7 Expression Factory Guitar Multi Effects Pedal : MusiciansFriend : USD199.95The DigiTech EX-7 gives you all the classic bad boys in one amazing effect pedal with models based on the Dunlop Cry Baby Wah, Vox Clyde McCoy Wah, DigiTech XP300 Space Station, DigiTech Whammy, Unicord Univibe, Leslie 145 Rotary Speaker, and the A/DA Flanger.All the effects of the DF-7 Distortion Factory are also included in this Expression Factory pedal, with models based on the following distortion pedal/amp/cab configurations: the Ibanez TS9 through a Fender 1965 Deluxe Reverb 1x12, the DOD 250 through a Marshall 4 x12, the Boss DS-1 through a Johnson Amplification 4 x12, the Pro Co Rat through a Fender Bassman 2 x12, the Boss Metal Zone through a Johnson 4 x12, the DigiTech Metal Master through a VHT Amplification 4x12, and the EH Big Muff pi through a Marshall 4x12 with 25 watt Celestions.Each pedal model has 6 controls - 3 expression effect controls plus 3 distortion controls. Flexible output mode and separate amp and CIT (cab modeling) mixer outputs that feed your stage rig and PA system. Rugged cast-metal treadle and chassis. Included power supply.Names used in this document are trademarks of their respective owners, which in no way are associated or affiliated with DigiTech. These trademarks of other manufactures were used to identify products whose sounds were reviewed in the making of this product. |
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DigiTech FS3X 3-Button Footswitch : MusiciansFriend : USD39.95The DigiTech FS3X 3-button footswitch makes a great add-on for several DigiTech products including the Jimi Hendrix Experience, The JamMan, and the EX-7 Expression Factory to name a few. The FS3X provides increased functionality and convenient hands-free control over UP/DOWN selection of models, mode changes, loop selection, auto START/STOPS, and arms auto record on applicable gear. Compact and portable, its small footprint takes very little space on stage or in your gig bag. Durable 3-button metal chassis construction. A 10' stereo TRS cable is included with each unit. |
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DigiTech Artist Series- Brian May Pedal : MusiciansFriend : USD199.95DigiTech has built in 7 signature models with 14 distinctive, highly-sought-after tones. Models are named after famous Queen songs that featured Brian's guitar: 1. Keep Yourself Alive 2. Bohemian Rhapsody 3. Tie Your Mother Down 4. We Will Rock You/Champions 5. Crazy Little Thing Called Love 6. Brighton Rock Solo (Live) 7. Deacy Tone/A Winter's TaleDistinctive, sought after tones include: Red Special Guitar, Treble Booster, Deacy Amp, Vox® AC30, Foxx Foot Phaser™, Pickup Configurations, Delay, Reverb, Flanger, Acoustic, Tele® and more Integral hard-wired dynamic analog treble booster.Guitar knob lets you optimize Red Special Pedal's voicing to suit your guitar's pickups.Flexible Output Mode™ — Mono amp or Mixer and Stereo Mixer and Stereo Amp.Includes embroidered bag, Brian's plectrum of choice, a British Sixpence and power supply. |
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DigiTech RP150 Guitar Multi Effects Pedal : MusiciansFriend : USD79.95With the Digitech RP150 Guitar Multi Effects Pedal, accessing superbly detailed new models has never been easier. In three steps, you can dial in the perfect sound with DigiTech's Tone and Effects library knobs.1. Pick one of 30 tone presets, 2. Pick one of 30 effects chains, 3. Dial in your effects level and rock on.You may never go any deeper into the infinitely-tweakable RP interface. DigTech's RP tone and effects libraries let you access pre-designed combinations of models as fast as you can turn the knob. From mellow and bluesy to scorch-the-face-of-the-earth-raw, you're going to find combinations that fit your playing style. Modeling guitar processors with the raw power for real players and tone that deserves to be heard on stage and in the studio.USB connectivity for recording, preset editing/archiving/downloading and more. The RP150 is ready to talk to your PC or Mac computer: it has a built-in 24-bit 2-in/2-out USB interface. Lay down tracks with your favorite multitrack DAW software. Play back a mix or MP3 cut directly through your RP150 effects pedal and jam along with it. Download a free copy of X-Edit Editor/Librarian from www.digitech.com and customize presets, upload and download new tones, including those from magazine web sites and DigiTech's own thriving online player community.400% more horsepower. No wonder the DigiTech RP150 sounds so good. You're looking atthe world's most advanced audio processor, the "engine" that gives this generation of RP models so much more raw impact and subtle detail. Many other manufacturers use general-purpose, off-the-shelf chips. But creating the best guitar tone requires a 100% specialized, optimized processor. Being total audio processing fanatics, "Chip Wizard" engineers set out to create a super-processor specifically designed to power a whole new generation of effects and models. The design team worked for over two years, literally redefining audio signal processing at the chip level. Then DigiTech's "Tone Guru" engineers — fresh from Production Modeling triumphs like the Jimi Hendrix Experience Artist Series pedal — set to work taking advantage of all the raw processing power. When you hear what AudioDNA2 does for the tone of the RP150 guitar effects pedal, you'll agree it was all worth it.*Other product names modeled in this product are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. ProCo Rat, MXR, Boss Metal Zone, EH Big Muff Pi, Dunlop Cry Baby, Vox, Clyde McCoy Wah, Fender Twin Reverb, EMT, Fender Tweed Deluxe, Fender Bassman, Twin Reverb, Marshall Super Lead, Mesa/Boogie, Hiwatt, Fender Tweed Champ, Jensen Blue Backs and Celestion are trademarks ortrade names of other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product. |
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DigiTech RP250 Guitar Multi Effects Pedal : MusiciansFriend : USD99.95The DigiTech RP250 is a guitar multi effects pdal that makes access to superbly detailed new amp models easier than ever before. In just 3 easy steps you dial in the perfect sound with the DigiTech RP250 pedal's Tone and Effects library knobs:1. Pick one of 30 tone presets, 2. Pick one of 30 effects chains, 3. Dial in your effects level and rock on.You may never go any deeper into the infinitely-tweakable RP interface. Digitech's RP tone and effects libraries let you access pre-designed combinations of models as fast as you can turn the knob. From mellow and bluesy to scorch-the-face-of-the-earth-raw, you're going to find combinations in the RP250 pedal that fit your playing style. The DigiTech RP250 is a modeling guitar pedal with the raw power for real players and tone that deserves to be heard on stage and in the studio.USB connectivity for recording, preset editing/archiving/downloading and more. The RP250 effects pedal is ready to talk to your PC or Mac computer: DigiTech has included a built-in 24-bit 2- in/2-out USB interface. Lay down tracks with your favorite multitrack DAW software. Play back a mix or MP3 cut directly through your RP250 and jam along. Download a free copy of X-Edit Editor/Librarian from www.digitech.com and customize presets, upload and download new tones; including those from magazine web sites and DigiTech's own thriving online player community.400% more horsepower. No wonder the Digitech RP250 sounds so good. You're looking at the one of the world's most advanced audio processors, the "engine" that gives this generation of RP modeling pedals so much more raw impact and subtle detail. Other manufacturers use general-purpose, off-the-shelf chips. But creating the best guitar tone requires a 100% specialized, optimized processor. Being total audio processing fanatics, "Chip Wizard" engineers at DigiTech set out to create a super-processor specifically designed to power a whole new generation of effects and models. The design team worked for over 2 years, literally re-defining audio signal processing at the chip level. Then "Tone Guru" engineers—fresh from production modeling triumphs like the Jimi Hendrix Experience Artist Series pedal—set to work taking advantage of all this raw processing power. When you hear what AudioDNA2 does for the tone of the DigiTech RP250 you'll agree it was all worth it. *Other product names modeled in this product are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. Ibanez Tube Screamer, Guyatone Overdrive, ProCo Rat, MXR, Boss Metal Zone, EH Big Muff Pi, Dunlop Cry Baby, Vox, Clyde McCoy Wah, Fender Twin Reverb, EMT, Fender Tweed Deluxe, Fender Bassman, Twin Reverb, Marshall Super Lead, Mesa/Boogie, Hiwatt, Fender Tweed Champ, Jensen Blue Backs, Celestion, and VHT Amplification are trademarks or trade names of other man |
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DigiTech RP350 Guitar Multi Effects Pedal : MusiciansFriend : USD149.95Accessing superbly detailed new amp models can hardly be easer than with the DigiTech RP350 Guitar Multi Effect Pedal. There are three easy steps to dial in the perfect sound with DigiTech's Tone and Effects library knobs.1. Pick one of 30 tone presets, 2. Pick one of 30 effects chains, 3. Dial in your effects level and rock on.You may never go any deeper into the infinitely-tweakable RP interface. RP tone and effects libraries let you access pre-designed combinations of models as fast as you can turn the knob. From mellow and bluesy to scorch-the-face-of-the-earth-raw, you're going to find combinations that fit your playing style. It's a modeling guitar processor with the raw power for real players and tone that deserves to be heard on stage and in the studio. The DigiTech RP350's built-in expression pedal lets you alter parameters in real time to be more expressive. USB connectivity for recording, preset editing/archiving/downloading and more. The RP350 is ready to talk to your PC or Mac computer: it has a built-in 24-bit 2-in/2-out USB interface. Lay down tracks with your favorite multitrack DAW software. Play back a mix or MP3 cut directly through your RP350 effect pedal and jam along with it. Download a free copy of X-Edit Editor/Librarian from www.digitech.com and customize presets, upload and download new tones, including those from magazine web sites and DigiTech's own thriving online player community. 400% more horsepower. No wonder the RP350 modeling guitar pedal sounds so good. You're looking at the one of the world's most advanced audio processors, the "engine" that gives RP models so much more raw impact and subtle detail. Many manufacturers use general-purpose, off-the-shelf chips. But creating the best guitar tone requires a 100% specialized, optimized processor. Being total audio processing fanatics, DigiTech "Chip Wizard" engineers set out to create a super-processor specifically designed to power a whole new generation of effects and models. The design team worked for over two years, literally re-defining audio signal processing at the chip level. Then "Tone Guru" engineers — fresh from Production Modeling triumphs like the Jimi Hendrix Experience Artist Series pedal — set to work taking advantage of all this new raw processing power. When you hear what AudioDNA2 does for the tone of the DigiTech RP350 you'll agree it was all worth it.*Other product names modeled in this product are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. Ibanez Tube Screamer, Voodoo Labs Sparkle Drive, Guyatone Overdrive, ProCo Rat, MXR, Boss Metal Zone, Roger Mayer Octavia, Demeter Fuzzulator, Arbiter Fuzz Face, EH Big Muff Pi, Dunlop Cry Baby, Vox, Clyde McCoy Wah, MXR DynaComp, TC Electronic, EH Electric Mistress, EH Small Stone, Boss Octaver, Unicord Univibe, Fender Opto Tr |
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AMT Electronics DT-2 Distortion Station Guitar Effects Pedal : MusiciansFriend : USD144.95The Distortion Station is a multifunctional distortion effects pedal with multiple control knobs and switches making it possible to change all characteristics of the device. It is designed for musicians who want to have maximum possibilities under their feet. Distortion Station will help you create your own tones corresponding to your individual playing style. The three 3-positon switches allow the player to choose combo type, structure of pre-amplification and position of virtual mic in relation to virtual combo speaker. Individual tone, volume, and distortion level adjustments smoothly control the sound palette. |
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AMT Electronics FT-1 Fatal Tube Overdrive Guitar Effects Pedal : MusiciansFriend : USD119.95Fatal Tube is a guitar effects pedal with tube overdrive emulation and built-in combo emulation. The expanded section of tone correction makes it possible to control all the characteristics of this device. An addition to traditional low & high control knobs, the contour knob is designed for detailed mid-range tone control of your guitar. By using the gain and drive knobs you can set the extent of distortion for clean and distorted signals separately. |
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AMT Electronics RMN Du Hast Distortion Guitar Effect Pedal : MusiciansFriend : USD119.95RMN Du Hast is a distortion effect with really crunchy, thick sound designed for metal. You can plug this foot pedal into an amp, directly into a mixer or a recorder's linear input. The volume, distortion, high and low level adjustments give you a wide range of control. You won't suddenly go from clean to all out thrash at some ambiguous point on the dial — the Du Hast stomp box gives you access to a wide variety of distortion levels and characteristics. |
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AMT Electronics MZ-1 Metalizer Distortion Guitar Effects Pedal : MusiciansFriend : USD119.95The Metalizer is a guitar effects pedal emulating tube distortion and equipped with a built-in amp modeler. Just like the name says, this pedal will take your signal and turn it into some of the hardest rock and blistering heavy metal sounds you can imagine. At the same time, you get great note distinction for speedy riffs and licks. AMT uses the best of traditional effects processing plus their own unique methods —- and the results are stunning. The forced overdrive level setup in Metalizer means you sound great even at the minimum distortion level. You can set it and forget it if you want, but this is no one-trick pony. Rugged construction. |
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AMT Electronics CFS California Sound Distortion Guitar Effects Pedal : MusiciansFriend : USD119.95The California Sound is an analog distortion effects pedal equipped with tube distortion emulation circuitry. Pronounced guitar mid-tones and deep dense lows make this pedal extremely versatile for lots of modern styles. California Sound uses amp modeling exclusive to AMT. Output allows you to connect to an amp, mixer, or recording line input. |
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AMT Electronics GP Packer Guitar Compression Effects Pedal : MusiciansFriend : USD129.99The Guitar Packer effects pedal is a compressor designed specifically for electric guitar. Equipped with a built-in noise reduction device, it cuts pickup background noise from the tone signal. Based on the principle of dynamic range compression, Guitar Packer combines a compressor and active tone regulator. Adjustable lows and highs as well as compression depth make it possible to obtain a variety of tone qualities. |
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Sabine NEX-Power Power Supply for NEX Series : MusiciansFriend : USD16.99The NEX-Power can run up to 6 NexFX pedals (each NexFX pedal comes with its own Power Patch Cord). |
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Road Runner Effects Pedalboard Silver Small : MusiciansFriend : USD79.99The Road Runner pedal board is the safest and most convenient way to transport your valuable effects pedals to and from rehearsals and gigs. The base of these solid aluminum pedal cases are fully lined with Velcro while the lid is padded with thick nub foam. Road Runner includes self-adhesive Velcro tape for securely mounting your pedals. The pedalboard case features a nickel-plated steel spring handle, heavy duty hinges, and chrome plated butterfly locks. |
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Road Runner Effects Pedalboard Silver Large : MusiciansFriend : USD99.99The Road Runner pedal board is the safest and most convenient way to transport your valuable effects pedals to and from rehearsals and gigs. The base of these solid aluminum pedal cases are fully lined with Velcro while the lid is padded with thick nub foam. Road Runner includes self-adhesive Velcro tape for securely mounting your pedals. The pedalboard case features a nickel-plated steel spring handle, heavy duty hinges, and chrome plated butterfly locks. |
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Electro-Harmonix Voice Box Harmony Machine Vocal Effects Pedal : MusiciansFriend : USD214.5The Electro-Harmonix Voice Box is a harmony machine and vocoder that packs a multi-functional vocal synth processor into a tough and compact chassis. Sing, and the Voice Box pedal gives you a troupe of backup singers following you in perfect harmony. Or use the built-in vocoder to unleash classic synth-robot sounds. The Voice Box's harmony processor creates 2- to 4-part harmonies directly from your vocals in the same key as your accompanying instrument. The Voice Box pedal's studio-quality reverb lets you independently add depth to your vocal harmony.The focused 256-band articulate vocoder, designed by the same EMS genius who made vocoding famous, features adjustable harmonic enhancement and controllable formant shift. |
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BBE Sonic Stomp Sonic Maximizer Pedal : MusiciansFriend : USD99.99The BBE Sonic Stomp Pedal will make guitarists and bassists rejoice! More fullness, more presence, more clarity, and more control right at your feet. Hardwire bypass, nonslip rubber bottom, easy-access 9V battery compartment, and included external power supply.The BBE Process-"What it Is"Loudspeakers have difficulty working with the electronic signals supplied by an amplifier. These difficulties cause such major phase and amplitude distortion that the sound reproduced by the speaker differs significantly from the sound produced by the original source.In the past, these problems proved unsolvable and were thus relegated to a position of secondary importance in audio system design. However, phase and amplitude integrity is essential to accurate sound reproduction. Research shows that the information which the listener translates into the recognizable characteristics of a live performance are intimately tied into complex time and amplitude relationships between the fundamental and harmonic components of a given musical note or sound. These relationships define a sound's "sound".When these complex relationships pass through a speaker, the proper order is lost. The higher frequencies are delayed. A lower frequency may reach the listener's ear first or perhaps simultaneously with that of a higher frequency. In some cases, the fundamental components may be so time-shifted that they reach the listener's ear ahead of some or all of the harmonic components.This change in the phase and amplitude relationship on the harmonic and fundamental frequencies is technically called "envelope distortion." The listener perceives this loss of sound integrity in the reproduced sound as "muddy" and "smeared." In the extreme, it can become difficult to tell the difference between musical instruments, for example, an oboe and a clarinet.BBE Sound, Inc. conducted extensive studies of numerous speaker systems over a ten year period. With this knowledge, it became possible to identify the characteristics of an ideal speaker and to distill the corrections necessary to return the fundamental and harmonic frequency structures to their correct order. While there are differences among various speaker designs in the magnitude of their correction, the overall pattern of correction needed is remarkably consistent.The BBE Process is so unique that 42 patents have been awarded by the U.S. Patent Office. |
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BBE Acoustimax Sonic Maximizer/Preamp Pedal : MusiciansFriend : USD199.993-band recording-console-quality EQ with sweepable mid and low frequency notch filter. Phase reversal, ground lift, line level out, dedicated tuner out, TRS effects loop, and even a pre/post switchable DI output with pad make this a true studio-quality device that shines onstage. Hardwire bypass, non-slip rubber bottom, included 12V power supply.The BBE Process-"What it Is"Loudspeakers have difficulty working with the electronic signals supplied by an amplifier. These difficulties cause such major phase and amplitude distortion that the sound reproduced by the speaker differs significantly from the sound produced by the original source.In the past, these problems proved unsolvable and were thus relegated to a position of secondary importance in audio system design. However, phase and amplitude integrity is essential to accurate sound reproduction. Research shows that the information which the listener translates into the recognizable characteristics of a live performance are intimately tied into complex time and amplitude relationships between the fundamental and harmonic components of a given musical note or sound. These relationships define a sound's "sound".When these complex relationships pass through a speaker, the proper order is lost. The higher frequencies are delayed. A lower frequency may reach the listener's ear first or perhaps simultaneously with that of a higher frequency. In some cases, the fundamental components may be so time-shifted that they reach the listener's ear ahead of some or all of the harmonic components.This change in the phase and amplitude relationship on the harmonic and fundamental frequencies is technically called "envelope distortion." The listener perceives this loss of sound integrity in the reproduced sound as "muddy" and "smeared." In the extreme, it can become difficult to tell the difference between musical instruments, for example, an oboe and a clarinet.BBE Sound, Inc. conducted extensive studies of numerous speaker systems over a ten year period. With this knowledge, it became possible to identify the characteristics of an ideal speaker and to distill the corrections necessary to return the fundamental and harmonic frequency structures to their correct order. While there are differences among various speaker designs in the magnitude of their correction, the overall pattern of correction needed is remarkably consistent.The BBE Process is so unique that 42 patents have been awarded by the U.S. Patent Office. |
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BBE Opto Stomp Pedal : MusiciansFriend : USD99.99The BBE Opto Stomp Pedal offers you a soft-knee design that yields transparent control of dynamics and very musical compression reminiscent of the classic designs of the best vintage optical-element compressors of the '50s and '60s. Other features include switchable -15dB pad, LED compression indicator, non-slip rubber bottom, easy-access 9V battery compartment and included external power supply. |
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BBE Freq Boost Treble Booster Effect Pedal : MusiciansFriend : USD99.99BBE based the Freq Boost pedal on a rare '60s treble boost that gave many famous players signature sustain plus a fatter, overdriven sound. The Freq Boost is built to last, and features hardwire bypass, vintage treble boost circuit, single op-amp design, LED operation indicator, non-slip rubber bottom, and an easy-access 9V battery compartment. Includes AC power supply! |
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BBE Free Fuzz Effect Pedal : MusiciansFriend : USD119.99The Free Fuzz is patterned after a rare '70s fuzz pedal to deliver a full range of dynamic fuzz effects rich with creamy sustain. Incorporates a vintage fuzz circuit and silicon transistors for real-deal fuzz effects, from a sweet purr to all-out stoner-rock madness.The Free Fuzz is built to last, and features hardwire bypass, LED operation indicator, non-slip rubber bottom, and an easy-access 9V battery compartment. Includes AC power supply! |
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BBE Boosta Grande Clean Boost Effect Pedal : MusiciansFriend : USD79.99The Boosta Grande delivers up to 20dB of clean gain without changing the original signal's sound. Use it to drive your preamp tubes to the max, or as a line buffer/driver if you're experiencing degradation from other effects in the chain. The Boosta Grande is built to last, and features hardwire bypass, single op-amp design, LED operation indicator, non-slip rubber bottom, and an easy-access 9V battery compartment. Includes AC power supply! |
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BBE Crusher Distortion Effect Pedal : MusiciansFriend : USD79.99The Crusher distortion pedal employs a passive 3-band EQ to shape the massive high-gain output to your pleasure. Anything from a mild crunch to brutal, in-your-face distortion is possible.The Crusher is built to last and features hardwire bypass, high-gain distortion circuit, LED operation indicator, non-slip rubber bottom, and an easy-access 9V battery compartment. Includes AC power supply! |
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Krank Distortus Maximus Distortion Pedal : MusiciansFriend : USD149.0The Distortus Maximus packs all the bone-crunching tone of Krank amps into a compact pedal. Easy to operate with 3-band EQ, gain, and master controls. Achieve the high-gain harmonic flavors of the Revolution 1/Krankenstein amps that other distortion effects just can't deliver. It's over-the-top insanity with the warmth and clarity you expect from Krank. |
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Rocktron Rocktron 9V DC OnTap Universal Gtr Pedal Pwr Supp : MusiciansFriend : USD49.99The Rocktron guitar pedal power supply can power up to 20 stompboxes at the same time. Includes cables allowing connection to almost all stompboxes and effect pedals available (old and new!)Uses only one space on a power strip The DC OnTap features a switching power supply that operates automatically at 110V or 220V power allowing global usage. (A plug adaptor is not included but may be needed depending on local outlet socket style.) |
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Cliff FCR6919P Dual Button Amp Footswitch : MusiciansFriend : USD24.99Works with most guitar amps that use a 2 button footswitch. |
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Rocktron 9V DC OnTap Accessory Adaptor Cables : MusiciansFriend : USD29.99This set of Rocktron Accessory Adaptor Cables increases the capability of the already amazing Rocktron OnTap Universal Stompbox power supply. Now power up to 20 stomp boxes at the same time. |
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Moog Moogerfooger Low Pass Filter : MusiciansFriend : USD279.0The Moog Moogerfooger Low Pass Filter contains 2 complete modular functions: a voltage-controlled lowpass filter and an envelope follower. Use with any instrument- or line-level signal, and the MF-101 is ready to be tweaked for classic Moog filter guitar effects. |
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Moog MF-102 Moogerfooger Ring Modulator : MusiciansFriend : USD289.0The Moog MF-102 Moogerfooger Ring Modulator could be the best ring mod ever. Lots of fun to play with; turns the guitar into something else. This all-analog ring modulator rebuilds your sound into 2 separate tones and then uses an internal carrier oscillator to spread those tones apart in the frequency spectrum. The higher the carrier frequency, the more the new tones are separated. The very useable effects can be anything: slow, velvet-smooth tremolo, jangling chains, Chinese gongs. or classic outer space sounds. The LFO imparts trills, vibratos, and siren effects. |
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Moog MF-103 moogerfooger 6/12 Stage Phaser : MusiciansFriend : USD299.0A high-quality effect designed by Bob Moog, the Moog Moogerfooger MF-103 pedal contains an amazing-sounding 6- or 12-stage phaser circuit as well as a wide-range LFO with an adjustable sweep function. Used with guitars, basses, keyboards, samples, or recorded tracks, the MF-103 can apply subtle tonal coloration or extremely deep phasing that spins your speakers and ears out of control. Uncontaminated by the digital world! A direct descendant of the original Moog modular synthesizers, yet can be used with any instrument level to line level signal. Sweep frequency, resonance, LFO rate, and LFO amount can be controlled by great-feeling knobs, expression pedals, or external control voltages. Panel switches select range of LFO rate and 6- or 12-stage phasing. 1/4" audio inputs and outputs, pedal/control inputs, LFO out, and auxiliary sweep input for bi-phase effects. Heavy-duty yet smooth-acting bypass switch for tabletop or floor use. A phaser is a type of comb filter, so called because its frequency response has several dips and peaks, like the teeth of a comb. As the phaser response sweeps back and forth across the frequency spectrum, the harmonics of the audio input signal are alternately increased and decreased. This produces the classic phaser "whooshing" sound.Phasing is one of the best ways to impart motion to a track and to make sounds come alive. You can get swirling, shimmering, vibrating effects; fill up a whole stage from one sound source; and create brand-new sonic textures.The MF-103's 2 comb-filter responses are called 6-stage and 12-stage, because of the number of phase-shifting circuits that are used internally. The 6-stage mode has 3 dips in its frequency response, while the 12-stage mode has 6 dips. These 2 modes have distinctly different sound qualities. In addition, the MF-103 features a variable feedback circuit which increases the resonance or depth of the phaser sound. Power supply included. |
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Moog CP-251 Moogerfooger Control Processor : MusiciansFriend : USD379.0The award-winning Moogerfooger CP-251 Control Processor is a collection of classic modular synthesizer circuits designed by Bob Moog. With the Moogerfooger analog effects, minimoog Voyager analog synthesizer, or other voltage-controlled synthesis gear you can generate, modify, combine, and distribute control voltages for creating complex sound events with patch cords. The CP-251 Control Processor can be used in connection with one or more moogerfooger analog effects modules, the Minimoog Voyager, or other voltage-controlled gear. The CP-251 adds the same kind of power and versatility of the classic MOOG modular synthesizers.There are 2 kinds of signals in a modular analog synthesizer: audio and control. As audio signals go through a system of synthesizer modules, they get shaped into the sounds that you hear. Control signals, on the other hand, correspond to the variations in the sound that are imparted by the synthesizer modules, like invisible hands that turn the knobs of the modules. The CP-251 provides a dual waveform LFO, Noise Generator, Sample-and-Hold circuit, as well as 2 attenuators, a lag processor, a CV mixer and a 4-way mult. This gives you ways to modify, mix, and distribute control voltages to produce the incredible variety of sounds and effects that analog synthesizers are famous for. |
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Musicians Gear Powered Pedalboard and Gig Bag : MusiciansFriend : USD79.99The Musicians Gear Powered Pedalboard delivers plush protection and portability for your guitar effect pedals. Combines a built-in power strip on a removable pedalboard with a durable case equipped with a shoulder strap, exterior zipper pocket, and handle. The pedalboard is material-covered for easy hook-and-loop attachment of pedals.Includes AC adapter, power cords, Velcro for pedal attachment, LED power indicator, and special adapter for pedals that only accept 9-volt power. |
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Moog MF-105 Moogerfooger MuRF Analog Guitar Effect : MusiciansFriend : USD419.0The Moog MF-105 Moogerfooger MURF Analog Guitar Effect is the antidote to generic, boring effects. MURF stands for Multiple Resonance Filter Array, and the Moogerfooger MURF has 8 filters, each controlled by its own slider. The filters can be animated in up to 24 preset patterns. The rate of the patterns can be set by a knob, expression pedal, or plug a footswitch into the tap tempo input to match the rate to the tempo of your song. Rhythmic variations can be created by adjusting the levels of the filters. The Envelope control sets the shape of the modulation, which can be set for percolating techno rhythm or shimmering timbral morphing. Other controls on the Moog MF-105 Moogerfooger MURF include Input Drive, Output Level, and Wet/Dry Mix. Accepts any line- or instrument-level signal. |
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MXR CSP-026 Handwired 1974 Vintage Phase 90 Pedal : MusiciansFriend : USD119.99The long-time standard among phasers, the MXR Phase 90 is on the list of many players and even more collectors. Carefully recreated, this famous effect is available once again as the 1974 Vintage Phase 90. Hand wiring and hand selected matching transistors work together to bring back the same mesmerizing, smooth modulation as the original. You'll even find the same classic orange painted metal housing with the script logo.MXR effects have set the standard for tone and durability for more than 25 years. From time-honored classics to new cutting edge designs, MXR has your sound. |
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Moog Moogerfooger MF-104Z Analog Delay : MusiciansFriend : USD699.0For sheer luxury and inimitable sound quality, the MF-104Z may be the world's finest floor instrument delay. The MF-104Z features controls that allow you to vary the sound in a variety of ways possible only with a Moogerfooger. Drive and output levels let you adjust for signal strength. The delay time is variable from slightly less than 50 msec to slightly more than 1000 msec. Mix pot controls from completely dry to completely wet or anything in between. Feedback control mixes a portion of the delayed signal with the signal from your instrument. Feedback control can generate a single echo, sustaining echoes, or echoes that build up in chaotic ways. Switchable Internal Loop/External Loop selects the feedback path. In the Internal Loop position the feedback path goes directly from the output of the delay back to the input. In the External Loop position the feedback path goes through the Loop Out Jack and the Loop In Jack. This gives you an opportunity to insert signal processing in the feedback path, thereby enabling processing of the echoes as they are generated. Very cool with another Moogerfooger (unbelievable with the MuRF). Loop Gain controls the signal level which is applied to the Loop In jack when the "External Loop" is on. Inputs include: Audio In, Feedback Amount, Delay Time, and Wet/Dry Mix. Outputs include Mix Out and Delay Out. The Output Level on the front panel adjusts the levels of the direct and delayed signals that appear at the Mix Out and Delay Out. |
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Moog Bass MuRF MF-105B Moogerfooger : MusiciansFriend : USD419.0The unique sound of the Bass MuRF begins in the filter section. 7 of its 8 filters are resonant filters voiced at lower frequencies, and at the low end, there's a 3 dB/octave shelving filter. With a cutoff frequency of 110Hz, the Bass MuRF adds extra resonance and throat. In the Animation Section you'll find some familiar patterns along with some new ones, including some with very interesting rhythmic qualities.MuRF stands for Multiple Resonance Filter Array, and the Moogerfooger MuRF's 8 filters are each controlled by their own slider. The filters can be animated in up to 24 preset patterns. The rate of the patterns can be set by a knob, expression pedal, or plug a footswitch into the tap tempo input to match the rate to the tempo of your song. Rhythmic variations can be created by adjusting the levels of the filters. The Envelope control sets the shape of the modulation, which can be set for percolating techno rhythm or shimmering timbral morphing. Other controls include Input Drive, Output Level, and Wet/Dry Mix. Accepts any line- or instrument-level signal. |
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Dunlop BG-95 Buddy Guy Wah Pedal : MusiciansFriend : USD169.99Cited as a major influence by wah-wah masters such as Hendrix, Clapton, and Vaughn-Buddy Guy helped establish the wah-wah as part of the blues vocabulary. To honor his contributions Dunlop has created the Crybaby Buddy Guy Signature Wah Pedal, featuring the Fasel Inductor for a sweet and singing top end, and 2 distinct user selectable wah voices-choose DEEP for a big and throaty growl, or BG for Buddy's own warm and bell-like wah tone. Convenient side-mounted LEDs indicate which mode you are in, while a separate LED indicates effect on/off. Let your guitar sing the blues in style with the Buddy-approved polka dot graphics and custom signature tread. |
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Seymour Duncan SFX-02 Tweak Fuzz Pedal : MusiciansFriend : USD99.95The Seymour Duncan Tweak Fuzz is a unique fuzz effects pedal that incorporates a 6-position Tweak knob letting you voice your fuzz tone the way you want it. The basic tone is a rich, lush, vintage fuzz tone, but by selecting any of the preset tone circuits and playing with the Gain knob you can create a myriad of totally unique fuzz tones. The Seymour Duncan foot pedal has Volume, Gain, and Tweak controls. True bypass runs on 9V battery or 9V DC power supply.The Tweak control engages one of 6 preset EQ resonances that color the overall tone of the Tweak Fuzz, rolling off the bottom end and influencing the behavior of the Gain control. Each of the 6 frequencies was chosen and voiced to enhance rich harmonics and bring out the most flattering qualities of your guitar or bass. The Gain knob controls the amount of square wave clipping distortion, making your tone go from mildly distorted to all-out fuzz fury. The Volume control sets the overall level. True bypass circuitry completely removes the effect pedal from your guitar's signal chain, allowing your guitar's signal to pass through the Tweak Fuzz without affecting your tone or gain. Durable, heavy-duty 1.6mm steel sheet metal construction. |
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Seymour Duncan SFX-03 Twin Tube Classic Preamp Pedal : MusiciansFriend : USD219.95The SFX-03 Twin Tube Classic preamp pedal delivers all the gain and smooth tone you'd expect from a high-quality tube preamp. The high-plate voltage and 100% vacuum tube signal path allow the 2 - 6021 dual-triode tubes to operate at their fullest potential and provide maximum dynamic range. Two channels expand the tonal possibilities of this preamp even more, from glassy, smooth clean tones to warm crunch with tons of bite. Power supply included. |
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Pedal Pad Power Pad II Power Supply : MusiciansFriend : USD119.99This Power Pad II Power Supply cycles so far above the range of human hearing that ripple-based buzz (60-cycle hum) is eliminated. At 1.67 amps of current, the Power Pad II will deliver exactly 9 volts every time and can power up to 8 guitar effects pedals. AC and DC power is circuit protected. Includes an AC courtesy outlet which solves the problem of different voltages and reversed polarities. 8 - 2.1MM 9VDC outputs and cords and an IEC inlet with 10' AC power cable. |
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Creepnomore Non-Slip Pedal Base : MusiciansFriend : USD14.95Put an end to creeping pedal syndrome without the hassles of Velcro or duct tape. Rolls up for portability. Works with drum and keyboard pedals. |
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Pignose Piggy-In-A-Box Pedal : MusiciansFriend : USD85.95Dials in as much of that notorious ragged "Pignose Sound" as necessary - from tasty overdrive to metal overkill. |
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Pignose Detonator S.P. Distortion/Power Boost Pedal : MusiciansFriend : USD99.95It starts with the basic "Pignose Sound" then expands upon it to make some of the most rich, intense, and hellacious distortion tones possible. The Power Boost circuit delivers sound that's way over the top. |
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Hammond EXP-100F Expression Pedal : MusiciansFriend : USD212.0Expression pedal for the Hammond XK-3 and XE-1 with footswitch. |
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AMT Electronics Mattias Eklundh Freak Guitar Dual Drive Distortion Pedal : MusiciansFriend : USD349.95The Mattias Eklundh Freak Guitar Dual Drive Distortion Pedal was created through a collaboration of Swedish guitarist Mattias "IA" Eklundh, one of the most unique, extraordinary, and talented guitar virtuosos of the contemporary music world, and the AMT Custom Pedal Design Shop. The Freak Drive distortion pedal features the sound shaping flexibility and style design that reflect the creative passion of it's artistic namesake. The semi-parametric MF equalizer is the major distinguishing feature of this device. Using TWO mid control knobs (MID and MID FREQ) you can not only increase or decrease MF levels but also choose the band pass central frequency. This will give you a chance to control your guitar's tone with flexibly not offered on other regular effects. Each of the two foot switches is equipped with optical sensors which control the electromechanical relay switching between modes on/off by means of a microcontroller. Thus, AMT has eliminated the problem related to mechanical contacts wear-out due to frequent effects selection as in regular pedal effects. The AMT designed box features a 1.5mm stainless steel deck panel preventing tubes and controls from mechanical damage. This is truly a road worthy guitar pedal.All AMT pedals including the Mattias Eklundh distortion pedal are designed to sound equally as good through an amp or direct recorded due to built-in cabinet emulation circuitry. Perfect for live performance and in the studio. |
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AMT Electronics Bass Series Bass Pig Distortion Pedal : MusiciansFriend : USD119.95The AMT Bass Pig is for players who want a distortion that is heavier than tube overdrive, but lighter than heavy metal extreme grind. It's a mid-gain distortion perfect for rock, punk, and alternative rock styles. It helps your tone stand out in the mix with an aggressive Low control that's very effective in adding more bottom. Keep it backed off for your normal bass tones, and if you want to vibrate the stage, crank it. Built-in cab emulation circuitry ensures that it sounds equally good whether run through an amp or used for direct recording. |
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AMT Electronics Slap Bass Compressor Effect Pedal : MusiciansFriend : USD119.95The Slap Bass Compressor Pedal is a specialized effect designed for bassists who use funk and slap techniques. It instantly provides the compression, depth, and snappy attack this playing style requires. It can be used by non-slap players for distortion with its adjustable drive level. It's also an amazing tool for guitar players, allowing them to plug directly into their recorder and lay down a quick bass track. Built-in cabinet emulation circuitry ensures that it sounds equally good whether run through an amp or used for direct recording. |
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AMT Electronics Communist Pig Distortion Bass Effects Pedal : MusiciansFriend : USD119.95Looking for that perfect distorted, crunchy, cutting bass distortion? The Communist Pig Distortion Pedal is the answer. It provides a full range of distortions from slightly gritty classic rock tone to full hardcore thunder. It's a versatile addition to any bass rig. Built-in cabinet emulation circuitry ensures that it sounds equally good whether run through an amp or used for direct recording. |
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AMT Electronics Capitalist Pig Tube Drive Bass Effects Pedal : MusiciansFriend : USD189.95Capitalist Pig Tube Drive is a tamer brother of the Communist Pig Distortion Pedal. Designed for the player who seeks a warm bass tone,it is especially useful to those who play through a solid state amp. It delivers a creamy smooth tube tone rivaling that of classic valve amplifiers. It also has built-in cabinet emulation circuitry to ensure that it sounds as good in direct recording as when played through an amp. |
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Vox JamVOX Guitar Jam and Practice Tool Black : MusiciansFriend : USD249.99The Vox JamVOX is an integrated monitor and software system that extracts the guitar from any MP3 and plugs you into the mix of your favorite bands. Create instant jam tracks from any song and best of all, you play lead guitar backed by the original band members.JamVOX gives guitarists instant access to dozens of legendary amps and effects all in one easy to use "drag and drop" software interface. Revolutionary Guitar XTracktion (GXT) technology lets you remove the guitar part of your favorite songs with the push of a button. Alternatively, you can extract or isolate the guitar part, slow down the tempo on the backing track, and practice any style of music without changing the pitch.The Vox JamVOX practice tool includes authentic software models, or recreations, of 19 famous guitar amps and 54 vintage and modern effects, so you'll be able to perfectly reproduce the sounds of your favorite guitarists. It also comes with a dedicated full-range USB monitor speaker, so there's no need for complex wiring or any specialized knowledge of computer music. A two-CD 28-song bundle of guitar play-along tracks of famous songs, courtesy of Hal Leonard Corporation, is also included. |
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BBE Two Timer Delay Guitar Effects Pedal Red : MusiciansFriend : USD149.99The BBE Two Timer guitar pedal was inspired by the long discontinued BOSS DM-2 Delay. The DM-2 was known for its warm, haunting reverb and tape-like echoes. The Two Timer offers two Independent delay times foot switchable via the TIME 1/TIME 2 mode switch. This makes it possible to have one delay setup for a short slapback rhythm sound while another is set to a longer delay for solos.The Two Timer is essentially two great analog delays in one compact delay pedal. The circuit features a BBD (Bucket Brigade Delay) for the warmth and character only analog can deliver, 1% Metal Film resistors for pristine audio quality plus true hardwire bypass for a clean signal path when the effect is bypassed.Other features on the BBE Two Timer include hardwire bypass, LED operation indicator, non-slip rubber bottom, easy-access 9v battery compartment and included external power supply |
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BBE The Wah Guitar Effects Pedal Black : MusiciansFriend : USD149.99The BBE Wah Pedal is based on a 1967 Class A circuit design that featured a unique Halo inductor which is essential to its vocal-like qualities. Players and collectors who search for vintage wah effect pedals pay a premium for these rare examples. BBE has re-engineered and custom-tuned the Halo inductor to re-create the expressive tones made famous by players like Eric Clapton and Jimi Hendrix. In addition, The Wah's potentiometer was designed for the ultimate dynamic sweep response. What's more, a Harmony control is added so you can custom tailor the wah to your personal taste. All components are hand-wired for the ultimate in vintage authenticity.As with all BBE guitar pedals, the Wah features an on/off LED status indicator plus True Hard-Wire Bypass for a clean signal path when the effect is bypassed. |
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Electro-Harmonix XO Q-Tron Envelope Filter Guitar Effects Pedal : MusiciansFriend : USD148.5The Electro-Harmonix XO Q-Tron is an envelope filter guitar effects pedal that has a switchable boost. The Q-Tron pedal's filter modes deliver an unlimited supply of new auto-wah effects that drip with attitude. Increased frequency response and improved signal-to-noise ratio make the Electro-Harmonix Q-Tron envelope filter pedal perfect for use with any instrument. Bootsy Collins and George Clinton already have theirs. How about you? |
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Akai EWI USB Electronic Wind Controller : MusiciansFriend : USD299.0The Akai Professional EWI USB is an electronic wind instrument for musicians looking for an easy-to-play, easy-to-use controller. Akai Professional's decades of experience in wind and electronic music instruments are rolled into Akai's most user-friendly—and most affordable—EWI ever.Premium Pedigree For over 20 years, Akai Professional has studied the art of playing saxophone, clarinet, oboe, bassoon, and other traditional wind instruments and developed electronic wind instruments that enable wind players to enjoy the same expressive control as in an acoustic instrument. Akai Professional designed the EWI USB to give wind players the expressive musical capabilities previously found only in much more expensive instruments.Professional Performance EWIs are the only choice for serious wind players looking to make music electronically. While EWI USB is easy and fun to use, it's also powerful, flexible, and—most importantly—reliable enough for use on stage and in the studio by professional musicians.Computer Control EWI USB's is extremely flexible because it harnesses your computer to generate its sounds. Its USB interface means that all you need is nearly any Mac or PC and the included EWI USB software, and you're ready to practice, perform, create, and record with a full collection of wind instrument sounds. Aria Player software was produced specifically for use with EWI USB, providing wind players with an unprecedented level of expressive control. |
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Nady HE-1 Hum Eliminator : MusiciansFriend : USD30.95The Nady compact HE-1 is a sure-fire bet for quick and easy removal of 60/120 cycle AC hum from your signal path. This two channel mini-box is designed to eliminate hum caused by ground loops while also acting as a direct box capable of converting unbalanced signals to true balanced signals for long interference-free cable runs. It's passive design is easily portable with no AC sockets necessary. A couple of these are essential hardware in every musician's or roadie's tool bag. |
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Monster Power PRO 900 PowerCenter Black : MusiciansFriend : USD99.95Employ the PowerCenter PRO 900 from Monster Power to feed clean, hi-octane AC current into your prized pres. 1U rackmount PowerCenter features advanced power filtering optimized for audio components. The 8 color-coded, component specific outlets in back include a high current outlet for a power amplifier. The front of the panel is graced with two convenient outlets and an XLR lamp connection with dimmer control. Monster's patented circuitry provides a high level of protection with an 1850 joule rating. |
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Monster Power PowerCenter PRO 200 Translucent Red : MusiciansFriend : USD39.95The Monster Cable PowerCenter Pro 200 is an ultra compact power center with clean power filtering and surge guard to protect your music gear from harmful surges and maximize performance. While most live and studio systems incorporate power conditioning for main components and gear, equipment located a distance away may plug into other outlets, potentially wreaking havoc on your sound. You need to protect and optimize AC power for all of your musical equipment. The Pro 200 is perfect for musical instruments and recording gear located away from the main power conditioning area. It features the same technology found in many of Monster's rack mounted, full-sized Pro PowerCenters, in a unit that's small enough to take anywhere! |
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Universal Audio 2-610 Dual Channel Mic Preamp : MusiciansFriend : USD2099.0The Universal Audio 2-610 is a two-channel tube microphone preamplifier based on the legendary Universal Audio 610 modular console, which was never commercially available (though Frank Sinatra and Ray Charles each had one). The UA 610 has left its mark on countless classic recordings from Sinatra to Pet Sounds to Van Halen to LA Woman. Designed by Bill Putnam, the Universal Audio 610 was among the first modular recording consoles. Early Universal Audio consoles were used in all of Putnam's studios including Universal Recording in Chicago and United Western in Los Angeles. Many prominent engineers such as Bruce Swedien began their careers in these studios with this classic rotary knob console. Along with the 610, UA's 1176LN Limiting Amplifier and Teletronix LA-2A Leveling Amplifier have remained studio standards since their introduction and continue to define the sound of modern music.Unlike many vintage "style" mic pres, the 2-610 is true to the design of its predecessor, the Universal Audio 610. The expertise of Universal Audio in analog design translates into a classic tube preamplifier with all of the character of its vintage predecessor, yet designed for the requirements and rigor of the modern studio. Universal Audio has taken great care to preserve the quality and character of the original, while adding functionality with more boost/cut settings, phantom power, direct inputs and impedance controls.The Universal Audio 2-610 Mic Pre is the perfect tool for tracking and ideal when used in conjunction with a Universal Audio compressor such as the 1176LN and Teletronix LA-2A. Whether you're running pure analog or seeking to enhance your digital audio workstation, the 2-610 will bring classic tube character to your recording. |
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Universal Audio UAD-1e Extreme PAK PCI Card : MusiciansFriend : USD1999.0The Universal Audio UAD-1e Extreme PAK includes all the available Powered Plug-Ins—up to and including those in UAD Software version 4.5.x—a total of 32 world class plug-ins! This sophisticated audio processor runs UA's suite of Powered Plug-Ins, offloading your computer's CPU for other native mix effects, virtual instruments, and more tracks. UAD-1e is compatible with the high-speed PCI Express (PCIe) bus used in the latest generation of Apple Macs and PCs. UA's fast-growing plug-in library brings the most sonically revered studio processors from the past 50 years of audio to your computer, including vintage equalizers and compressors, superior precision mastering tools, lush reverbs, guitar effects, and the most accurate, officially licensed classic hardware emulations from Roland and Neve.Included Plug-Ins Compressors 1176LN 1176SE Fairchild 670 LA-2A Neve 33609 Precision Limiter Precision Multiband Cambridge EQEqualizers Neve 1073 EQ Neve 1081 EQ Precision EQ Pultec EQP-1A Pultec ProReverbs DreamVerb Plate 140 RealVerb ProChorus Boss CE-1 Roland Dimension DChannel Strip CS-1 Plug-In SuiteDelay Roland RE-201Guitar Nigel Plug-In SuiteMulti-Card (add more DSP!) Need more raw DSP horsepower to run more UAD plugs in your mixes or simply want to run all your sessions at higher sample rates? The UAD was designed as a multi-card system allowing up to 4 UAD cards to run on an OS X Mac/Win XP PC, PCI or PCI-X based computer. Your existing plug-in licenses can be used across cards after registering a new card to your Universal Audio account and downloading the new plug authorization file.• Easily expand your DSP power with extra cards (up to 4 UAD-1 or UAD-1e Cards per system) • Automatic DSP load balancing by driver (intelligent use of card DSP resources ) • Plug-In Licenses Valid for up to 4-cards in a system (no need to re-purchase) • Use any combination of cards (PCI or PCIe) |
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A-Designs EM-Gold Preamp Module : MusiciansFriend : USD799.99In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy soundThe A-Designs Audio Erickson Montessi - Gold microphone preamp module is designed to complement the other A-Designs preamp modules and further expand the sonic palette with its own unique frequencies. In solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the "big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also "ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With a rack full of EM series preamps, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights. Another color for the EM paletteThe EM-Gold combines the output transformer of the A-Designs EM-Silver, which will translate into a darker sound, and the input transformer of the A-Designs EM-Red, which gives you "up-front" mids. As a result, the EM-Gold brings more midrange frequencies to the lower end of the sonic spectrum, which makes it an excellent choice for drum miking (toms in particular). It also excels on various guitars (especially if you want that midrange "chunk" that moves the speakers), vocals, MP3/drum machines, and bass — and if you've ever heard the A Designs REDDI, you know that nobody knows their way around bass tone better than A Designs Audio. Solid build quality and functionality The A-Designs EM-Gold features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and phase reversal, 62dB of gain, a large aluminum cast knob for gain, custom-wound input and output transformers, two thumb screws for easy installation, and an extremely solid build quality. Most of a |
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ART USBPhonoPlus v2 Computer Audio Interface : MusiciansFriend : USD99.0The USBPhonoPlus v2 is a low-cost USB computer interface for transferring analog and digital audio source—especially from a turntable—to your computer. The USBPhonoPlus v2 adds more convenient pre or post monitor source selection and a variable headphone level control to the already successful low noise RIAA standard A/D interface package.The USBPhonoPlus v2 is fully compliant with the USB 1.1 specification and uses USB adaptive mode for playback and USB asynchronous mode for audio recording applications. Optical TOSLINK inputs and outputs as well as S/PDIF inputs allow it to act as a convenient digital audio to USB interface as well standard line level analog audio/USB conversion tool. Designed to work with the USB audio device drivers in PC Windows 98SE/ME/2000/XP, Mac OS9.1 or greater (with native USB support) or any OS-X based system, it requires no additional drivers.Housed in a robust black anodized-aluminum case, the USBPhonoPlus v2 audio interface can be powered by either an external power supply or directly from a PC based USB host port for added convenience. The USBPhonoPlus v2 now ships with a CD-ROM of the audio recording utility Audacity. |
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DigiTech PS913 Power Supply for VOC300/RP300 : MusiciansFriend : USD24.95Get the power supply and quit buying those batteries. Reliable and steady (as long as the grid doesn't go down). |
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SMPro Audio PM-8 Passive Mixer : MusiciansFriend : USD399.0Why a 'passive' mixer, we hear you say? For software multi-track and hardware synth users, there are plenty of good reasons. Without getting too technical about it, the upshot is that your mixdowns will simply sound better as a result.Those of us who mix using computer software are faced with an inevitable compromise. You can spend a great deal of time trying to build up a mix to sound clear and dynamic, with great depth and dimension. Yet, as you're building things up, things just don't seem to sound the way they should. Then, by the time you listen to the stereo CD, you're not smiling anymore.Even while folks might be congratulating you on a job well done, you know something is not right.Don't worry! It's not your imagination. Your ears are telling you the truth!Just as with hardware mixing consoles, software faces similar challenges when it comes to modifying and merging multiple audio signals into a single stereo stream. Something strange always seems to happen to the sound. Software developers spend an enormous amount of time and money trying to get this right. This partly explains why the best software also costs big bucks. Even when multi-tracking with software, this is why top studio producers and engineers around the world will almost unanimously opt for using a good hardware console for final mixdowns.So, for those of us who would prefer not to spend mega-dollars on a high-end mixing console but would like to get closer to the real deal, all you need do is hook up a multi-channel audio interface to the PM-8 Passive Summing Box and you'll be wanting to remix everything you've ever done!Using high quality components, the PM-8 merges up to eight analog channels into a clean and clear stereo pair, with all the sonic depth and dynamics intact. If your software is not cutting it, just use it for what it's best at multi-tracking! Leave the merging of the final stereo mix to the PM-8. And if you need more channels just hook up another PM-8! As with all passive mixing devices, passively attenuating the signals will lead to a drop in the main mix output level. The PM8 offers a transparent active gain make-up stage (this requires the unit to be connected to main's power). If you do not need the make-up gain, or would like to use your own external make-up gain unit/preamplifer, you do not need to connect main's power to the PM8. The audio path will remain fully passive from input to output.It's also the perfect tool for merging those great sounding hardware synths and samplers into the mix without compromise. |
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SMPro Audio EP-84 Multichannel Microphone Preamplifier : MusiciansFriend : USD249.0The EP84 is the latest multichannel microphone preamplifier from SM Pro Audio. Packed with quality features and connectivity options, this sturdy 2RU rack-mountable unit is designed to provide studio users with 8 channels of clean and accurate microphone preamplification. The EP84 is an excellent front end for computer audio systems, stand-alone hard disk recorders, or just about any other analog or digital workstation.With all the functionality of a top line preamplifier, the EP84 features independent variable gain control, -20dB pad, phase reverse, low cut filters, 48v Phantom power, and insert points on each of the eight (8) channels.Each mic-pre provides some 60dB of gain with a massive 23db of maximum output. Eight (8) ADAT format channel outputs can be added to the EP84 via installation of the optional PR8IIA ADAT output module. With this simple user installed option, the EP84 integrates superbly into today's digital studio environments without a hitch. Great for connection to the latest ADAT compatible audio interfaces, the EP84 expands your recording possibilities — you can even mic up the whole band! Note: The analog outputs (both +4dB XLR & -10dB TS) and the digital ADAT ouput (when fitted with the PR8IIA output module) operate simultaneously. |
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SMPro Audio M-Patch 2 Passive Volume Control/Switch Box : MusiciansFriend : USD149.0The M-Patch 2 is a compact desktop/rack-mountable sized passive volume attenuator and patch control device. Building on the success of the original M-Patch, the new M-Patch 2 is a feature packed passive problem solver for nearly all production environments. The M-Patch 2 provides an ideal desktop or rack mounted, stereo level control solution for any audio monitoring application.A great way to passively attenuate stereo signals from soundcards, CD players, pre-amps, and mixers, the M-Patch 2 front panel rotary controls allow precise level adjustments for two input sources. Featuring balanced combo XLR/TRS input jacks and XLR outputs, RCA & 3.5mm jack inputs, mono/stereo summing switch, Mute switch, A/B output pairs, and a built in stereo headphone amplifier, the M-Patch 2 has all bases covered. No more bit loss! One of the benefits of passive volume attenuation is that you no longer have to control volumes with your software master volume fader. Reducing audio levels from software only reduces your bit depth. It is much more appropriate to keep your software masters at unity and passively attenuate the audio to your active monitors.No active circuitry, buffers, transistors, batteries, or power supply of any kind can interfere with the main passive output of the M-Patch 2. It simply delivers attenuated signal. That's it... pure, simple transparent.For users wishing to monitor the audio via the built in headphone amplifier, the included external power supply is required. Even with power connected to the unit the main outputs remain outside of the power circuit!The M-Patch 2's dual rotary controls allows precise level adjustments within 1dB from 0 to -40dB, with ± .5dB interchannel accuracy to -60 dB. In addition, the M-Patch 2 features completely balanced operation with its combo XLR/TRS input jacks, and XLR outputs, and can be used in unbalanced applications with the RCA & 3.5mm stereo input connectors. Two stereo output channels are provided (A&B) with a selector switch on the front panel.The M-Patch 2 is a true problem solver. It will work seamlessly within your system, is very transparent and silent. You will now be able to keep your bit levels up in your system, eliminate using your mixer, and keep all volumes at an acceptable level. This is a very handy tool for a wide variety of applications.You can use M-Patch 2 anywhere you want to trim the amount of gain; ie, reduce the volume of analog audio signals. For example, you could use one to trim the output of a microphone pre-amplifier. With its high-quality potentiometer, the M-Patch 2 passes signal more accurately, and sounds better than most built-in volume controls. Another use might be to trim the levels of a 5.1 or greater multi-channel monitor system - either one pair of channels, or two, or all of them. You can also use a M-Patch 2 to trim the output level of a Digital to Analog Converter like those found in high end pre-amplifiers. Or as a local volume control for distri |
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DigiTech Vocalist Live 2 Harmony Processor : MusiciansFriend : USD299.95The DigiTech Vocalist Live 2 Harmony Processor uses breakthrough musIQ technology to directly analyze the output of any electric or pre-amplified acoustic guitar (no special MIDI guitars or hex-outputs needed). Then it generates the correct vocal harmony. For example, if you're singing an A over the chords that are generally found in the key of G, Vocalist will harmonize with a C. But, if you then play an A major, the Digitech Vocalist will shift to the C#...because like any good harmony singer, it listens to the guitar! A surprising number of songs "fool" other harmony pedals because these songs just don't work with a single key/scale setting. In fact, any song that has the same note sung over two different chords (for example, a C sung in the melody over a C maj / F maj chord sequence) is going to confound conventional harmony pedals.With musIQ, forget about the technology just sing and play! Skip complicated programming and having to analyze each song chord-by-chord; just 1. Plug in your microphone and guitar; 2. Pick a 3rd or 5th-above or below harmony preset; 3. Sing and play — when you want harmony, just step on the footswitch!Patent-pending musIQ technology combines new Note Detection algorithms with state-of-the-art Harmony Generation. The Note Detection section analyzes complex guitar waveforms and determines which notes in each chord are critical to accurate harmony. This information is then fed to an advanced harmony engine that creates harmonies consistent with both the singer's melody and the underlying guitar accompaniment.This totally new, musically-intelligent effects processor hybrid of traditional chordal and scalic harmony modes means that Vocalist Live musIQ harmonies stay true to not only the overall key and song scale, but also localized variations due to chords that aren't part of the global key. You've never heard anything like it! |
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ART Tube PAC : MusiciansFriend : USD99.0The ART Tube PAC is a combination of the world's most popular tube mic/line preamp and optical tube compressor. ART engineers took the Tube MP and Tube Compressor and combined them into a single, convenient, aircraft-quality extruded aluminum chassis. This table-top design allows for easy placement in the studio or on the stage with immediate access to all the controls, features, and metering. In addition to being a tremendous vocal and instrument preamp and compressor package, this may well be the ultimate in tube direct boxes! |
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DigiTech Vocalist Live 4 Harmony Processor : MusiciansFriend : USD499.95DigiTech Vocalist Live 4 is a harmony processor that features an onboard mixer and footswitches for easy use by singing guitarists. Vocalist Live 4 also features breakthrough musIQ technology to make it more intelligent. A surprising number of songs fool other harmony pedals because these songs just don't work with a single key/scale setting. In fact, any song that has the same note sung over 2 different chords (for example, a C sung in the melody over a C maj / F maj chord sequence) is going to confound conventional harmonizing devices.Vocalist Live 4's musIQ technology allows it to directly analyze the output of any electric or pre-amplified acoustic guitar (no special MIDI guitars or hex-outputs needed). Then it generates the correct vocal harmony. For example, if you're singing an A over the chords that are generally found in the key of G, Vocalist will harmonize with a C. But, if you then play an A major, Vocalist will shift to the C# because like any good harmony singer, it listens to the guitar! With musIQ, forget about the technology-just sing and play! Skip complicated programming and having to analyze each song chord-by-chord; just 1. Plug in your microphone and guitar; 2. Pick a 3rd or 5th-above or below harmony preset; 3. Sing and play — when you want harmony, just step on the footswitch!Patent-pending musIQ technology combines new note detection algorithms with state-of-the-art harmony generation. The Note Detection section analyzes complex guitar waveforms and determines which notes in each chord are critical to accurate harmony. This information is then fed to an advanced harmony engine that creates harmonies consistent with both the singer's melody and the underlying guitar accompaniment.This totally new, musically-intelligent hybrid of traditional chordal and scalic harmony modes means that Vocalist Live 4 musIQ harmonies stay true to not only the overall key and song scale, but also localized variations due to chords that aren't part of the global key. You've never heard anything like it! |
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DigiTech GSP1101 Guitar Multi Effects Processor : MusiciansFriend : USD499.95The DigiTech GSP1101 Gutiar Effects Processor is not just any ordinary preamp; it is designed to work with external amplifiers and rigs to preserve your core tone. By allowing you to switch between external preamps and internal preamps, then adding internal stompboxes, wahs, effects, delays and lush Lexicon reverbs, the GSP1101 is the most versatile rackmount guitar preamp on the planet. The GSP1101 can also be used alone like a standard preamp / processor. It's simple to set up with the setup wizard and easy to dial in with the easy to use interface. 1-2-3-Play!The GSP1101 features balanced XLR outputs for direct recording, USB for programming and direct to computer recording. A flexible preamp loop allows the GSP1101 to be easily connected into any rig. |
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Lexicon MX300 Stereo Reverb Effects Processor with USB : MusiciansFriend : USD299.95The MX300 puts the great sound of a hardware Lexicon reverb—plus the ability to put that power to work as part of your DAW workflow via PC VST and Mac AU plug-ins—in one unit. Even better, the ultra-affordable MX300 comes packed with a significant portion of the capabilities from the powerful MX400.All parameters of every reverb, delay and dynamic effect in this powerhouse processor are available inside any PC VST or Macintosh AU compatible DAW program. Just link your computer to the MX300 with a USB cable and control automation and recall parameters exactly as you would with any software plug-in. You get the sonic benefits only Lexicon hardware can provide without bogging down your computer's CPU with the extreme demands of reverb plug-ins.Along with the unique hardware plug-ins for PC and Mac, Lexicon has also included MX-Edit Librarian software so you can store and recall custom programs or pull up an unlimited number of Lexicon settings. Do a serious side-by-side listening test of the MX300 versus comparably priced competition and units costing far more. You'll hear why Lexicon is the leader in reverberation effects. Full arsenal of voice and instrument-enhancing effects includes 16 Lexicon reverbs, seven delays, genuine DBX compression, de-essing, and modulated effects that will make any performance sound better.Lexicon designed the MX300 to be ultra-easy-to use in demanding live sound situations. Once a program has been selected, you have instant access to three parameter knobs — instead of having to page through extra menus. You can program a whole night of presets, and dial them up quickly with the dedicated program select knob and bright LED display. Like every product that Lexicon makes, the MX300 is designed to withstand years of jarring, jostling, load-ins, load-outs, brownouts and power surges. It's simply the most live reverb ever offered at this price.The MX300 lets you switch effect routings easily via front panel controls, so you don't have to spend time behind your rack changing cables. Dual Mono sends the Left and Right input signals through Effect 1 and Effect 2 respectively. Each signal is then routed to its respective output, completely independent from the other. Cascade (Series) sends Left and Right input signals first through Effect 1, then through Effect 2, and then routed as a stereo signal to their respective outputs. Dual Stereo (Parallel) routes Left and Right input signals through both effects independently. Both Effects' output signals are then mixed together, and routed to both the outputs as a single stereo signal. _Mono Split sends Left input signal through Effect 1, while the Right input signal is sent through Effect 2. The output signals of both Effects are then mixed together, and routed to both the outputs as a single stereo signal.Stereo routing provides a single stereo effect path for Left and Right signals. This routing removes one of the effect modules for users requ |
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A-Designs MP-1A Mono Tube Microphone Preamplifier : MusiciansFriend : USD1595.0There aren't many companies that can design and build one preamp that engineers and producers feel that they could make an entire record with. A-Designs Audio has built two. The all-tube MP-1A and the solid-state Pacifica, but we're here to talk about the MP-1A (you can check out the Pacifica later). With A Designs Audio's MP-1A, not only do you get a never-ending sweetspot and sonic majesty, it also gets top marks in "works and plays well with others." Meaning, while some preamps are picky when it comes to mics, the MP-1A welcomes all — and sounds great no matter what you put through it — ribbon, dynamic, or condenser. Better still, while the MP-1A falls squarely into the realm of "color" preamp, it never overwhelms a track with too much character. If you've been searching for an all-tube preamp with a rich bottom end, sweet and airy top end and enough tonal versatility to record all of your tracks without over-colorization at mixdown, think A designs Audio MP-1A.A Designs Audio MP-1A, First Take: True tube in, tube out mono mic preamp World-class custom-wound transformers Two "tone" switches, give you four unique tone signatures. Audiophile quality and components and a price below comparable boutique preampsTrue tube mic preampThe MP-1A is a classic 1-channel tube mic pre based on the celebrated MP-1. It offers the same true tube in / tube out design, plus the same quality that made the original MP-1 and MP-2 the buzz of the professional audio industry. New features include a -20 db pad switch, two selectable tone switches for four possible tones, plus 60db of gain (perfect for next generation ribbon mics) Classic features include a world-class Cinemag input transformer coupled with a custom wound output transformer, delivering the low noise and top quality sound that you demand from a high-end, high-priced mic-pre. Additional features include a balanced combo XLR/1/4 inch input, a true VU meter, phantom power and phase reverse switches, and a front panel line level input jack.Custom transformers, the key to punchy sound and quiet operationA lot of preamp builders believe that transformers are things to be avoided, but in reality, they're responsible for the sound we prefer in rock/pop music. The trick is finding good ones. Bad transformers can ring or decimate the upper frequency range, but when a transformer is properly designed and built, such as those by Cinemag (who's lineage includes making transformers for the top consoles in recording history) they are a thing of beauty, delivering a full, punchy sound like no other. Plus, thanks to the superior electronic isolation of transformers, noise and hum is reduced. That's why you can overdrive an MP-1A and get rich, milky distortion without the extra noise. The transformers you find in A Designs Audio's preasmps are hand- and "ear-" built by Tom Reichenbach of Cinemag. Tom is the son of the designer of the lege |
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A-Designs MP-2A Stereo Tube Microphone Preamplifier : MusiciansFriend : USD2495.0There aren't many companies that can design and build one preamp that engineers and producers feel that they could make an entire record with. A Designs Audio has built two. The all-tube MP-2A and the solid-state Pacifica, but we're here to talk about the MP-2A (you can check out the Pacifica later). With A Designs Audio's MP-2A, not only do you get a never-ending sweetspot and sonic majesty, it also gets top marks in "works and plays well with others." Meaning, while some preamps are picky when it comes to mics, the MP-2A welcomes all — and sounds great no matter what you put through it — ribbon, dynamic, or condenser. Better still, while the MP-2A falls squarely into the realm of "color" preamp, it never overwhelms a track with too much character. If you've been searching for an all-tube preamp with a rich bottom end, sweet and airy top end and enough tonal versatility to record all of your tracks without over-colorization at mixdown, think A designs Audio MP-2A.A Designs Audio MP-2A, First Take: True tube in, tube out stereo mic preamp World-class custom-wound transformers Two "tone" switches, give you four unique tone signatures. Audiophile quality and components and a price below comparable boutique preampsTrue tube mic preampThe MP-2A is a classic 1-channel tube mic pre based on the celebrated MP-1. It offers the same true tube in / tube out design, plus the same quality that made the original MP-1 and MP-2 the buzz of the professional audio industry. New features include a -20 db pad switch, two selectable tone switches for four possible tones, plus 60db of gain (perfect for next generation ribbon mics) Classic features include a world-class Cinemag input transformer coupled with a custom wound output transformer, delivering the low noise and top quality sound that you demand from a high-end, high-priced mic-pre. Additional features include a balanced combo XLR/1/4 inch input, a true VU meter, phantom power and phase reverse switches, and a front panel line level input jack.Custom transformers, the key to punchy sound and quiet operationA lot of preamp builders believe that transformers are things to be avoided, but in reality, they're responsible for the sound we prefer in rock/pop music. The trick is finding good ones. Bad transformers can ring or decimate the upper frequency range, but when a transformer is properly designed and built, such as those by Cinemag (whose lineage includes making transformers for the top consoles in recording history) they are a thing of beauty, delivering a full, punchy sound like no other. Plus, thanks to the superior electronic isolation of transformers, noise and hum is reduced. That's why you can overdrive an MP-2A and get rich, milky distortion without the extra noise. The transformers you find in A Designs Audio's preasmps are hand- and "ear-" built by Tom Reichenbach of Cinemag. Tom is the son of the designer of the legend |
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Gibson 4-Outlet 3240 Joule Surge Protector : MusiciansFriend : USD99.99Gibson's 4-Outlet Pure Surge Protector has specifically designed power connection for home theater and media center protection. Rated at 3240 joules. |
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Live Wire Solutions HA04 4-Channel Headphone Amplifier : MusiciansFriend : USD49.99The HA04 4-Channel Headphone Amplifier from Live Wire is a single-input headphone amp that provides high-quality audio monitoring for up to four pairs of stereo headphones, with individual volume control. It's the ideal solution for sound reinforcement, studio, choir, and other applications where space is limited. |
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Live Wire Solutions ADI Active DI Direct Box : MusiciansFriend : USD59.99The Live Wire ADI Active DI Direct Box offers you 1/4" high impedance input and throughput, balanced XLR output. Ground lift switch, 0/-20/-40dB attenuation switches. Powered by 9V battery or 48V phantom power. Heavy-duty, all-steel chassis, rubber skid pad.In addition to cable products, Live Wire has taken expertise in audio interconnection and applied it toward a variety of tools that assist in common solutions for sound professionals. Encompassing equipment for studio and stage, Live Wire Solutions use the same no-compromise design philosophy used for their cables, with high-quality parts and attention to detail that make them dependable for crucial applications. For answers to your everyday challenges in music, your solution is simple: Live Wire Solutions. |
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PowerSquid Surge 1000 Surge Protector Black : MusiciansFriend : USD49.95This is the entry-level PowerSquid Surge Protector power supply unit with over 1000 Joules of Ultra-MOV protection and 5 outlets. Premium protection by any measure.When it comes to safety and reliability, the Flexity family of PowerSquid Surge Protectors are engineered to be the most sophisticated and effective power delivery appliances on the planet, featuring both cutting-edge design with dramatic benefits, as well as no-compromise circuitry designed for maximum protection. All componentry is of the best available quality and the latest technology.Next generation surge protection with Ultra-MOV Technology. Metal Oxide Varistors (MOVs) are the heart of a surge protector. Flexity PowerSquids feature Ultra-MOVs, the latest and most sophisticated technology on the market with enhanced heat dissipation and 27% greater capacity.Purestream EMI/RFI Power Filter. Electromagnetic interference in the current has been shown to hurt performance and be a source of errors and damage to sensitive components. Every Flexity PowerSquid features Purestream power filtering technology to protect your equipment and enhance picture and sound quality.Tripwire Circuit catastrophic event protection. The PowerSquid Tripwire Circuit physically severs the electrical circuit in the event of a catastrophic event like a lightning strike to protect your equipment from harm.Complete connectivity protection for dial-up, DSL or coax. Phone line protection is provided by ultra-reliable and fast-acting sidactors with integral line splitter. Coaxial cable protection is provided by gas tube with gold-plated connectors for better signal transmission. Many damaging surges enter through information lines rather than power lines.Modern, mobile lifestyles are driving an ever-increasing number of electrical devices in the average home, many of which feature bulky transformer plugs that take up extra outlets on conventional powerstrips. To solve this problem, manufacturers have made ever larger and more bulky power strips with "adapter-spaced" outlets. All of these solutions rely on the same model-a box with fixed outlets!The PowerSquid transforms the static power strip into a dynamic power delivery device. By freeing the independent outlets from the confines of the box, it gives the user flexibility, greater reach and ease of use, while easily accommodating transformer blocks.You can rest easy knowing that the PowerSquid provides the best protection from power surges that money can buy. |
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PowerSquid Surge 3000 Calamari Edition Surge Protector White : MusiciansFriend : USD79.95The PowerSquid Surge Protector is the next step in the evolution of the power strip. The Surge 3000-Calamari Edition's graceful cephalopod design and stylish blue-on-white accouterments are extending the look and feel of one's computer or MP3 player from the device all the way to the wall. In addition, it comes fully loaded with a feature set that includes: a 3240 Joule rating, two glowing neon tentacles, an audible alarm, a flat profile fit 360-degree rotating swivel plug, and an impressive $500,000 Limited Connected Equipment Warranty.When it comes to safety and reliability, the Flexity family of PowerSquid Surge Protectors are engineered to be the most sophisticated and effective power delivery appliances on the planet, featuring both cutting-edge design with dramatic benefits, as well as no-compromise circuitry designed for maximum protection. All componentry is of the best available quality and the latest technology.Next generation surge protection with Ultra-MOV Technology. Metal Oxide Varistors (MOVs) are the heart of a surge protector. Flexity PowerSquids feature Ultra-MOVs, the latest and most sophisticated technology on the market with enhanced heat dissipation and 27% greater capacity.Purestream EMI/RFI Power Filter. Electromagnetic interference in the current has been shown to hurt performance and be a source of errors and damage to sensitive components. Every Flexity PowerSquid features Purestream power filtering technology to protect your equipment and enhance picture and sound quality.Tripwire Circuit catastrophic event protection. The PowerSquid Tripwire Circuit physically severs the electrical circuit in the event of a catastrophic event like a lightning strike to protect your equipment from harm.Complete connectivity protection for dial-up, DSL or coax. Phone line protection is provided by ultra-reliable and fast-acting sidactors with integral line splitter. Coaxial cable protection is provided by gas tube with gold-plated connectors for better signal transmission. Many damaging surges enter through information lines rather than power lines.Modern, mobile lifestyles are driving an ever-increasing number of electrical devices in the average home, many of which feature bulky transformer plugs that take up extra outlets on conventional powerstrips. To solve this problem, manufacturers have made ever larger and more bulky power strips with "adapter-spaced" outlets. All of these solutions rely on the same model-a box with fixed outlets!The PowerSquid transforms the static power strip into a dynamic power delivery device. By freeing the independent outlets from the confines of the box, it gives the user flexibility, greater reach and ease of use, while easily accommodating transformer blocks.You can rest easy knowing that the PowerSquid provides the best protection from power surges that money can buy. |
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DOD SR231QXLR Graphic EQ : MusiciansFriend : USD129.95The DOD SR231QXLR Graphic EQ is two constant Q, 31-band, 1/3-octave equalizers in a steel chassis that inhabits only two rackspaces. Low-cut filter at 50Hz with a 12dB/octave slope. Back panel boasts two balanced XLR and two 1/4" inputs and the same outputs. Fully shielded internal power supply, steel chassis, and high-end circuitry for crystal-clear signal path. |
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DOD SR430QXLR Graphic EQ : MusiciansFriend : USD99.99The compact DOD SR430QXLR Graphic EQ unit with pro features has a price as tiny as its faceplate. A low-cut filter at 50Hz with a 12dB/octave slope, ISO 2/3-octave frequency centers, constant Q, balanced XLR ins and outs, balanced 1/4" ins and outs. |
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DOD SR431QXLR 31-Band EQ : MusiciansFriend : USD99.99Provides 31 bands of EQ trimming on 1/3-octave frequency centers. It has a low-cut filter at 50Hz with a 12dB/octave slope. Both XLR and 1/4" balanced inputs and outputs. Constant Q filters and a fully shielded internal transformer provide extremely quiet operation. |
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DOD SR830QXLR Dual 15-Band EQ : MusiciansFriend : USD129.99Longer-throw 45mm faders provide more precise adjustments when EQing a room. All-steel chassis. Constant Q. Low cut filter at 50Hz with a 12dB/octave slope. Balanced XLR inputs and outputs. Balanced 1/4" inputs and impedance balanced 1/4" outputs. Shielded internal power supply. ISO 1/3 octave frequency centers. |
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DOD SR831QX 31-Band EQ : MusiciansFriend : USD129.991/3 octave, 31-band, constant- Q equalizer housed in a 2 rack space, all-steel chassis. It includes a shielded internal power supply, balanced XLR and 1/4" I/O. Also features a low cut filter at 50Hz with a 12dB/octave slope. |
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Rocktron Prophesy II Guitar Multi Effects Processor : MusiciansFriend : USD1349.0Grab onto one of the world's foremost guitar preamps: The Rocktron Prophesy II! The depth is truly amazing and the control is top notch. This outstanding DSP processor provides the ultimate control over your tone and effects. It has an extremely fast, powerful, and drop-out-free DSP processing engine built around dual 24-bit/66MHz Motorola chips. Plus that processing core is surrounded by premium Analog Devices converters at each end, so you get maximum headroom, no clipping, and none of the conversion load is put upon the main processors. This multichip array delivers higher-quality sound than many of its competitors. On top of all this, the Prophesy II is packed with rippin' presets programmed by Rocktron endorsers, Dave Mustaine, Gary Hoey, Rusty Cooley, Jimi Bell, and more.Preamp Section The preamp section of the Prophesy features four channels each with their own distinct "voicings" to provide a vast array of desired tube amp sounds. Each voicing may be thought of as a "channel" and each channel has its own basic gain and master controls with bass, mid, treble and presence controls, all easily accessible with "real amp" knobs on the front panel, just like a regular amp head.• Channel 1/Clean American replicates some of the most sought-after clean vintage tweed amps of the late 50s and 60s• Channel 2/"Texas Blues" is a vintage tweed with a bit more "kick" and "bite" often heard from the famous southwest bluesers ala "Billy Gibbons, Stevie Ray, Eric Johnson, etc. • Channel 3/"Vintage British" is a traditional "Plexi Style" tone offering some of the most dynamic rhythm tone available• Channel 4/"Mega Drive" the ultimate quest for almighty heavy tone of modern music pumping out everything from early Van Halen to Megadeth and everything in betweenThe preamp section also features a parametric Pre EQ, which allows you to "pre-shape" your tone to simulate the characteristics of several different guitars (such as fine-tuning your single-coil pickup to sound more like a humbucker, etc.) as well as an additional parametric post EQ to add extra lows, high, or scoop out the mids. And if that's not enough, there's also a global parametric EQ to adjust the overall output of the Prophesy on all presets. Effects Section The effects section of the Prophesy is divided up into two sections, pre distortion (or pre-preamp), and post distortion (or post preamp) for unlimited configurations of effects. The pre-effects section features Wah, Compressor, HUSH(r), Pre-EQ, as well as one assignable effect of your choice.The post-effects section provides ultra-transparent, high-quality effects which completely preserve the tone of the preamp-thick reverbs and lush choruses can be used without coloring the sound of the preamp's tone. Four assignable "effect blocks" allow you to assign 1 effect pre-preamp and 3 post prea |
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TC Electronic Konnekt Live : MusiciansFriend : USD399.0To call Konnekt Live an intriguing interface for live performers is merely scratching the surface. Whereas most audio interfaces in the live laptop performance scene are designed for recording purposes, TC Helicon's interface raises the bar and offers clear-cut playback advantages to live laptop performers.Imagine a master compressor, a Finalizer that puts you in full control of your output. Add to that Konnekt Live's extensive output routing that enhances the audio passing through via its optimized analog output section. Bundled with Ableton Live software and a suite of built-in DSP effects, you won't find a more versatile interface for your live performance.Typically, real-time, high-quality output processing puts heavy demands on your CPU. Not so with the Konnekt Live interface. Since all DSP processing takes place inside Konnekt Live, all you have to worry about is being creative-your computer is left with plenty of headroom for other tasks.Studio-Quality Sound At its most basic, the sound quality of TC Electronic Konnekt Live takes your performance to the next level. Whether you run pre-recorded tracks, effects, plug-ins or live inputs through it, Konnekt Live easily outperforms other audio interfaces, compact mixers, or budget rack units on the scene. You can think of this interface as a high quality yet compact mixer that integrates perfectly with balanced or unbalanced systems, big PA rigs and active speaker systems alike.DSP Effects Inside Konnekt Live houses a suite of advanced effects-including DSP-under its hood that were designed with your toughest performance requirements in mind. The effects quality so far only known from recording studios is now within reach for your live setup.3-band master compressor built on latest dynamics processing algorithms-the perfect Finalizer for any venue. Its unique MINT (Meta Intuitive Navigation Technology) user interface allows you to respond intuitively to what you hear, taking the bore right out of tweaking tons of parameters and settings.Choose between 9 classic reverb algorithms for breathtaking effects and vocal reverb on loops, pre-recorded tracks, live vocals, instruments or keyboards.Lo-cut/hi-cut filter that offers you ultra fat filtering effects. Throw in resonance, 6, 12 and 24 dB slopes for even more stunning sounds. Its inter-communication bus facilitates controlling and tweaking multiple plug-ins and parameters from one plug-in, cross-fading between two plug-ins etc.Sturdy design Its road-ready casing is designed for the rigors of live performing and life on the road. The audio interface fits right under your laptop and its heavy rubber frame serves as a solid grip on tilted or slippery surfaces allowing this baby to take a serious amount of gravitational punishment before it gives in to the laws of physics.Versatility If you crave that old school touch, stay tuned: TC Electronic Konnekt Live comes with a turntable cable and an onboard RIAA plug-in. The selection of RIAA f |
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TC Electronic C400XL Dual Stereo Gate/Compressor : MusiciansFriend : USD349.0The TC Helicon C400XL is a supreme dual stereo gate and compressor specially designed for audio professionals on the road. Combining award-winning multi-band compression technology with an extremely fast and intuitive user interface as well as a super silent click-free gate, the rackmountable C400XL is made for the uncompromising live engineer.Multiband dynamics technology The C400XL Compressor uses advanced TC Helicon multi-band dynamics technology to compress any source-from vocals and percussion to guitars and even keyboards. If you want the sound of a full band via one band compressor you can do that too; even de-essing and de-hiss is an option. The inherent transparency of the multi-band compressor brings out the qualities of the source material, yet secures a firm and consistent level. The optimized and super-fast gate offers a click-free and high precision gating of any source.Three strikes and you're in The C400XL stands out in three distinct areas that make it the ideal unit for the live circuit. First there is the sound quality-this quality is ensured by source-based multi-band compression and ultra fast gating. Another great aspect of the C400XL is its versatility: Adapt to any source-analog or digital-decide on gate, compression or a combination, and C400XL is up for the task at hand. And finally there is the intuitive, fast use of C400XL-source-based compression, intuitive user interface, and a mix knob for parallel compression-making a fast, professional unit.Intuitive, yet advanced Like the C300, C400XL features a TC Helicon exclusive 'Mix' knob allowing parallel compression without complicated routing schemes.To assure smooth operation, C400XL Compressor is equipped with high-resolution input, gain-reduction metering and threshold LED indication. Choose between true dual mono for superior channel separation, and stereo or serial operation. TC400XL features brick wall limiting for peak stop and hot levels prevention.Analog and digital connectors The TC Helicon C400XL is the ideal choice for parallel compression, gating and/or compressor applications. A C400XL channel transforms from multi-band compressor to ultra fast gate and back at a flick of a switch. Gate and compressor functions can be serial or parallel at the choice of the engineer, thus allowing e.g. awesome combinations of compressor and gate on a snare drum giving that tight and snappy impact sound. Balanced Analog (XLR) and Digital AES/EBU (XLR) connectors make C400XL the perfect solution for any pro sound engineer looking for high-end compression/gates to complement his analog or digital console. |
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TC Helicon VoiceTone Create Vocal Pedal : MusiciansFriend : USD249.0You've worked hard to create a vocal sound that's all your own, but leaving your live sound in the hands of others is hit and miss. Now you can make your sound engineer, your audience and your band smile with high-quality vocal processing that starts at the stage and is exclusively under your control with TC-Helicon VoiceTone pedal for singers.The VoiceTone Create pedal's studio-quality sound, ready-for-action construction, and unobtrusive size let you carry it along with your favorite mic to the gig, whether it's a club or a concert hall. And operation couldn't be easier. You'll get the sound you want in seconds, instantly boosting your performance the very first night you use the VoiceTone Create pedal. Up to now, only the most successful singers have taken their producer, live engineer, and vocal coach on the road, but now it's your turn to bring your vocal posse with you and ensure that your message-your sound-is heard.Take control of your live sound Feel like you're wrestling with others over your sound? From the moment you plug your mic into a VoiceTone pedal, you're in control of the tone and effects on your voice. When you sing through VoiceTone Create vocal effect pedals, you're saying, "This is my sound, don't mess with it!"Enjoy Complete Quality Quality can be witnessed in every aspect of the VoiceTone design. Studio caliber audio algorithms, transparent converters, and fastidious analog audio design lead to a smooth sound that makes you want to sing your best while your fans get, well, fanatic. It just wouldn't be enough to make products that sound this good without making sure they stand up to the rough treatment they're going to get onstage or kicking around a rehearsal room floor.Producer in a Pedal. If you're tired of the dull, dry vocal coming back at you onstage, you're ready for the VoiceTone Create vocal pedal. Now you can have the same pro quality ambience and ear-catching effect types that producers use in the studio to make vocals sound sweet. At its simplest, Create is a high quality voice effects unit that you bring to performances to feel confident that your style of effects, whether it's country, rock, metal, blues or jazz, is under your control.Create features 99 preset combinations of reverb, delay, thickening/micro-tuning, distortion and telephone/megaphone effects that can inspire creativity and bring the sound of the CD to the stage. The straightforward controls, A/B effects switching and simple radio button preset selection give singers easy access to a rich palette of effects. |
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TC Helicon VoiceTone Correct Vocal Pedal : MusiciansFriend : USD249.0You've worked hard to create a vocal sound that's all your own, but leaving your live sound in the hands of others is hit and miss. Now you can make your sound engineer, your audience and your band smile with high-quality vocal processing that starts at the stage and is exclusively under your control with TC-Helicon VoiceTone pedals for singers.The VoiceTone Correct pedal's studio-quality sound, ready-for-action construction, and unobtrusive size let you carry it along with your favorite mic to the gig, whether it's a club or a concert hall. And operation couldn't be easier. You'll get the sound you want in seconds, instantly boosting your performance the very first night you use a VoiceTone pedal. Up to now, only the most successful singers have taken their producer, live engineer and vocal coach on the road, but now it's your turn to bring your vocal posse with you and ensure that your message-your sound-is heard.Take control of your live sound Feel like you're wrestling with others over your sound? From the moment you plug your mic into a VoiceTone vocal processing pedal, you're in control of the tone and effects on your voice. When you sing through VoiceTone Create and Correct pedals you're saying, "This is my sound, don't mess with it!"Enjoy Complete Quality Quality can be witnessed in every aspect of the VoiceTone design. Studio caliber audio algorithms, transparent converters and fastidious analog audio design lead to a smooth sound that makes you want to sing your best while your fans get, well, fanatic. It just wouldn't be enough to make products that sound this good without making sure they stand up to the rough treatment they're going to get onstage or kicking around a rehearsal room floor.Live Engineer and Correction-in-a-pedal The nicest and most simpatico sound engineer you will ever meet is inside VoiceTone Correct. It combines pitch correction with tone and dynamic shaping that put a recorded gloss on live singing. Sensing algorithms developed at TC-Helicon automatically adjust the recording industry techniques of multiband EQ, compression and de-essing for you, so you get the best sound with the least amount of effort.Partner your new sound with auto-chromatic pitch correction which helps you sing more in tune, much like a metronome helps for playing in time. The miniaturization of sound engineers and vocal coaches was a challenge, but the results will surely impress you and your audience! |
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Tapco Tweeq T-231 Dual 31-Band Equalizer Factory B-Stock : MusiciansFriend : USD99.99More than 30 years ago, Tapco built a reputation for affordable, high-quality audio mixers and graphic equalizers at very musician-friendly prices. Today, they continue that tradition with the Tweeq T-231, a dual 31-band graphic equalizer with exceptional construction, high-precision sliders, sensible features and great sound quality.Why should you Tweeq? Your average car or home stereo typically provides bass and treble controls to let you tune your system to your particular taste. The Tapco Tweeq T-231 works in a similar way, but offers much finer control via 31 separate precision slide controls that boost or cut specific frequencies, ranging from the lowest bass to the highest treble frequencies. While you can certainly use the T-231 to fine-tune a PA system to suit your particular tonal preferences, it's most powerful as a tool for correcting issues like muddy sounding loudspeakers or annoying feedback from stage monitors.What's to Tweeq? The T-231 Equalizer features dual-channel stereo operation with precision sliders for fine control of your audio. It's designed with constant Q filters for superior sonic performance at 1/3-octave intervals across the entire range of frequencies normal human beings, drummers and DJs can hear. In addition, both channels offer variable high and low pass filters for removing unwanted upper and lower frequencies from your sound, a 6 or 12 dB range switch for gross or fine tuning, bright four-segment LED metering, Output gain control, and a bypass switch for quick A/B comparisons. And forget the adapters because the Tweeq T-231 EQ provides RCA, balanced/unbalanced 1/4-inch and balanced XLR connections for both inputs and outputs.Tough, so you don't have to be Fortunately for you road dogs, the Tweeq T-231 EQ is compact-filling just two spaces in your standard 19-inch rack-mount road case. It has a switchable 115V/230V power supply in case you're traveling across borders, and it's designed to be tough enough to withstand the punishing rigors of the road while continuing to perform set after set, night after night, year after year. |
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PreSonus HP4 Headphone Amp/Audio-Technica Headphone Bundle : MusiciansFriend : USD199.99This group monitoring kit bundles the PreSonus HP4 Discrete 4-Channel Headphone Amp with four pairs of Audio-Technica ATH-M2X Stereo Headphones.HP4 Discrete 4-Channel Headphone AmpThe PreSonus HP4 Discrete 4-Channel Headphone Amp features 4 headphone outputs on the front panel, each with its own volume, and 150mW of amplification per channel extremely loud output with a low -98dB noise floor. It also allows control over control room monitors with a separate volume knob that can be muted using the Monitor Mute button. 1/3 rackspace. Accepts balanced/unbalanced inputs and outputs (1/4" TRS). Input can either be set to stereo or mono (the mono selector button on the front channel simply copies both inputs to both sides). Powered by an external wall-mounted supply.The HP4 represents a tremendous value as echoed by this email received by PreSonus:"To my amazement, your HP4 sounded as good as both of my hi-fi stereo heaphone amps. Very very clean and loud. I can't believe you put 150 mw per channel, @52 ohms, to four headphone outputs and offer such a quality unit for very little over $100." (M. Burke via email)ATH-M2X Stereo Headphones The Audio-Technica ATH-M2X Stereo Headphones have high-performance 40mm drivers and an open-back design that delivers the wide-frequency response and extended dynamic range demanded by digital sources. Bass response is exceptionally smooth and full for a modestly priced headphone. The ATH-M2X has soft leatherette ear pads, adjustable headband, and light weight (4 oz.) for extended comfortable listening. Frequency response 20Hz to 20kHz, 11-1/2' cable with mini-plug (1/4" adapter included). |
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